SAMUEL ADAMS FALL AND WINTER SEASONALS HELP SET THE HOLIDAY SPIRIT

We’re well into fall and quickly approaching the holiday season. And brewers have been releasing their seasonal and holiday brews at a brisk pace. This post focuses on a bevy of recent releases from Samuel Adams. From ales to porters, to stouts to lagers, there is no shortage of fermented malts and hops (many brewed with various herbs, spices and other special ingredients) to satisfy your beer hungers. Happy holidays!

 

FALL AND WINTER SEASONALS:

 

Pumpkin Batch (5.6% ABV, 26 IBUs)

 

This is a Belgian saison-style pale ale brewed with pumpkin and cinnamon, ginger, allspice and nutmeg spices. This comes through clearly in the aroma of a classic pumpkin spice pie. It tastes very spicy with nice light touch of bitterness from the East Kent Goldings and Fuggles hops.

 

 

 

 

Harvest Pumpkin Ale (5.7% ABV, 14 IBU)

 

 

Want more pumpkin?! With this one, malty aromas and flavors (Samuel Adams two-row malt blend, Caramel 60, Special B and a smoke malt) are more prominent blending nicely with the pumpkin and classic pumpkin pie spices – clove, cinnamon, ginger, allspice, and nutmeg. A rich pumpkin pie taste compliments a mildly fruity beer that ends with a very spicy finish. I don’t pick up the East Kent Goldings and Fuggles hops but they likely are what lifts this to excellence.

 

 

White Christmas (5.8% ABV, 8 IBUs)

 

A Belgian white ale brewed with cinnamon (instead of the traditional coriander), nutmeg, and orange peel, Spalt Spalter Noble hops barely show among the malt and wheat. But the spice mix adds a nice complexity as a sense of dried fruit emerges.

 

WINTER CLASSICS:


Winter Lager (5.6% ABV, 22 IBUs)

Heavy on the malt, with modest hopiness, this has a much darker color than I expected from a lager (but then the company’s press material describes it as a wheat bock). Brewed with orange peel, ginger, and cinnamon, the nose is malty with spicy herb notes. The palate follows a creamy head with citrus, spicy herb, malty notes, and a slightly peppery finish.

 

 

Old Fezziwig Ale (5.9% ABV, 25 IBUs 

 

Spicy & bold, this festive ale is bursting with the flavors of the season. With a full body and spice it’ll help those long winter nights pass more quickly. The rich malt character (from Samuel Adams two-row pale malt blend, Munich 10, and chocolate malt) creates notes of sweet toffee, caramel, & roasty chocolate while spices like cinnamon, ginger and orange peel dance on the tongue (thank you Hallertau Mittelfrueh, and Tettnang Tettnanger hops) bringing with them the celebratory spirit of the season (and a nice touch of anise).

 

 

 

Holiday Porter (5.8% ABV, 40 IBUs)

 

Deep, rich and roasted, this festive porter balances a smooth malty sweetness (accented by flaked oats) with an earthy hoppiness (East Kent Goldings, Fuggles, Spalt Spalter varieties). Nicely roasted with a firm impact, it is ideal as a winter warmer.


Chocolate Bock (5.8% ABV, 11 IBUs)

 

Smooth, rich, and dark with the robust flavor and creamy texture of chocolate.  This subtly sweet brew is slowly aged on a bed of Proprietary blend of cocoa nibs from Ghana, Ecuador, and Madagascar, imparting flavors of chocolate, honey, and vanilla. Lager Tettnang Tettnanger, Spalt Spalter hops; Samuel Adams two-row pale malt blend, Caramel 60, and Munich 10

 

Sparkling Ale (4.8% ABV, 20 IBUs)

 

I found the Sparkling Ale – a style unfamiliar to me (the press material says it is the brewers’ take on a rare historic Scottish style – to be a pleasant surprise. I didn’t expect the effusive effervescent that accompanied the light hoppy character of the Hallertau Mittelfrueh, Tettnang Tettnanger, and Spalt Spalter Noble hops with pale and a slightly tart quality (most likely rom the acidulated malts). Tightly beaded bubbles contribute to the dry finish.

 

 

LIMITED RELEASE:

 

Hoppy Red (5.7% ABV, 44 IBUs)

True to its name and specs, this one presented a nice balance of citrusy hops and caramelized malts. A slightly resinous, piney character provided a firm impact on the, while cherry and creamy malt lead to a crisp finish.

 

 

 

 

 

SMALL BATCH:

 

Honey Queen “Braggot”  (7.5% ABV, 10 IBUs)

This one is really a unique concoction from the Samuel Adams brewers. It is essentially a mix blend of mead (honey wine) and ale, a style known as a “Braggot” harkening back to medieval times (something like 12th century). It apparently is even mentioned in the works of Chaucer! This one uses a combination of Orange Blossom, Clover and Alfalfa honeys. And that honey is quite prominent, as is a spicy complexity from East Kent Goldings, Strisselspalt and Aramis hops. and to create this unique Braggot.  I even pick up a floral note from the added chamomile and a pleasantly sour note from the acidulated malts.

 

 

 

Fat Jack Double Pumpkin Ale (8.5 ABV 25 IBU)

 

With more than 28 pounds of pumpkin per barrel, accented with more of those East Kent Golding and Fuggles hops and smoked malts, this selection from the Small Batch catalogue shows intense classic pumpkin pie spices like cinnamon, nutmeg and allspice. In the nose, a nice balance of pumpkin, spice and cream precede flavors of roasted and smoked malts, with hints of molasses and caramel; all delivered with a smooth mouth feel.

 

 

 

Merrymaker Gingerbread Stout (9.0% ABV, 25 IBUs)

 

Another holiday seasonal “ale brewed with spices,” a rich, roasted stout character is accented with cinnamon, clove, nutmeg and ginger. These intense aromas are lifted by citrusy East Kent Golding and Fuggles hops. For me, the mouth shows more of the roasted and coffee notes while the spices recede to the background and are welcomed with a cherry-like finish. An ideal winter warmer.

 

ARGENTINA’S MALBEC AN INCREASINGLY POPULAR RED WINE CHOICE

 

Wine has been made in Argentina at least as long and probably longer than in the U.S. but it really is in just the last ten years or so that Argentinian wine – most notably Malbec, Argentina’s “signature grape” – has emerged in the U.S. market. More and more people who used to order a Merlot or Cabernet Sauvignon now are enticed to request a Malbec.

