Governor’s Cup Wine Competition Showcases Colorado Wine Advances

“I think the wines this year show great balance and wonderful winemaking skills,” said famous Napa Valley winemaker, Warren Winiarski. The maker of the iconic 1973 Stag’s Leap Wine Cellars S.L.V. Cabernet Sauvignon that won the 1976 “Judgment of Paris” tasting (and who has made countless great wines over a 40+ year career) believe it or not was talking about a recent tasting of Colorado wines.

For my first column for the Statesman, I thought it only appropriate to focus on Colorado wine. It seemed fortuitous an event showcasing the only statewide winemaking competition exclusively for Colorado wines was happening while I worked on the column (and fitting it was held on Colorado Day).

 

What better way to celebrate the advances in Colorado wine? While California dominates American wine, many states, including Colorado, boast a thriving wine industry. In 1990, there were only five licensed wineries in the state. Now there are over 120. Statewide, vineyard area has grown about 500% since then. While the Grand Valley still is the heart of Colorado’s wine industry as around 80% of all the state’s grapes is grown there, there now are more wineries along the Front Range than on the Western Slope.

According to research by Colorado State University (which has many programs to support the Colorado wine industry), Colorado wine production continues to increase and Colorado wines have grown their share of total wine sales in the state, though it’s still only a little more than 5%. Although Colorado wine production is quite small (most Colorado wineries are small, family owned operations) the study concluded the total economic contribution of Colorado wine sales and wine-based tourism was over $144 million in 2013.

I’ve tasted and written about Colorado wines for 20 years and the quality has consistently improved. Colorado wineries produce an amazing variety of wines, though most red wines focus on the traditional Bordeaux-style varietals and blends, primarily Cabernet Sauvignon and Merlot. I tend to be partial to the Syrah and Cabernet Franc.  Among the white wines, there is some good Chardonnay and Sauvignon Blanc but don’t overlook the Viognier and Riesling.

rich mauro the peoples palate

This quality was well in evidence at the Governor’s Cup Wine Competition Tasting Event. It was a special opportunity to taste the 12 winners paired with locally sourced bites. Mr. Winiarski had joined a panel of wine experts from around the country to judge the competition earlier this summer and helped select the winners from 241 entries from 37 local wineries.

I felt validated when I found out two Syrahs tied for Best in Show. “Syrah often excels in Colorado as a varietal wine and also makes a wonderful component in blended wines,” said Doug Caskey, executive director of The Colorado Wine Industry Development Board (CWIDB). “It is quite a statement that four Syrah-based wines are among the top twelve wines in the competition.” Caskey also pointed out “the judges continue to note the rise in quality of Colorado wine, and this year was no exception.

As the Colorado industry has grown into a fine adolescence, as I have heard Caskey describe it, I have thought the challenge for its journey to adulthood is to find an identity, a signature wine, like Malbec in Argentina. For now, merlot is the most widely planted red grape in the state, with cabernet sauvignon close behind, but plantings of syrah, petite verdot and cabernet franc are increasing, as wines from these varieties show real promise.

“Having been in the Colorado wine industry for most of my life it’s great to see the industry evolve over the years,” said Jay Christianson of Canyon Wind Cellars. “Competitions like the Governor’s Cup are a great way to celebrate the craftsmanship that goes into each bottle and the quality wine that is being produced in Colorado.”

If you are like me and you believe in supporting local farmers and artisan food producers, you have been delighted to see the volume and quality of such producers improving. Don’t stop with supporting Colorado-grown food. Colorado’s wine producers also deserve your support.

And next week offers a great opportunity to taste many of these wines at the source, as the Colorado Mountain Winefest will be hosted again in Palisade September 17-20.

2015 Governor’s Cup Case (Top 12 scoring grape wines)

Canyon Wind Cellars/Anemoi (Palisade) – 2013 Lips (Syrah), Grand Valley AVA BEST IN SHOW (tie)

Turquoise Mesa Winery (Broomfield) – 2013 Syrah, Colorado BEST IN SHOW (tie)

Bonacquisti Wine Company (Denver) – 2013 Malbec, American

Bookcliff Vineyards (Boulder) – 2014 Viognier, Grand Valley AVA

Bookcliff Vineyards (Boulder) – 2012 Cabernet Franc Reserve, Grand Valley AVA

Boulder Creek Winery (Boulder) – 2012 Syrah, Colorado

Canyon Wind Cellars (Palisade) – 2013 Petit Verdot, Grand Valley AVA

Creekside Cellars (Evergreen) – 2012 Cabernet Sauvignon, Grand Valley AVA

Creekside Cellars (Evergreen) – 2012 Petit Verdot, Grand Valley AVA

Guy Drew Vineyards (Cortez) – 2012 Sweet Riesling, Montezuma County

Turquoise Mesa Winery (Broomfield) – 2013 Colorado Crimson (Rhône-style blend), Colorado

Whitewater Hill Vineyards (Grand Junction) – 2014 Sweetheart Red, Grand Valley AVA

 

Photo Credits: Featured Image & Colorado State of Wine-Colorado Wine Board; Governor’s Cup Poster-History Colorado

ITALIAN WHITES, YES, ITALIAN WHITES DESERVE YOUR ATTENTION

Courtesy Elena Walch

While Italy is justly famous for its red wines, there also is a plethora of interesting white wines worthy of consumer attention. Much of that interest comes from the variety afforded by countless indigenous grapes. I only cover one region, the northeast, in this column but I think you will find these wines intriguing enough to pique your interest in the other white wines of Italy.