 

Of course, it helps that the wines are user friendly and eminently drinkable. But this growing popularity is mostly due to the welcoming prices (many at $20 or less). These wines hit the value sweet spot. Below are several new releases (only one will set you back serious money) that would be fine choices for everyday drinking.

 

Malbec, a minor blending grape in Bordeaux (though important in Cahors) experiences some sort of alchemy in Argentina’s high desert soils. Mendoza in the northwestern part of the country is the primary source, though other regions have gotten into the act successfully. Much good quality Mendoza Malbec can be had for $15 or less and you will get up front, round fruit and lush textures for your money. Good options from my recent tastings:

 

  • 2012 Septima ($11) – a new winery with Spanish ownership farming high altitude vineyards
  • 2012 Rutini “Trumpeter” ($11) – dating from 1885 and now owned by the Argentinian icon Nicolas Catena, this is his value brand
  • 2013 Arido ($12) – notable for its complete lack of oak influence emphasizing bright fruit
  • 2013 Argento Reserva ($14) – producing solid wines from high altitude vineyards since 1998
  • 2013 Gascon ($14) –vineyards dating to 1884 produce a flavorful, friendly wine

 

For a little more money expect more intense fruit and a bit more structure.

 

  • 2012 Trapiche “Broquel” ($18) – Argentina’s largest exported brand and one of its oldest wineries (1883) still delivers quality with its “shield” label
  • 2011 Rutini “Encuentro” ($19) – meaning “encounter” or  “meeting” of fine Argentinean fruit and an international style, this is very full flavored
  • 2011 Kirkland “Signature Series” ($20) – the upper tier of the house brand of Costco provides impressive quality for a high production wine
  • 2011 Tomero Reserva ($25) – from the winery’s well situated estate vineyard

 

Those who prefer Cabernet Sauvignon also will find something to love from the 2012 Trapiche “Broquel” ($18), which delivers fine varietal quality.

 

Many producers also have found success blending Malbec and Cabernet Sauvignon. The 2013 Vistalba “Corte C” ($18) at 76% malbec and 14% cabernet sauvignon and 10% bonarda is elegant, yet structured and full of fruit.  The 2012 Layer Cake “Sea of Stones” Red Wine ($15) blends malbec, cabernet sauvignon, syrah, and petit verdot but the signature taste is stone, wrapping sweet fruit with a touch of spice.

 

The most expensive wine in my tastings – the 2011 Vistalba “Corte B” ($30) – was also the best. At 51% malbec, 37% bonarda and 12% cabernet sauvignon, it’s firm structure, pure dark fruit with tobacco, and refined texture is worth the extra change. It is enjoyable now but will improve over time.

 

The most interesting white wine comes from torrontés, which is unique to Argentina but has been shown to be the offspring of Mediterranean varieties. While most of the celebrated bottlings come from the northern regions of La Rioja, especially Salta, the 2013 Tomero Mendoza ($17) was typically aromatic, with a mélange of melon, apple, lemon, tangerine and pear in a light, crisp frame.

 

All in all, a very impressive showing. These two varieties of European origin that have adapted so well to Argentina’s terroir deliver high quality and flavor interest at reasonable prices. Although Argentina’s economy is struggling (whose economy isn’t!) and the wine industry is not unaffected, we are lucky the wines just keep getting better. New growing areas, new varieties, new blends, they all are worth your attention.

 

ZINFANDEL: AN AMERICAN SUCCESS STORY

This is the story of an immigrant who came to America from humble origins, how America welcomed that immigrant and today that immigrant has become an American original.

 

No one knows for sure how this dark skinned immigrant got into the country. Maybe it was Hungarian Count Agoston Haraszthy who is known to have brought many European grape vine cuttings here in the mid-1800s. The records, as with many immigrants of the time, are scarce and unclear.

 

And while the zinfandel grape, like so many others grown in California, actually has a European origin (Croatia and southern Italy!), it is the only one that makes indisputably better wine in California than anywhere else. California Zinfandel wine captures the essence of exuberance and zest in a glass. Although it can be made in different styles, it typically is big and bold, with lively raspberry, cherry and blackberry fruit accented with spice and a brash, even a little wild character often described as “briar” or “bramble.” It also represents great value, as most of even the best wines are under $50.

One of the first places the grape arrived in the state was the Sierra Foothills where it was brought from northeastern states during the time of the California Gold Rush. Many of those descending upon the region were European immigrants and brought with them a taste for wine. Soon zinfandel was the most widely planted grape. Many of these settlers found more fortune growing grapes than mining gold.

 

Building on that heritage, Renwood has become known for its mountain grown Zinfandels since its founding in 1993. I have always enjoyed the brawny, rustic style of the Fiddletown bottling (2012, $25) balanced with deep fruit and pepper. A real treat is the 2012 Grandpère ($40), from Renwood’s estate vineyard. It is bold and full-bodied with tons of berry fruit, yet polished.

 

Many of those “49ers” eventually made their way about 150 miles west, to places like the Redwood Valley in Mendocino County and the Dry Creek Valley in Sonoma County where again they planted grapes, most of which was zinfandel. They were joined by many Italian immigrants in the later half of the century, a development that further increased interest in zinfandel.

 

While Edmeades Winery wasn’t established in Mendocino until 1972, the winery quickly built a reputation as a Zinfandel specialist. It produces several single vineyard wines that harken to the area’s Italian immigrant heritage – Perli and Gianoli from Mendocino Ridge, and Piffero from Redwood Valley. The current releases (all 2013 vintage and $31) come from high elevation vineyards and share a deep ripeness of fruit. The Perli is especially complex and enticing.

A few decades later, in 1927, the Pendroncelli family purchased a winery in the Dry Creek Valley, just in time for Prohibition. The Pedroncellis survived, though, and wine consumers are all the better for it. The family still produces trustworthy Zins and maintains a humble pricing philosophy. The 2012 Bushnell Vineyard ($20), which I think is the winery’s most expensive Zin, displays cinnamon and dusty soil notes. If you appreciate a more rustic style, it is a great value.

 

In 1972, ex-engineer David Stare helped start a revival in the valley when he established Dry Creek Vineyard as the first winery built there since Prohibition. The 2013 “Old Vine” ($32) takes the term seriously, not as a marketing ploy. The average 95+ year-old vines yield a firm and concentrated wine with suggestions of sweetness and spice. The 2013 “Heritage Vines” ($20) is the winery’s successful attempt to combine old vine character (rustic, concentrated) with young vine qualities (fresh, elegant). “Heritage” refers to young vines grafted from 100-year-old budwood.

 

 


Ironically, I found a wine that blends grapes from all three regions (plus fruit from Napa and Contra Costa). The 2013 Saldo ($30) – the name refers to that multiple sourcing – by the Prisoner Wine Company leans to the big and bold jammy style but also displays toasty oak and strong black pepper with savory notes.

 

No conversation about Zinfandel would be complete without mention of Ridge Vineyards. An Italian immigrant doctor made the original plantings on the site known as Monte Bello Ridge in the Santa Cruz Mountains in 1885. From this home estate near San Jose, Paul Draper (who has been at Ridge over fifty years and is recognized as one of the world’s great winemakers) oversees the production of one of the most impressive portfolios anywhere.

 

While the Monte Bello estate is world famous for it Bordeaux-style wine, for me and many wine aficionados, it is the vineyard designated Zinfandels from Sonoma, Napa and Paso Robles that are Ridge’s main attraction. Most notably the Lytton Springs Vineyard in Dry Creek Valley and Geyserville Vineyard in Alexander Valley are widely considered two of the best vineyards of any kind in California. Grapes have been grown on both sites for at least 140 years.

Lytton Springs Vineyard & Winery

 The Lytton Springs and Geyservile wines (both 2013 and $38) are beacons of what zinfandel can achieve when grown in the right place and crafted by the right hands. Lytton Springs generally shows great structure and power with a seamless texture, while Geyserville is more elegant and focused. Both are great, just different. It is worth noting both vineyards have been planted all these years as a “field blend” including petite sirah, carignane, and mataro. So, the resulting wines are only about three-fourths zinfandel.

 

Geyserville Vineyard

It’s also worth noting both wines, technically are not labeled “Zinfandel.” They are labeled with the vineyard name. From a winemaking perspective, this reflects Draper’s respect for tradition and the site. From my perspective, it also is a metaphor for how all these immigrant grapes (in the field blend) support each other to assimilate in their new homes and achieve success.

 

 

Founded 30 years ago, Murphy-Goode is another winery that has continued the Alexander Valley tradition with zinfandel. The winery is notable for its whimsical gaming related product names as well as consistent quality. The three Zins recommended from my tasting begin with the 2012 “Liar’s Dice” ($21), a welcoming blend of Dry Creek and Alexander valley fruit offering jammy raspberry and black cherry with just a touch of spice. The 2012 “Snake Eyes” ($35), actually a single vineyard wine from Trusendi Vineyard in Alexander Valley is plush and appealingly ripe, with dark berries and zesty and spicy cocoa.  The 2012 Reserve Alexander Valley ($40) combines the best lots from all their vineyard sources to achieve a jammy and intense wine with vanilla accents and silky tannins.

 

Nowadays, Zinfandel produces distinctive wines in many regions of the state. I especially like Zins from Paso Robles and Lodi. Unfortunately, there were no Paso wines available for this report but I had a good Lodi Zin in the tasting. The Federalist “1776” (2013, $22) is the latest release for a label that honors our founding fathers (featuring a different one on the label each vintage) and zinfandel’s distinctly American character. This one features George Washington and offers fresh, sweet berries with rich oak balanced with firm tannins.

 

Zinfandel, the humble immigrant from Europe has overcome many obstacles over the last 160 years or so to establish its own tradition and identity and is now known to many as “America’s Heritage Wine,” truly an American success story.

 

NOTE: Featured image is courtesy of Historic Vineyard Society

DENVER WELCOMES GABF 2015 AMID DIVERGENT TRENDS IN BEER INDUSTRY

Last month the Great American Beer Festival opened in Denver for the 34th year in a row and it was bigger than ever. According to the Brewers Association, which is the organizer of the event, the GABF offered 90,000 additional square feet in the tasting hall and allowed 60,000 attendees (20% more than last year) to sample over 3,800 beers (9% more) from 750 breweries (6% more) from all over the country.

Medals were awarded in 92 beer categories (2% more) by 242 judges (2 more) from 15 countries (50% more). Winners were chosen from 6,647 competition entries (21% more) from 1,552 breweries (19% more) from all 50 states and Washington, D.C.

But the festival proceeded amid divergent trends in the industry in ownership of breweries. According to Brewers Association Economist, Bart Watson, the exponential growth in craft brewers shows no sign of stopping, with nearly two openings a day. He added, “Most of the new entrants continue to be small and local, operating in neighborhoods or towns. What it means to be a brewery is shifting, back toward an era when breweries were largely local, and operated as a neighborhood bar or restaurant.”1

In another Brewers Association press release Watson asserted, “Industry growth is occurring in all regions and stemming from a mix of sources including various retail settings and a variety of unique brewery business models.” American craft beer production volume increased 16 percent during the first half of 2015 to 12.2 million barrels, up from 10.6 million barrels during the first half of 2014.

And there are well over 1000 more breweries in various stages of planning. He even predicts, “(I)t is likely that later in 2015, or early in 2016, there will be more active breweries in the United States than at any point in our nation’s history [surpassing the high point of 4,131 in 1873].”2

But there also is a growing trend toward mergers, buyouts and consolidations in the industry that many craft beer advocates find disturbing. If you’ve followed beer industry news over the last few years or just do a web search, you will see what I mean. Just to name a few:

  • The Craft Brew Alliance formed in 2008 with the merger of Widmer Brothers, Redhook and Kona Brewing and nearly one-third ownership by AB InBev.
  • In recent years, AB InBev has bought into Goose Island, Blue Point, 10 Barrel, Elysian Brewing and just last month, Golden Road Brewing.
  • Belgian Brewer Duvel Moortgat owns Brewery Ommegang and bought into Boulevard two years ago and just this summer Firestone Walker.
  • Just last month, Lagunitas Brewing Co. sold a 50% share to Heineken.
  • Terrapin Beer Co. sold a minority stake to MillerCoors in 2011, which last month bought Saint Archer.
  • Last year, Founders Brewing sold a 30% stake to Spanish brewer Mahou San Miguel.
  • Earlier this year one of my hometown brewers, Oskar Blues sold a significant stake to a private equity firm and last month Full Sail sold to a private equity firm.