Prosecco, with its light, frothy flavors has achieved significant popularity in recent years. It comes from an unlikely area in the eastern Veneto, in the hills north of Venice and is made using the native glera grape. The bubbles are produced in large stainless steel tanks instead of individual bottles to preserve the glera’s seemingly inherent freshness. Affordable and eminently drinkable (lower alcohol), it is versatile for many occasions. I recently enjoyed the Mionetto Prestige Collection Brut ($17). With a history in the region dating to 1887, Mionetto is one of its most highly regarded producers. This wine’s clean, refreshing style and delicate apple and pear notes are quite appealing.

A little to the west and stretching south of the Alps (Italy’s Dolomites, or Dolomiti), Alto Adige (also called Südtirol in German or South Tyrol in English) is Italy’s northernmost wine growing region. Nestled between Switzerland and Austria, you are more likely to hear German spoken than Italian. Although it is one of Italy’s smallest wine regions, it is also one of the most diverse, with many indigenous and international varieties. While there are some good red wines, the white wines are of most interest.

Start with Pinot Grigio, the best-known Italian white wine. Abbazia di Novacella, an Augustinian Abbey founded in 1142 that has been producing wine for over 850 years, makes one of the best. With its high elevation vineyards in the cool climate of the Valle Isarco, I wasn’t surprised at the intense aromas and flavors of their wines.

 

Novacella Estate and Vineyards

Even as Pinot Grigio has gained popularity in recent years it also has developed an unflattering reputation among many in the wine world as insipid. But, in the hands of an attentive producer like Novacella, the 2013 ($19) flashes fine aromatics and true character. Known as pinot gris in France and rulander in Germany, this crisp, floral wine shows creamy aromas of citrus and melon, some weight, and tangy acidity on the finish

Novacella also makes a fine 2013 Grüner Veltliner ($19). In recent years, Austria has drawn a lot of attention for its challengingly named but fresh, spicy and weighty Grüner Veltliner. This one also displays cashew, green herb and fresh apple.

Or try a Pinot Bianco. The 2014 Kellerei Cantina Andriano “finado” ($15) comes from the first cooperative in the area (founded in 1893). Its lemon-lime fruit, fairly full body and crisp finish proves that coops can produce outstanding wine. Also known as pinot blanc in France, pinot bianco, often provides surprising character, which makes it a popular contributor to the sparkling wines of the region.

I would especially recommend you try a Gewürztraminer. It turns out the grape, which is better known for the wines it produces in Alsace, actually may have originated in this part of Italy. “Traminer” likely refers to the village of Tramin and “gewurz” means “spicy” but here it refers more to intense aromatics. In the case of the 2013 Elena Walch Gewürztraminer ($23) that means flowers, tropical fruit, and lychee, followed by brisk citrus and apricot flavors. The only caveats I offer for readers are that it carries more weight and alcohol (14.5%) than most white wines. But this one was a particular treat for me as Gewürztraminer is one of my favorite white wines.

 

 

 

From the western end of the Veneto around legendary villages of Verona, Vicenza and Padua, Soave is a wine that has fallen in and out of favor with American consumers. If that means you, I suggest you try the 2014 Pieropan Soave Classico ($15). One of the Veneto’s most reliable producers, this family-owned winery was established in 1880 and and crafts his wine from 85% garganega – the major white grape of Soave – and 15% trebbiano from the Classico zone (the original vineyard zone of the region). Pieropan’s hillside vineyards and low yields deliver lemon and almonds good acidity and steely qualities.

From the same area, the 2014 Masi Masianco ($15) is a unique, enticing blend of mostly pinot grigio (actually cultivated in Friuli) and some indigenous verduzzo produced using the traditional winemaking method of drying the grapes before fermentation (known as appassimento, where the grapes are laid out to dry on bamboo racks for about three weeks) to increase concentration and intensity. crisp citrus, honey Lemon, peach, dried apricot, honey, touch of spice, and cantaloupe melon, freshness and fruitness of pinot grigio and full-bodied smoothness of verduzzo gives a nutty note.