And there certainly are many more to come. The fact of the matter is craft brewing is a business. And as in life, in business change is inevitable. Many of craft beer drinkers (and I readily confess to this) harbor an idyllic (I prefer “principled”) vision of craft brewing. We want to drink small, local, and independent, similar to what it says in the definition of craft brewer set by the Brewers Association.

Have these brewery owners “sold out?” I say yes, by definition (literally and metaphorically). But should we really blame them for seeking access to capital to expand production and gain access to new markets or because they don’t have any other succession plan or even just to take some profit for themselves and their investors? I’d like to but in this country, they have that right.

And we as consumers have a right to continue buying or to stop buying those products. From this consumer’s perspective, I won’t get mad, I will just buy my values like I do with anything else. I find the Brewers Association’s definition of “craft brewer” as a good starting point for me.3

I prefer buying products from small, local businesses. They tend to be more genuinely rooted in the community, more innovative and more collaborative (even as they may still compete). The independence of a brewery’s operation is important to me. An independent brewer is more likely to be committed to their original vision and less likely to compromise under influence of commercial imperatives. And I care about quality, not just price. Many have concerns that quality will suffer after a merger. There is historical precedent that it will but also examples where it isn’t so clear.

Whether it’s size, independence or quality, I like to know what I am buying. For me that means being able to readily find out who owns and controls the company and what ingredients are used in brewing the beer. Information is key. The market can’t work as it is supposed to if consumers can’t make informed decisions.

I value authenticity and I think I have a “right to know” if what I am buying conforms to my definition of authenticity. And that’s just plain hard to do without transparency. I wish all business owners would be ethical and responsible all the time. But we all know that is naïve. That’s why regulation generally is a good thing. It’s also why disclosure is critical. How many craft beer diehards who refuse to buy beer from a brewery that just sold out to a conglomerate will eat food without concern as to its ingredients – such as GMOs or artificial flavors and preservatives – or its ownership? But I digress.

I am increasingly interested in the ownership and control of the companies producing the products I buy. I want my purchases to reinforce my values and to reward companies whose practices track with those values. That’s why I was excited to be invited to a privately held event during the GABF called the “ESOP Celebration.”

Deschutes Brewery and Harpoon Brewery organized the event to celebrate employee ownership and brewing independence. In both cases, employees own a significant portion of the company through what is called an ESOP – Employee Stock Ownership Plan. The event debuted a collaboration beer – called EHOP – to call further attention to this alternative ownership model. They were joined by Colorado’s own New Belgium Brewing (which is the only brewery in the nation that is 100% employee owned) and Lefthand Brewing Company and Odell Brewing Company, both of which completed ESOP transitions this year.

ESOPs are a way to allow company employees direct ownership and a direct stake in the success of the company. Of course, these arrangements often don’t translate to concomitant control but they are a steo in the right direction. Comments from these brewery representatives echoed those of others who have established ESOPs in other industries, noting motives including enabling employees to share more in the fruits of their labor, and ensuring financial stability and ownership continuity over the long haul.

New Belgium has gone a step further along the road to corporate social responsibility by becoming third-party certified as a “B Corporation” (AKA, “B Corp”). B Corps are companies that pledge to incorporate social and environmental concerns (as much as profit) into their corporate culture. In many states, including Colorado, a company also can obtain legal status as a “Benefit Corporation.” Companies such as Patagonia and method (cleaning products) commit to meet standards of corporate purpose (create a material positive impact on society and the environment), accountability (consider the impact of their decisions not only on shareholders but also on workers, community, and the environment), and transparency (make available to the public an annual benefit report that assesses their overall social and environmental performance against a third party standard).

I know whenever I have a choice of which beer to drink (that is, adequate information to make a real choice), I will pick a beer from a brewer that treats its employees well, treats the environment well and is a responsible member of its community. Hopefully, more in the beer industry (and other industries, too!) will see the value in such alternative corporate structures – and the adage: “you can do well by doing good.” Craft brewers clearly have fermented a revolution in beer making. Now, maybe they can ferment a revolution in in corporate ownership and control.

 

https://www.brewersassociation.org/insights/4000-breweries/  

https://www.brewersassociation.org/press-releases/brewers-association-reports-big-gains-for-small-and-independent-brewers-2/

https://www.brewersassociation.org/statistics/craft-brewer-defined/

 

LITTLE-KNOWN HUNGARIAN GRAPE DEMANDS CONSUMER ATTENTION

I am willing to bet a survey of American wine drinkers would reveal that the vast majority have no idea Hungary is home to a world class wine region. That wine region is Tokaj (pronounced toe-keye).

I bet fewer still have heard of the furmint grape. Believed to be indigenous to this region in northern Hungary (roughly two hours northeast of Budapest) it is best known in the wine world as the foundation of the famous (and historically revered) Tokaji Aszú dessert wine.

According to the promotional group FurmintUSA, which provided the samples reviewed here, consumers should expect to hear more about furmint in the near future. It already is the leading Hungarian grape variety. And about 80 percent of the world’s furmint is grown in Hungary, though that and historical factors after World War II likely explain why the grape is so little known today.

Ironically, Tokaji Aszú enjoyed a high-class reputation at least from the 17th Century to the early 20th Century being favored by Europe’s royalty. Until recently, though, it was virtually unknown as a dry wine, especially in the U.S. Since the breakup of the Soviet Union, many mostly small, family-owned wineries have been established. And especially younger generations have focused grape growing on winemaking quality over quantity.

Now, dry furmints are creating quite a buzz in the wine world, with sommeliers, critics and others raving about an array of pungent aromatics, fruitfulness, structure, minerality and weight as all of these characteristics usually don’t all come together in the same wine.

As with many grape varieties, furmint can be vinified into various styles: from crisp, fruity everyday wines to full bodied and bracing to amazingly intense and complex single vineyard wines. Most of these wines see at least some time in oak, though some use less to emphasize fruit and acidity, while others use more oak to develop added richness and complexity.

2011 Gróf Degenfeld Tokaji Furmint ($20). The Count Degenfeld family, which came to the Tokaj region in the early 19th Century and has been influential in the area, including winemaking, ever since, reestablished the winery in 1996. This is an estate wine made from organically grown grapes; undergoes barrel fermentation and aging; and sports snappy lemon, apple and stone fruit with cream and spice and unctuous texture.

2011 Erzsébet Estate Furmint ($24). Founded in 1992, though winemaking on the property dates to 1743, this wine is a blend of two top vineyards from this extremely small estate. Nutty, caramel notes mix with steely pear and juicy tangerine, with a gripping finish.

2012 Kvaszinger “Hatalos” ($30). This is another winery whose winemaking heritage dates to the early 1800s, though the new winery only dates to 2011. The grapes from the steep Hatalos slope are mostly fermented and aged in barrel. Lively orange, steely minerality join with apple and citrus.

2011 Majoros “Deák” ($40). Founded in 2009, this producer has been willing to experiment with methods not common to white wine making. For instance, this single vineyard wine is fermented four months with skin contact and has just been bottled. It shows admirable intensity and complexity with aromas of toasted cashew, pear and peppery spice combined with rich but refreshingly brisk green apple.

2012 Gizella “Szil-Völgy” ($55). Here, third generation winemakers have continued the family tradition opening this cellar in 1992. This single vineyard selection shows savory and mineral qualities along with intense, creamy apple and pear.

2012 Sauska Medve ($65). Established in 1998 by a Hungarian who gained success as an engineer in America, this “gravity fed” winery reflects that engineering background. The emphasis on gentle handling extends to the use of only ambient yeasts to ferment the wines. This barrel fermented and aged vineyard selection has penetrating aromas and flavors of forest, spice, pepper, mineral, smoke and fruit notes of apricot, orange, and apple.

Producers are still learning how well dry furmint ages but most seem to be at their best between three and six years, while the single vineyard wines can age and develop for a decade or more. The wines will partner well with an array of foods but especially spicy foods, creamy dishes Asian cuisine and roasts.

One caveat is that these wines for now are still relatively scarce with spotty distribution (hint, hint importers and distributors). And keep in mind, most of these are small estates with small production. But dry furmint can be absolutely delicious, with similar aromatic properties to, say, Grüner-Veltliner or dry Riesling. And in my opinion, almost as adept at translating the nuances of terroir.

A great alternative white wine option, don’t be surprised if dry furmints from Hungary gain in popularity and distribution in the next few years. They should get on your radar NOW!

With Riesling, “Trocken” means “Dry” and Dry Means Refreshing

How many of you out there think Riesling is always a sweet wine? Be honest. I hear all the time from people who think that. Certainly that is not true with German Riesling, my favorite white wine. Yes, the sweet styles are rich, luscious and for many of us captivating. But it is the dry and off-dry wines that are getting more attention these days, from winemakers and the trade … and they hope, consumers. Such wines are the subjects of this column.

 

The Rheinhessen, Germany’s largest wine region stretching south of the Rhein River, features gentle rolling hills where vines share farmland with many crops. The region’s wines have long rated behind those of other regions but with dedicated growers like the Wittmann family who have been growing grapes and producing wine since 1663; it has emerged in the forefront of the trocken (dry) movement.

Wittmann’s wines truly are outstanding. The only challenge is they are a bit pricey. The entry level 2013 “100 Hills” ($21) is all about tight and tangy lemon and orange. Its juicy acidity is matched by the 2013 Riesling Trocken ($32), which is equally tight, with steely green fruit. The 2013 Wittmann “Westhofener” ($51) is made with grapes grown around the village of Westhofen and presents more brisk green fruit along with juicy peach.

Just to the south of the Rheinhessen, the Pfalz is Germany’s second largest wine region. Growers here have been proclaiming the greatness of dry Riesling more than any other German region. In my tasting, the Pfalz was represented by Villa Wolf, an estate dating to 1753. The 2012 “Forster Pechstein” ($32), from one of the area’s finest vineyards, is representative of the area’s black basalt soils backing fruity aroma, flavors of apple, yellow plum and citrus, with herbal and spice notes.

Across the Rhein River north of Rheinhssen, the Rheingau, is one of the most distinguished wine regions of the world. And while that reputation has been built on the sweeter wines, today many fine trocken are being made – like these two from Robert Weil. The 2013 Riesling Trocken ($20) delivers a lot of wine for the money. Following pure, intense aromas of nectarine and gooseberry, an initial steely, minerally impression in the mouth is joined by juicy and a touch spicy flavors.

In the great Mosel River Valley, which begins west of the Rheingau and where winemaking dates to the Roman occupation 2000 years ago, dry wines also are getting more attention. The 200-year-old Dr. Loosen estate has, under the direction of Ernst Loosen since 1988, arguably become the most recognizable name in premium German Riesling in the U.S. The 2013 “Red Slate” ($18) is the winery’s entry-level dry wine and it is a really good value. Lively tangerine and lemon-lime aromas and flavors are delivered with a sense of creaminess and prominent spiciness likely from the red slate soils of its originating vineyards.

 

The 2012 Dr. Loosen “Erdener Treppchen” Alte Reben Grosses Gewächs ($42), except for its confusing name, is amazingly rich, elegant and quite intense, reflecting the vineyard’s 100-year-old vines. “Alte Reben” means “old vines” and “Grosses Gewächs” indicates this is considered a great vineyard. Drinking the wine I have to concur as zesty lemon, apple and tropical fruits burst from the glass, accented with minerally red slate notes.

 

For Fritz Haag in nearby Brauneberg in the heart of the central Mosel, the tradition goes back to 1605. Also an accomplished producer of sweet Rieslings, even the entry level 2013 Trocken ($22) transmits a sense of the reddish slate soil under pinning the bright green apple and honeydew.

 

German wineries are working hard these days to convince consumers that their dry Rieslings are worth more attention. They certainly have convinced me. As a bonus, these wines are most suited to drinking with myriad foods – from cheese to grilled vegetables to sausage to shellfish to Asian dishes.

Governor’s Cup Wine Competition Showcases Colorado Wine Advances

“I think the wines this year show great balance and wonderful winemaking skills,” said famous Napa Valley winemaker, Warren Winiarski. The maker of the iconic 1973 Stag’s Leap Wine Cellars S.L.V. Cabernet Sauvignon that won the 1976 “Judgment of Paris” tasting (and who has made countless great wines over a 40+ year career) believe it or not was talking about a recent tasting of Colorado wines.