2014 Aia Vecchia Vermentino Maremma ($12) Aia Vecchia is a small family-owned winery located in the western Tuscan countryside. After years of growing grapes, the family decided to produce their own wines about ten years ago. It has quickly become one of my new favorite wineries for the incredible value of its wines. This Vermentino is big and ripe for a white wine. Previously associated more with Corsica, this grape has made the trip across the Mediterranean to the mainland and has begun showing up in many Tuscan wineries’ portfolios.

IBERIAN WHITES FOR SUMMER SIPPING

As I have written before, summer weather invariably finds me turning to cool, refreshing white wines for relief from the heat and to accompany the lighter foods I also crave. For this post I cross the Atlantic to find delightful choices from the Iberian Peninsula – namely Spain and Portugal.

Actually, I only have one from Portugal, a country best known for its reds after all. Located in the Alentejo region southeast of Lisbon, Heredade do Esporão has been a leading Portuguese family winery since 1267 but also is in the forefront of introducing Portuguese whites to the modern world. They also have fashioned an excellent value in the 2013 “Duas Castas” ($10), which means two grapes, in this case the indigenous grapes gouveio, and antão vaz. This combination and brief aging on the lees in stainless steel tank helps it show a lot of flavor for the price. yields a fruity, enticingly floral aromatic wine with notes, bracing acidity, with tasty hints of lime orange and spicy herb.

Spain also is better known for its red wines but if you know where to look, offers up some nice light hearted, zesty summer sippers, also from native grapes. Expect light, dry and refreshing with enticing aromatic and occasionally mineral notes.

The 2014 CVNE “Monopole” Rioja ($15) is produced using local viura, the major white grape of the region, which, like its namesake macbeo in Penedes, is noted for its aromatics and acidity. Still family-owned, five generations have been making wine since 1879; they’ve been making Monopole for 100 years. It is elegant and expressive with nectarine, lime and stone.

Albariño, the most important grape of the Rías Baixas region near the Galician coast in northwestern Spain, has gained significant popularity in recent years. From one of the region’s most accessible producers, the 2013 Martin Codax Albariño ($17) offers typical crisp and lively fresh citrus, lime and nectarine fruit given added interest with mineral and saline notes.

Spanish Cava has long been my go-to bubbly for parties and friendly accompaniment for meals. Most Cava is produced by the traditional method using the indigenous grapes in the Penedès Valley in Catalunya (Catalonia) not far from Barcelona. It’s recently had competition from Prosecco but is still a great choice. This is demonstrated by the Vilarnau Brut ($13). The Vilarnau estate traces its origins in the region to the 12th century and has made Cava since 1949. The Brut is a small production Cava made with macabeo, parellada, and xarel-lo grapes. It is fuller bodied and more flavorful than your average Cava, especially at this price. This probably has something to do with the wine’s 15 months lees aging, which is unusual for Cava. Expect toast, yeast, and apple aromas. Firm acidity and fine bubbles deliver pure flavors of apple and peach.

For those of you who prefer soft, fruity wines, look to Mia Wines from Freixenet, a company best known for its Cava. Longtime winemaker Gloria Collell created these as a fun, affordable choice for casual drinking. The label on the 2013 White ($10) – a blend of macabeo, parellada, moscato, and xarel-lo – says “aromatic & fruity” and it accurately describes the effusively fruity orange and lemonade aromas and flavors. The Sparkling Moscato ($12) is delicately sweet, softly effervescent and floral with tropical notes. Both are notable for low alcohol, 11% and 7% respectively.

At the opposite end of the alcohol and intensity spectrum, consider a glass of Sherry, the fortified wine produced in southern Spain near the very tip of the peninsula. Sherry styles range from dry to sweet and from light to rich and luscious. The only catch is the high alcohol; so, drink them with food and in small doses.

I have selected three styles from Gonzalez & Byass, one of Spain’s oldest Sherry producers, having been established in 1835 in Jerez. First is Tio Pepe (one of the world’s most recognizable Sherry labels) Palomino Fino “Muy Seco” ($18). “Fino” is the lightest, dry style of Sherry. And yes, it is “very dry.” After the palomino grapes are fermented in stainless steel tanks, the wine ages under a layer of yeast (called “flor”) that prevents it from oxidizing. Light with immediate impact of saline and mineral notes followed by light nut, vanilla and apricot. Drinks fresh but its 15% alcohol is noticeable. It is best served well chilled and pairs well with tapas, snacks, olives, oysters and fried seafood.

 

More complex, rich and lush, is the “Leonor Palo Cortado 12 Anos” ($25). The Palo Cortado style begins life like a Fino but loses the flor layer as it ages gaining concentration and complexity from the exposure to air. And the Leonor benefits from an average of twelve years of age. It is viscous and intense, with toasted almond, apricot and buttered toast. Ironically, even at 20% alcohol, the expected burn is hardly noticeable. This Sherry is great on its own but will nicely compliment a variety of savory foods.