For my first column for the Statesman, I thought it only appropriate to focus on Colorado wine. It seemed fortuitous an event showcasing the only statewide winemaking competition exclusively for Colorado wines was happening while I worked on the column (and fitting it was held on Colorado Day).

 

What better way to celebrate the advances in Colorado wine? While California dominates American wine, many states, including Colorado, boast a thriving wine industry. In 1990, there were only five licensed wineries in the state. Now there are over 120. Statewide, vineyard area has grown about 500% since then. While the Grand Valley still is the heart of Colorado’s wine industry as around 80% of all the state’s grapes is grown there, there now are more wineries along the Front Range than on the Western Slope.

According to research by Colorado State University (which has many programs to support the Colorado wine industry), Colorado wine production continues to increase and Colorado wines have grown their share of total wine sales in the state, though it’s still only a little more than 5%. Although Colorado wine production is quite small (most Colorado wineries are small, family owned operations) the study concluded the total economic contribution of Colorado wine sales and wine-based tourism was over $144 million in 2013.

I’ve tasted and written about Colorado wines for 20 years and the quality has consistently improved. Colorado wineries produce an amazing variety of wines, though most red wines focus on the traditional Bordeaux-style varietals and blends, primarily Cabernet Sauvignon and Merlot. I tend to be partial to the Syrah and Cabernet Franc.  Among the white wines, there is some good Chardonnay and Sauvignon Blanc but don’t overlook the Viognier and Riesling.

rich mauro the peoples palate

This quality was well in evidence at the Governor’s Cup Wine Competition Tasting Event. It was a special opportunity to taste the 12 winners paired with locally sourced bites. Mr. Winiarski had joined a panel of wine experts from around the country to judge the competition earlier this summer and helped select the winners from 241 entries from 37 local wineries.

I felt validated when I found out two Syrahs tied for Best in Show. “Syrah often excels in Colorado as a varietal wine and also makes a wonderful component in blended wines,” said Doug Caskey, executive director of The Colorado Wine Industry Development Board (CWIDB). “It is quite a statement that four Syrah-based wines are among the top twelve wines in the competition.” Caskey also pointed out “the judges continue to note the rise in quality of Colorado wine, and this year was no exception.

As the Colorado industry has grown into a fine adolescence, as I have heard Caskey describe it, I have thought the challenge for its journey to adulthood is to find an identity, a signature wine, like Malbec in Argentina. For now, merlot is the most widely planted red grape in the state, with cabernet sauvignon close behind, but plantings of syrah, petite verdot and cabernet franc are increasing, as wines from these varieties show real promise.

“Having been in the Colorado wine industry for most of my life it’s great to see the industry evolve over the years,” said Jay Christianson of Canyon Wind Cellars. “Competitions like the Governor’s Cup are a great way to celebrate the craftsmanship that goes into each bottle and the quality wine that is being produced in Colorado.”

If you are like me and you believe in supporting local farmers and artisan food producers, you have been delighted to see the volume and quality of such producers improving. Don’t stop with supporting Colorado-grown food. Colorado’s wine producers also deserve your support.

And next week offers a great opportunity to taste many of these wines at the source, as the Colorado Mountain Winefest will be hosted again in Palisade September 17-20.

2015 Governor’s Cup Case (Top 12 scoring grape wines)

Canyon Wind Cellars/Anemoi (Palisade) – 2013 Lips (Syrah), Grand Valley AVA BEST IN SHOW (tie)

Turquoise Mesa Winery (Broomfield) – 2013 Syrah, Colorado BEST IN SHOW (tie)

Bonacquisti Wine Company (Denver) – 2013 Malbec, American

Bookcliff Vineyards (Boulder) – 2014 Viognier, Grand Valley AVA

Bookcliff Vineyards (Boulder) – 2012 Cabernet Franc Reserve, Grand Valley AVA

Boulder Creek Winery (Boulder) – 2012 Syrah, Colorado

Canyon Wind Cellars (Palisade) – 2013 Petit Verdot, Grand Valley AVA

Creekside Cellars (Evergreen) – 2012 Cabernet Sauvignon, Grand Valley AVA

Creekside Cellars (Evergreen) – 2012 Petit Verdot, Grand Valley AVA

Guy Drew Vineyards (Cortez) – 2012 Sweet Riesling, Montezuma County

Turquoise Mesa Winery (Broomfield) – 2013 Colorado Crimson (Rhône-style blend), Colorado

Whitewater Hill Vineyards (Grand Junction) – 2014 Sweetheart Red, Grand Valley AVA

 

Photo Credits: Featured Image & Colorado State of Wine-Colorado Wine Board; Governor’s Cup Poster-History Colorado

ITALIAN WHITES, YES, ITALIAN WHITES DESERVE YOUR ATTENTION

Courtesy Elena Walch

While Italy is justly famous for its red wines, there also is a plethora of interesting white wines worthy of consumer attention. Much of that interest comes from the variety afforded by countless indigenous grapes. I only cover one region, the northeast, in this column but I think you will find these wines intriguing enough to pique your interest in the other white wines of Italy.

Prosecco, with its light, frothy flavors has achieved significant popularity in recent years. It comes from an unlikely area in the eastern Veneto, in the hills north of Venice and is made using the native glera grape. The bubbles are produced in large stainless steel tanks instead of individual bottles to preserve the glera’s seemingly inherent freshness. Affordable and eminently drinkable (lower alcohol), it is versatile for many occasions. I recently enjoyed the Mionetto Prestige Collection Brut ($17). With a history in the region dating to 1887, Mionetto is one of its most highly regarded producers. This wine’s clean, refreshing style and delicate apple and pear notes are quite appealing.

A little to the west and stretching south of the Alps (Italy’s Dolomites, or Dolomiti), Alto Adige (also called Südtirol in German or South Tyrol in English) is Italy’s northernmost wine growing region. Nestled between Switzerland and Austria, you are more likely to hear German spoken than Italian. Although it is one of Italy’s smallest wine regions, it is also one of the most diverse, with many indigenous and international varieties. While there are some good red wines, the white wines are of most interest.

Start with Pinot Grigio, the best-known Italian white wine. Abbazia di Novacella, an Augustinian Abbey founded in 1142 that has been producing wine for over 850 years, makes one of the best. With its high elevation vineyards in the cool climate of the Valle Isarco, I wasn’t surprised at the intense aromas and flavors of their wines.