At the sweet end of the spectrum, the “Nectar” Pedro Ximenez ($40) is really special. Most consumers are familiar with Cream Sherry, made by blending a dry Sherry with a very sweet wine (usually made with Pedro Ximenez or moscatel). Nectar is 100% Pedro Ximenex. It is rich and dense, with a syrupy, velvety palate and concentrated, complex flavors of caramel, raisin and fig, with a touch of almond. Pair with desserts of similar flavors. Amazingly, it is great with vanilla ice cream!

 

 

At the sweet end of the spectrum, the “Nectar” Pedro Ximenez ($40) is really special.

Among the dessert styles, most consumers are familiar with Cream Sherry, made by blending a dry Sherry with a very sweet wine (usually made with Pedro Ximenez or moscatel). In this case, Nectar is a varietal wine is made solely from the Pedro Ximenex grape. Typically, it is rich and dense, with a syrupy, velvety palate and concentrated, complex flavors of caramel, raisin and fig, with a touch of almond. Pair with desserts of similar flavors or pour over vanilla ice cream.

SAUVIGNON BLANC PROVIDES FRESHING DRINKING FOR WARMER WEATHER

Now that temperatures have climbed into the 80s and 90s, I find myself turning to cool, refreshing white wines for relief from the heat and to accompany the lighter foods I also find myself craving. This first of several columns on white wines focuses on Sauvignon Blanc, listed in order of preference but all are recommended.

The grape is one of the parents (with cabernet franc) of the great red grape cabernet sauvignon. It is responsible for the Loire Valley wines of Sancerre and Pouilly Fume and, with semillon, the white Bordeaux of Graves and Sauternes. The grape also has found hospitable surroundings in New Zealand, South Africa, Australia, and Chile.

In California, winemakers are doing a better job these days of matching clones and vineyard sites and balancing the use of oak barrels and stainless steel in fermentation and aging to emphasize the grape’s zesty green, citrus sometimes tropical and fruits and distinctive herbaceousness. It’s typically quite aromatic, with crisp, refreshing acidity. These traits enable Sauvignon Blanc to pair nicely with the lighter foods of spring and summer.

The first wines I recommend here are mostly fermented and aged in stainless steel to emphasize the varietal characteristics, are lighter and recommended for their straightforward pleasure. Think of them as everyday patio sippers.

2013 Kendall-Jackson “Vintner’s Reserve” ($13). KJ keeps growing and acquiring new wineries but their original line continues to deliver quality at reasonable prices. This one’s succulent citrus and tropical fruit are accented with lemongrass finishing crisp.

2014 Decoy Sonoma County ($20). Baby brother to the Duckhorn below, vibrant herbal notes precede green and tropical fruits in a crisp but softer style.

2014 Pedroncelli East Side Vineyards ($14). From a family with a long history of winemaking the Dry Creek Valley, it’s juicy lime and tropical fruit drinks a little on the sweeter side, with fresh herb notes and a touch of hay to finish.

2014 Layer Cake California ($14). Touches of creamy oats compliment spicy grapefruit and lime for a juicy drink.

2014 Rodney Strong “Charlotte’s Home” ($17). Zesty lime and hints of hay and herbal notes join forces in a fresh, clean style.

2013 Lake Sonoma Sonoma Valley ($17). Nice grassy lemon and orange entry complimented with a touch of melon and richness from a dab of chardonnay.

2013 Wente “Louis Mel” ($15). Fruity tropical notes precede grassy lime fruit; drinks fresh and clean. From a family with five generations of experience growing grapes in the Livermore valley.

Sauvignon Blanc also can be a serious drink that goes exceptionally well with food. These wines in particular show character and complexity that are best enjoyed as accompaniments to food. They all share a winemaking approach that apportions fermentation and aging in stainless steel and at least some (mostly neutral) oak.

2013 Matanzas Creek Bennett Valley ($32). Wonderfully expressive with a broad range of citrus, melon, tropical fruits and lemongrass, this bracing drink, ends invitingly herbaceous.

2013 Duckhorn Napa Valley ($29). Crisp, tropical fruits join melon from 16% Semillon and richness from a significant use of oak, finishing with a touch of minerality.

2013 Atalon Napa Valley ($18). Fresh, lively grapefruit and lemon offset hay and herbal qualities resulting in a succulent drink.

2013 Grgich Hills Estate Napa Valley “Fume Blanc” ($30). Opens with juicy, bright lemon and melon qualities while a crisp, firm palate finishes with a spicy herb note.

2013 Matanzas Creek “Helena Bench” ($40). From Sonoma’s Knight’s Valley, this is strong on the herbal, green and spicy qualities of the grape with an assortment of citrus and tropical fruits wrapped in a tangy, yet rich finish.

2013 J. Lohr “Carol’s Vineyard” ($24). This Paso Robles winery also produced this Napa Valley wine of tasty citrus and light herbal notes; drinks crisp, fresh and tangy.

2013 Sonoma Loeb Sonoma Valley ($18). Spicy herbs and citrus with a slight chalky note; follows with melon and a spicy finish.

REFRESHING SUMMER BREWS, PART ONE: BRECK IPA

Every year as summer draws near, America’s craft brewers roll out their summer seasonals. The modus operandi generally is to produce beers with light body, low alcohol and refreshing flavors. Often such beers emphasize lightness too much for my taste – too often they are also light on flavor. Usually, when I’m looking for something more delicate, I’ll pass on the “summer beer” and go for maybe a Pale Ale or an IPA. This is where a beer like the Breckenridge Brewery Breck IPA comes in handy.

The brewery has dubbed this their new mainline IPA. The strong hoppy bitterness (66 IBUs), which comes from Mosaic and Cascade hops, is nicely complimented by the added roundness of Full-Pint malt (a new two-row variety), softening the hoppy edges. Floral and fruit aromas offer refreshing citrus and slightly spicy notes. There also are malty notes, which show up in the firm palate and crisp, slightly bitter finish. Overall, it drinks nicely balanced even at 6.3% ABV. Not too heavy, not too light, it is just right for warm weather (and any other time of year!) sipping.

THINK PINK FOR SUMMER’S DRINK

Dry pink wines, while appreciated in Europe for centuries, faced a schizophrenic reaction from Americans toward the end of the last century. As sweet “blush” wines like White Zinfandel became wildly popular, most dry wine drinkers decided all rosés were sweet and not worth their time.

 

Europeans have known for a long time the joy of drinking pale red wine. Whether Rosé (French), Rosato (Italian) or Rosado (Spanish), they are mostly dry. They show bright, fresh fruit aromas and flavors of strawberry, cherry, raspberry, cranberry or rhubarb. The best approximate the profile of their red siblings but drink more like white wines. Because of their freshness, pink drinks are always best enjoyed young; so look for the most recent vintages available.

 

Most wine producing countries now have gotten into the act with a wide variety of grapes and finally these wines seem to be gaining appreciation in this country. I my opinion, rosé should be inexpensive, no matter how good it is. With the exception of sparkling wine, it is less expensive to make and is made for early consumption. So, here I have focused on wines priced $20 or less. 

From France, the 2014 M. Chapoutier “Belleruche” Cotes-du-Rhone ($16) fashions grenache, syrah and cinsault into a brisk wine with strawberry and cherry notes. The nonvintage Lucien Albrecht Brut Rose Cremant d’Alsace ($22) adds bubbles to pinot noir for a crisp taste of strawberry; an affordable alternative to Champagne.

And France’s neighbors also are reliable sources. I have Italian recommendations that span the length of the boot. The 2014 Mezzacorona ($10) delivers creamy cherry from local lagrein grapes sustainably farmed at the foot of the Dolomiti (Italian Alps). One of Brunello di Montalcino’s best producers uses estate grown sangiovese to produce the brisk red berries of the 2014 Il Poggione “Brancato” ($18).

The 2013 Villa Gemma Cerasuolo D’Abruzzo ($20), made from the indigenous montepulciano grapes in the Abruzzo region south of Rome is bright and full of tangy strawberry and cherry. Sicily sources the 2014 Stemmari ($10) whose tart red fruit features sustainably farmed native nero d’Avola grapes.

The Iberian Peninsula also appreciates these wines. The light, tart cherry of the 2014 Vina Real ($14) from Rioja comes from 85% viura (white grape) and 15% tempranillo. Spain’s neighbor Portugal was well represented with the sharp raspberry of the 2014 Esporao “Defesa” ($15), a blend of aragonês and syrah.

 

Even South Africa is worth a look. The 2014 Goats do Roam “Fair Trade Goats Rose” ($10) as the bottle notes uses mostly shiraz grenache, gamay noir, and mourvedre grapes that are “fair trade certified sourced from fair trade producers” for a slightly sweet impression. The strawberry and cranberry fruit of the 2014 Mulderbosch Cabernet Sauvignon Rosé ($14) is full bodied for a rose.

American producers increasingly are making nice rosés, too. I have been a fan of the Pedroncelli Dry Rose of Zinfandel as long as I can remember. Actually, Pedroncelli has been making this wine since 1958. A blend of free run and saignee juice, the 2014 “Signature Collection” Dry Creek Valley ($12) is easygoing with raspberry and spice.

 

From Washington, the 2014 Charles & Charles Rosé Columbia Valley ($14) is lively and flavorful, with pretty watermelon and creamy spice aromas and flavors, finishing off-dry. This collaboration between wine entrepreneur Charles Bieler and winekmaker Charles Smith (K Vintners) is a fanciful blend of mostly syrah, mourvedre, cabernet sauvignon, grenache, cinsault, and counoise.