 

Novacella Estate and Vineyards

Even as Pinot Grigio has gained popularity in recent years it also has developed an unflattering reputation among many in the wine world as insipid. But, in the hands of an attentive producer like Novacella, the 2013 ($19) flashes fine aromatics and true character. Known as pinot gris in France and rulander in Germany, this crisp, floral wine shows creamy aromas of citrus and melon, some weight, and tangy acidity on the finish

Novacella also makes a fine 2013 Grüner Veltliner ($19). In recent years, Austria has drawn a lot of attention for its challengingly named but fresh, spicy and weighty Grüner Veltliner. This one also displays cashew, green herb and fresh apple.

Or try a Pinot Bianco. The 2014 Kellerei Cantina Andriano “finado” ($15) comes from the first cooperative in the area (founded in 1893). Its lemon-lime fruit, fairly full body and crisp finish proves that coops can produce outstanding wine. Also known as pinot blanc in France, pinot bianco, often provides surprising character, which makes it a popular contributor to the sparkling wines of the region.

I would especially recommend you try a Gewürztraminer. It turns out the grape, which is better known for the wines it produces in Alsace, actually may have originated in this part of Italy. “Traminer” likely refers to the village of Tramin and “gewurz” means “spicy” but here it refers more to intense aromatics. In the case of the 2013 Elena Walch Gewürztraminer ($23) that means flowers, tropical fruit, and lychee, followed by brisk citrus and apricot flavors. The only caveats I offer for readers are that it carries more weight and alcohol (14.5%) than most white wines. But this one was a particular treat for me as Gewürztraminer is one of my favorite white wines.

 

 

 

From the western end of the Veneto around legendary villages of Verona, Vicenza and Padua, Soave is a wine that has fallen in and out of favor with American consumers. If that means you, I suggest you try the 2014 Pieropan Soave Classico ($15). One of the Veneto’s most reliable producers, this family-owned winery was established in 1880 and and crafts his wine from 85% garganega – the major white grape of Soave – and 15% trebbiano from the Classico zone (the original vineyard zone of the region). Pieropan’s hillside vineyards and low yields deliver lemon and almonds good acidity and steely qualities.

From the same area, the 2014 Masi Masianco ($15) is a unique, enticing blend of mostly pinot grigio (actually cultivated in Friuli) and some indigenous verduzzo produced using the traditional winemaking method of drying the grapes before fermentation (known as appassimento, where the grapes are laid out to dry on bamboo racks for about three weeks) to increase concentration and intensity. crisp citrus, honey Lemon, peach, dried apricot, honey, touch of spice, and cantaloupe melon, freshness and fruitness of pinot grigio and full-bodied smoothness of verduzzo gives a nutty note.

2014 Aia Vecchia Vermentino Maremma ($12) Aia Vecchia is a small family-owned winery located in the western Tuscan countryside. After years of growing grapes, the family decided to produce their own wines about ten years ago. It has quickly become one of my new favorite wineries for the incredible value of its wines. This Vermentino is big and ripe for a white wine. Previously associated more with Corsica, this grape has made the trip across the Mediterranean to the mainland and has begun showing up in many Tuscan wineries’ portfolios.

IBERIAN WHITES FOR SUMMER SIPPING

As I have written before, summer weather invariably finds me turning to cool, refreshing white wines for relief from the heat and to accompany the lighter foods I also crave. For this post I cross the Atlantic to find delightful choices from the Iberian Peninsula – namely Spain and Portugal.

Actually, I only have one from Portugal, a country best known for its reds after all. Located in the Alentejo region southeast of Lisbon, Heredade do Esporão has been a leading Portuguese family winery since 1267 but also is in the forefront of introducing Portuguese whites to the modern world. They also have fashioned an excellent value in the 2013 “Duas Castas” ($10), which means two grapes, in this case the indigenous grapes gouveio, and antão vaz. This combination and brief aging on the lees in stainless steel tank helps it show a lot of flavor for the price. yields a fruity, enticingly floral aromatic wine with notes, bracing acidity, with tasty hints of lime orange and spicy herb.

Spain also is better known for its red wines but if you know where to look, offers up some nice light hearted, zesty summer sippers, also from native grapes. Expect light, dry and refreshing with enticing aromatic and occasionally mineral notes.

The 2014 CVNE “Monopole” Rioja ($15) is produced using local viura, the major white grape of the region, which, like its namesake macbeo in Penedes, is noted for its aromatics and acidity. Still family-owned, five generations have been making wine since 1879; they’ve been making Monopole for 100 years. It is elegant and expressive with nectarine, lime and stone.

Albariño, the most important grape of the Rías Baixas region near the Galician coast in northwestern Spain, has gained significant popularity in recent years. From one of the region’s most accessible producers, the 2013 Martin Codax Albariño ($17) offers typical crisp and lively fresh citrus, lime and nectarine fruit given added interest with mineral and saline notes.

Spanish Cava has long been my go-to bubbly for parties and friendly accompaniment for meals. Most Cava is produced by the traditional method using the indigenous grapes in the Penedès Valley in Catalunya (Catalonia) not far from Barcelona. It’s recently had competition from Prosecco but is still a great choice. This is demonstrated by the Vilarnau Brut ($13). The Vilarnau estate traces its origins in the region to the 12th century and has made Cava since 1949. The Brut is a small production Cava made with macabeo, parellada, and xarel-lo grapes. It is fuller bodied and more flavorful than your average Cava, especially at this price. This probably has something to do with the wine’s 15 months lees aging, which is unusual for Cava. Expect toast, yeast, and apple aromas. Firm acidity and fine bubbles deliver pure flavors of apple and peach.

For those of you who prefer soft, fruity wines, look to Mia Wines from Freixenet, a company best known for its Cava. Longtime winemaker Gloria Collell created these as a fun, affordable choice for casual drinking. The label on the 2013 White ($10) – a blend of macabeo, parellada, moscato, and xarel-lo – says “aromatic & fruity” and it accurately describes the effusively fruity orange and lemonade aromas and flavors. The Sparkling Moscato ($12) is delicately sweet, softly effervescent and floral with tropical notes. Both are notable for low alcohol, 11% and 7% respectively.