 

And finally an unconventional recommendation. I typically crave a glass of Port in the cold of winter but I also have found an elegant, pure Tawny Port (they are best served slightly chilled anyway) can be quite enjoyable during warmer weather, too. The Warre’s 10 Year Old “Otima” ($30/500ml) offers an intriguing mix of fresh and dried cherry and orange, with hints of toffee, almonds and caramel. Balanced, intense and refined, it is an ideal cocktail.

SKA “ESTIVAL”: HOW STOUT CAN BE A GREAT SUMMER BREW

Ska Brewing “Esteval” Cream Stout

5.8% ABV | 15 IBUs

 

Estival is part of Ska’s Seasonal Stout Series, fitting for a summer release with its modest alcohol and medium body. Brewed with orange blossom honey, milk sugar, and aged on orange peels, it opens with notes of cream and coffee as a bit of that orange pokes through. On the palate, the orange flavor is more pronounced, while the creaminess persists. Full-flavored, yet lighter in body, it will make a great alternative when you feel like something more substantial than a lager or pale ale but still not too heavy.

 

 

As with all four of the stouts in the Seasonal Stout Series, Estival is released in cans. Based in Durango, Colorado, Ska Brewing was founded in 1995 and produces over a dozen beers, many of which are available in cans. Can or bottle or tap, make a point of checking out this one.

 

TAOS: HISTORY, CULTURE, ART AND, YES, WINE!

Wine travel isn’t just about visiting wineries and tasting their wine. For me, drinking wine isn’t only about how a wine tastes or even about how the grapes were grown and the wine was made but also about the history of the vineyard and the winery, the winemaker’s story, and so on. Similarly, when visiting a winery it means a lot to me to learn about the history and culture of the surrounding area.

Such it was with a recent visit to Taos, New Mexico. At this point I can hear you saying, “Wine? In New Mexico? Ok, so the New Mexico wine industry is not California; it isn’t even Colorado. But there is interesting wine being made there and plenty of fun to be had in the tasting rooms. And you can’t beat Northern New Mexico for cultural, culinary and historical interest. As much as the area is renowned for its food and art, it turns out wine is also part of its history and culture.

I was surprised to learn that the first wine grapes were planted in southern New Mexico around 1629 by Franciscan monks who had accompanied Spanish colonists to use for sacramental wine, roughly 150 years before vines were planted in California.

Over the subsequent years, wine grape growing had several ups and downs. As in many states, what I’ll call the modern New Mexico wine industry got its start in the late 1970s. Today, there are over 40 wineries, with most clustered around Albuquerque but several near Las Cruces in the south and several more in the north scattered between Santa Fe and Taos. And much like Colorado – where wineries are located all over the state but most of the grapes are grown in on one area (the Grand Valley) – most of New Mexico’s grapes are grown near Las Cruces.

In the meantime, New Mexico has become much better known for its Spanish and Native American culture, its art and its food. I had a chance to experience all of this on a recent visit to Taos with a group of writers.

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Sagebrush Inn Courtyard

Although Taos is home to many welcoming B&B’s, we enjoyed a stay at the historic Sagebrush Inn & Suites. The property opened in 1929 as a 17-room hotel. Since then, it has hosted many artists and celebrities, including Georgia O’Keefe and Dennis Hopper for example. Recently refurbished, today it features 156 rooms mostly surrounding a peaceful courtyard and a popular conference center. I enjoyed staying in one of the many rooms with a Kiva fireplace and an appealing Southwestern atmosphere. The complimentary wi-fi was particularly appreciated. We didn’t have a chance to eat at the attractive restaurant but I did enjoy a local Black Mesa Chardonnay at the Cantina surrounded by impressive works of art.

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Taos Pueblo with Sacred Taos Mountain in Background

But we were there to explore this magical place that is brimming with a mother lode of history. The first place we stopped was the Taos Pueblo, the only living Native American community designated both a World Heritage Site by UNESCO and a National Historic Landmark. Indigenous people established the Taos Pueblo complex roughly 1,000 years ago. Experience a bit of that history with a guided tour by a Pueblo native. Help preserve ancient traditions by purchasing authentic, traditional arts, crafts and food – like Mica-flecked pottery, silver jewelry and a loaf of homemade bread.

Spanish colonialists came to the area about 600 years later, apparently looking for the famed Cities of Gold. The Conquistadors didn’t find much gold but still decided to stay. Visitors can get a sense of what life was like, at least by the early 1800’s (the late Spanish Colonial period) at the Hacienda-de-los-Martinez.

Built in 1804, the fortress-like, adobe walled complex became an important trade center for the northern boundary of the Spanish Empire and the terminus for the Camino Real, which connected northern New Mexico to Mexico City.

Another of the vestiges of the Spanish colonial period in New Mexico is the many historic churches. One of, if not the, most famous is the San Francisco de Asis Mission Church south of Taos on the Ranchos de Taos Plaza. Dating to 1815, its traditional adobe mission-style built in the shape of a cross, is enshrined in a classic painting by Georgia O’Keefe, though it is said to be the most painted and photographed church in the United States.

Taos also has been a favorite of artists and their benefactors – drawn to the area’s natural beauty and its varied history and culture – for over 100 years. Visitors interested in this can tour numerous art museums and historic homes that illustrate how Taos became a magnet for creative people.

I heard a lot on this trip about the Taos Society of Artists and the role of this visionary group in establishing Taos – and northern New Mexico – as a destination for artists. You can immerse yourself in this period with visits to the Taos Art Museum-Fechin House, which is dedicated to the art of early twentieth century Taos, including a collection of paintings by the masters of the Taos Society of Artists; the residences of three of the six founders of the society: the Ernest Blumenschein Home and the Couse-Sharp Historic Site, including the homes and studios of E.I. Couse and Henry Sharp; and the Mabel Dodge Luhan House – Luhan, a wealthy New York socialite, was responsible for bringing many elite artists and other creative and political luminaries of the day to Taos in the 1920s.

I particularly enjoyed our time at the Millicent Rogers Museum. Rogers was the daughter of the co-founder of Standard Oil and the museum is dedicated to the history and culture of the southwest, specializing in Native American and Spanish colonial art. She moved to Taos in 1947 (only six years before she died at age 51) and became a patron of Native American artists and others of the Taos art community. Her expansive collection of self-designed Indian-made pieces is housed at the Museum. Particularly impressive was the pottery of Maria Martinez, the famed potter of the nearby San Ildefonso Pueblo. It’s a few miles north of town but well worth the trip.

Gustavo Victor Golez at Harwood Museum
Agnes Martin Gallery at Harwood Museum

In the heart of Taos, the Harwood Museum is easily accessible just a few blocks from the Plaza. The museum was especially impressive for its amazing collection of New Mexican art, including more from the Taos Society of Artists, Hispanic art, (some more than 100 years old), Modernist art of the 1940s, a contemporary collection from the 1970s, and the abstract art of Agnes Martin.

But I have toconfess; I was mostly anticipating the food. And I wasn’t disappointed. We enjoyed lunch at Doc Martin’s Restaurant, located in The Historic Taos Inn, a registered historic landmark. The restaurant has earned multiple awards for its “Regional New American” fare and its extensive wine list. I couldn’t pass up the chance to have a great New Mexico chile pepper and their relleno was most satisfying, especially with an Elevated IPA from La Cumbre Brewing of Albuquerque.

Speaking of beer, don’t miss Taos Mesa Brewing. Located a few miles outside of town, it is worth the trip for some really good craft beer, casual food, and entertainment. It has become a popular spot for music and events.

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Dinner one night was at El Meze Restaurant, widely considered one of the best in the area. It is located in a historic building and Chef Frederick Muller’s food is rooted in the region.  It combines local ingredients like mountain trout, chiles, and wild mushrooms with preparations, as Chef describes it, influenced by Moorish Spain, Native American and American traditions.

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Our other dinner was a real treat, as we cooked it ourselves at the Cooking Studio Taos. We were guided by Chef Chris Maher, an extensively awarded chef, including an appearance at the James Beard House and time working at New York’s Tavern on the Green under Drew Nieporent, who has since become on of the nation’s most highly regarded restaurant owners. The evening gained additional interest as Chef Maher revealed he was first a professional actor and continues to act to this day. He told us some fun stories about his Hollywood years but my main take away from the evening is the seafood in red chile sauce and rice with noodles. I can still tasty that dish. The green chile stew was really good, too.

With all these activities I was still intent on making time to visit some wineries and you should, too. I intentionally asked our hosts to carve out some time in the schedule for me to do just that.

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On one morning, I drove 25 miles south of Taos to the tasting room of Vivác Winery, conveniently located at the corner of Hwy 68 & Hwy 75. Apart from the wines, it is notable for its pleasant courtyard, scenery, availability of local arts and crafts and (especially) fresh, gourmet chocolates.

This is a small, family operation (as so many of them are in New Mexico) founded in 1998 by brothers Jesse and Chris Padberg and their wives Michelle and Liliana. In fact, Michelle had to miss my appointment because her son stayed home sick from school. But she arranged for me to meet with Sage who was operating the tasting room that day.

Just three miles up Highway 75 is La Chiripada Winery, another small, family-run operation. I was intrigued when I learned its home vineyards are at an elevation of 6100 ft., making it one of the highest commercial grape growing ventures in the world. Unfortunately the winery was closed when I was there and I ran out of time to visit their tasting room near the Taos Plaza. But the winery’s long history in the area (since 1977) and reputation for quality merit a visit the next time.