At the opposite end of the alcohol and intensity spectrum, consider a glass of Sherry, the fortified wine produced in southern Spain near the very tip of the peninsula. Sherry styles range from dry to sweet and from light to rich and luscious. The only catch is the high alcohol; so, drink them with food and in small doses.

I have selected three styles from Gonzalez & Byass, one of Spain’s oldest Sherry producers, having been established in 1835 in Jerez. First is Tio Pepe (one of the world’s most recognizable Sherry labels) Palomino Fino “Muy Seco” ($18). “Fino” is the lightest, dry style of Sherry. And yes, it is “very dry.” After the palomino grapes are fermented in stainless steel tanks, the wine ages under a layer of yeast (called “flor”) that prevents it from oxidizing. Light with immediate impact of saline and mineral notes followed by light nut, vanilla and apricot. Drinks fresh but its 15% alcohol is noticeable. It is best served well chilled and pairs well with tapas, snacks, olives, oysters and fried seafood.

 

More complex, rich and lush, is the “Leonor Palo Cortado 12 Anos” ($25). The Palo Cortado style begins life like a Fino but loses the flor layer as it ages gaining concentration and complexity from the exposure to air. And the Leonor benefits from an average of twelve years of age. It is viscous and intense, with toasted almond, apricot and buttered toast. Ironically, even at 20% alcohol, the expected burn is hardly noticeable. This Sherry is great on its own but will nicely compliment a variety of savory foods.

At the sweet end of the spectrum, the “Nectar” Pedro Ximenez ($40) is really special. Most consumers are familiar with Cream Sherry, made by blending a dry Sherry with a very sweet wine (usually made with Pedro Ximenez or moscatel). Nectar is 100% Pedro Ximenex. It is rich and dense, with a syrupy, velvety palate and concentrated, complex flavors of caramel, raisin and fig, with a touch of almond. Pair with desserts of similar flavors. Amazingly, it is great with vanilla ice cream!

 

 

At the sweet end of the spectrum, the “Nectar” Pedro Ximenez ($40) is really special.

Among the dessert styles, most consumers are familiar with Cream Sherry, made by blending a dry Sherry with a very sweet wine (usually made with Pedro Ximenez or moscatel). In this case, Nectar is a varietal wine is made solely from the Pedro Ximenex grape. Typically, it is rich and dense, with a syrupy, velvety palate and concentrated, complex flavors of caramel, raisin and fig, with a touch of almond. Pair with desserts of similar flavors or pour over vanilla ice cream.

SAUVIGNON BLANC PROVIDES FRESHING DRINKING FOR WARMER WEATHER

Now that temperatures have climbed into the 80s and 90s, I find myself turning to cool, refreshing white wines for relief from the heat and to accompany the lighter foods I also find myself craving. This first of several columns on white wines focuses on Sauvignon Blanc, listed in order of preference but all are recommended.

The grape is one of the parents (with cabernet franc) of the great red grape cabernet sauvignon. It is responsible for the Loire Valley wines of Sancerre and Pouilly Fume and, with semillon, the white Bordeaux of Graves and Sauternes. The grape also has found hospitable surroundings in New Zealand, South Africa, Australia, and Chile.

In California, winemakers are doing a better job these days of matching clones and vineyard sites and balancing the use of oak barrels and stainless steel in fermentation and aging to emphasize the grape’s zesty green, citrus sometimes tropical and fruits and distinctive herbaceousness. It’s typically quite aromatic, with crisp, refreshing acidity. These traits enable Sauvignon Blanc to pair nicely with the lighter foods of spring and summer.

The first wines I recommend here are mostly fermented and aged in stainless steel to emphasize the varietal characteristics, are lighter and recommended for their straightforward pleasure. Think of them as everyday patio sippers.

2013 Kendall-Jackson “Vintner’s Reserve” ($13). KJ keeps growing and acquiring new wineries but their original line continues to deliver quality at reasonable prices. This one’s succulent citrus and tropical fruit are accented with lemongrass finishing crisp.

2014 Decoy Sonoma County ($20). Baby brother to the Duckhorn below, vibrant herbal notes precede green and tropical fruits in a crisp but softer style.

2014 Pedroncelli East Side Vineyards ($14). From a family with a long history of winemaking the Dry Creek Valley, it’s juicy lime and tropical fruit drinks a little on the sweeter side, with fresh herb notes and a touch of hay to finish.

2014 Layer Cake California ($14). Touches of creamy oats compliment spicy grapefruit and lime for a juicy drink.

2014 Rodney Strong “Charlotte’s Home” ($17). Zesty lime and hints of hay and herbal notes join forces in a fresh, clean style.

2013 Lake Sonoma Sonoma Valley ($17). Nice grassy lemon and orange entry complimented with a touch of melon and richness from a dab of chardonnay.

2013 Wente “Louis Mel” ($15). Fruity tropical notes precede grassy lime fruit; drinks fresh and clean. From a family with five generations of experience growing grapes in the Livermore valley.

Sauvignon Blanc also can be a serious drink that goes exceptionally well with food. These wines in particular show character and complexity that are best enjoyed as accompaniments to food. They all share a winemaking approach that apportions fermentation and aging in stainless steel and at least some (mostly neutral) oak.

2013 Matanzas Creek Bennett Valley ($32). Wonderfully expressive with a broad range of citrus, melon, tropical fruits and lemongrass, this bracing drink, ends invitingly herbaceous.

2013 Duckhorn Napa Valley ($29). Crisp, tropical fruits join melon from 16% Semillon and richness from a significant use of oak, finishing with a touch of minerality.

2013 Atalon Napa Valley ($18). Fresh, lively grapefruit and lemon offset hay and herbal qualities resulting in a succulent drink.

2013 Grgich Hills Estate Napa Valley “Fume Blanc” ($30). Opens with juicy, bright lemon and melon qualities while a crisp, firm palate finishes with a spicy herb note.

2013 Matanzas Creek “Helena Bench” ($40). From Sonoma’s Knight’s Valley, this is strong on the herbal, green and spicy qualities of the grape with an assortment of citrus and tropical fruits wrapped in a tangy, yet rich finish.

2013 J. Lohr “Carol’s Vineyard” ($24). This Paso Robles winery also produced this Napa Valley wine of tasty citrus and light herbal notes; drinks crisp, fresh and tangy.

2013 Sonoma Loeb Sonoma Valley ($18). Spicy herbs and citrus with a slight chalky note; follows with melon and a spicy finish.