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I did get a chance, though, to visit the tasting room of Black Mesa Winery also just off the plaza. (The winery is 30 miles south of Taos.) Yet another family owned operation (by Jerry and Linda Burd since 2000), our group found it a fine respite from a day of museum and gallery visits. We happily tasted through a variety of wines knowledgeably poured by Laura Dunn, Assistant winemaker Craig Dunn’s wife.

Most of the wines I tasted at Vivác and Black Mesa were well made an enjoyable. I was particularly surprised and impressed with the Italian varietals, especially the Refosco at Vivác and the Montepulciano at Black Mesa. I also liked the Black Mesa’s aromatic, floral and spicy Malvasia Bianca (under their second label Alta Canyon Cellars). And I was surprised the Black Beauty, a chocolate Port-style wine was not cloying or overbearing like many such wines and delivered just the right touch of chocolate flavor. At Vivác, the Sangiovese, and Amante, their Port-style wine, also showed well. These wines and the wineries were a nice change of pace and are well worth a visit next time you go to Taos.

This visit gave me encouragement about the future of New Mexico’s wine industry. Both Laura and Michelle told me their wineries research and experiment to find varietals that will be successful in their micro climate. And Michelle said in an email response to my question about a signature variety that “New Mexico State University has a viticulturist working with the industry to do just that, find a ‘New Mexico variety’ but have not identified that golden goose as of yet.” She added that as of now Vivác is excited about the Riesling, Gruner Veltliner, Petit Verdot, and Pinot Noir form their experimental plots. I would contend Gruet Winery near Albuquerque has had so much success with its sparkling wines, for now at least, that has become the state’s signature wine. Still, I will be interested to follow the development of New Mexico wine and enjoy tasting the results.

 

REFRESHING SUMMER BREWS, PART TWO: SAMUEL ADAMS SUMMER SEASONALS

 

As I mentioned in my previous post, America’s craft brewers are busy rolling out their summer seasonals. I’m more of a full-flavored, intense beer person myself – all year – but I get the popularity of beers with light body, low alcohol and refreshing flavors for warm weather drinking.

 

Frankly, I’m content with The Boston Beer Company’s flagship beer – Samuel Adams Boston Lager – or their Rebel IPA. But I’m sure the vast majority of their market will anxiously snap up the following brews.

 

Samuel Adams Porch Rocker. This is a good example of a summer seasonal concocted specifically for the summer heat and outdoor activities. As the company notes, it is a take on a Bavarian Radler, which typically combines lager and lemonade. Samuel Adams used their two-row pale malt blend and Hallertau Mittelfrueh Noble hops to brew a German Helles-style lager and added lemon. It’s lightness is emphasized by its low 4.4% ABV and 8 IBUs. Those who like fruity beers will find this satisfying.

 

 

 

 

Samuel Adams Downtime Pilsner. A limited release summer seasonal, this one is Samuel Adams’ take on a classic German Pilsner. They, of course, started with traditional Bavarian Noble hops (in this case, Hallertau Mittelfrueh and Hersbrucker) but added new hop varieties, Herkules and Mandarina. The combination yields delicate floral and spice notes along with citrus and black pepper. At 5.0% alcohol and 30 IBUs, it’s not too strong and not too bitter.

 

 

 

 

Samuel Adams Summer Ale. a different take on the summer seasonal, this is an American wheat ale refreshed with Hallertau Mittelfrueh and Saaz Noble hops that, along with the addition of lemon peel, presents a bright citrus note. But this time the citrus is balanced with malty notes from Samuel Adams two-row pale malt blend and malted wheat and a suggestion of cardamom-like pepper from the addition of Grains of Paradise. At 5.3% ABV and 7IBUs, it all makes for a pleasant sipper for a pleasant summer day.

 

 

REFRESHING SUMMER BREWS, PART ONE: BRECK IPA

 

Every year as summer draws near, America’s craft brewers roll out their summer seasonals. The modus operandi generally is to produce beers with light body, low alcohol and refreshing flavors. Often such beers emphasize lightness too much for my taste – too often they are also light on flavor. Usually, when I’m looking for something more delicate, I’ll pass on the “summer beer” and go for maybe a Pale Ale or an IPA. This is where a beer like the Breckenridge Brewery Breck IPA comes in handy.

 

The brewery has dubbed this their new mainline IPA. The strong hoppy bitterness (66 IBUs), which comes from Mosaic and Cascade hops, is nicely complimented by the added roundness of Full-Pint malt (a new two-row variety), softening the hoppy edges. Floral and fruit aromas offer refreshing citrus and slightly spicy notes. There also are malty notes, which show up in the firm palate and crisp, spicy and slightly bitter finish. Overall, it drinks nicely balanced even at 6.3% ABV. Not too heavy, not too light, it is just right for warm weather sipping.

 

 

 

 

 

 

 

 

 

 

[Note: All Photos are courtesy of Breckenridge Brewery.]