GERMANY’S RIESLINGS ARE “SWEET” EVEN WHEN THEY’RE DRY

 

Normally I would find it a challenge to drink nothing but white wine– and only one type of white wine at that – for and extended period of time.

 

But this was German Riesling (my personal favorite white wine and arguably, at its best, the greatest white wine in the world) and I was in the Rheinhessen, Nahe, and Mosel on a press trip hosted by the German Wine Institute.

 

So, in this case, it was no challenge at all. It always has confounded me that Americans don’t appreciate this wonderful wine more. Interestingly, this was a topic of discussion with every grower we met. The two most common explanations we heard – and they are not exclusive of each other – were Americans assume all

German Riesling (actually all Riesling) is sweet at a time when most Americans prefer dry wine. And, to make matters worse, the traditional labels are complex and confusing to consumers such that most can’t tell what they are buying.

Many German producers have responded by simplifying their front labels, often prominently displaying “Riesling” and using only a brand name or just the name of the village or the single vineyard, then putting all the traditional, still legally required information on the back label (for wine geeks like me who appreciate that sort of thing).

They also are working hard to educate consumers (and trade and press) about the variety and high quality of Riesling, hence a major reason for this trip. The main mission seemed to be to emphasize there actually is a lot of dry German Riesling and it is really good stuff!

Still, the basic marketing approach seems a bit schizophrenic, even though it may just be reflecting the contradictions of the American market. Every producer we met with who makes any sweet or off-dry wine said that’s what they mostly export to the U.S. They said it’s because that’s what most U.S. consumers want. Most of their dry wine goes to other markets but they hope to change that.

I guess economic realities dictate they sell what consumers like. Meanwhile, they pursue a parallel strategy to promote their dry wines, in the hope of (even if gradually) building demand. And quite frankly, I’m happy to help. As much as I love the sweeter wines, I was greatly impressed (quite blown away actually) at just how delicious the dry Rieslings were/are.

Before I get into the specific wines and wineries, a few thoughts. Looking back on the four days of winemaker/grower visits, a number of patterns emerge. Although the fifteen growers we visited aren’t a scientifically randomized sample, I do think they are representative of the trends among the best German producers in the top regions.

The first thing I noticed is they are small, especially compared to, say, most California wineries. The exception to this and all of my subsequent observations is Moselland, the largest winery we visited, making 2 million cases annually. Most of the growers we visited produce fewer than 20,000 cases and for several it’s more like 5000.

All of the wineries on our trip are family owned operations that have been in the family business for generations. Many have at least two generations working at the winery. In almost every case, a father had recently retired from day-to-day operations and a son (no daughters on this trip!) had recently taken over as winemaker. The fathers usually were still involved either in the vineyard or basically in a consultant role in the cellar. It also was common to find grandmothers, mothers and sisters helping out with other aspects of the business.

I think all the growers we met are primarily estate producers, meaning they use only grapes from vineyards they own for most of their wines. In a few cases, they also buy fruit to supplement their own to produce their entry level wine (basically a higher volume introduction to the winery).

Each of these estates had their own family history to recount. In most cases, that family history extends at least 150 years, in some as far back as 500 years!

Of course, there wouldn’t be anything to write about without the amazing vineyards. And each grower showed a certain pride, even reverence for their vineyards. We especially heard a lot about slate – the layered, metamorphic rock of sedimentary, clay and sometimes volcanic origins notable for high mineral and crystalline content. These slate soils are prized for their ability to hold moisture and heat and to impart a distinctive sense of those minerals in the resulting wine.

Something else I found interesting about those families and their vineyards: these vineyards don’t have just one owner, as is the case in most other wine regions around the world. In Germany, especially with the top vineyards, ownership is more like what you will find in Burgundy. As I understood the explanation from our hosts, because of Germany’s inheritance laws (dividing property equally among the heirs) and the hundreds of years properties have been passed down, ownership in these top vineyards commonly is shared among dozens of owners.

One thing this did was provide opportunities to compare wines from the same vineyards made by different growers. I’ll discuss that and more about the specific producers and their wines in my next column.

DESCHUTES’ NEW RELEASES IDEAL FOR THE CHANGING SEASONS

Deschutes Brewery (www.DeschutesBrewery.com), the nearly 25 year-old brewery named after the adjacent Deschutes River in Bend, Oregon has done it again. They’ve released two new seasonal beers just in time for us to enjoy as the weather cools and the holidays approach.

Black Butte Porter debuted 24 years ago as Deschutes’ first and flagship brand. This new release, actually a Reserve double porter (the fifth such vintage of this anniversary beer lives up to its reputation as a bold brew. It opens with heavy coffee aromas, then follows with citrus and hints of spice. In the mouth, that coffee is evident but given intrigue with cocoa and a touch of sweetness in the finish. A slight hop bitterness emerges and lingers in the finish. I was captivated by its creamy, lush and substantial texture. After tasting it, I wasn’t surprised to find these intense, complex flavors and mouthfeel resulting from the use of Theo cocoa nibs, Mission figs, and Deglet dates in the mix.

The Stats (12 oz serving):
Alc. 5.2% | IBUs 30 | 192 Calories,
Malt: Pale, Carapils, Chocolate,
Crystal, Wheat

Hops: Cascade, Bravo, Tettnang

And for the 25th year, Deschutes has produced “Jubelale,” a spicy, malty, hoppy winter seasonal. Jubelale was the very first beer to ever be bottled by Deschutes. This version evokes the season with strong aromas of chocolate and warming chocolate notes. Touches of citrus are joined by heady scents of spice. Pouring the beer through its creamy head, those chocolate and coffee elements are evident. A touch of bitterness lifts the profile, while it finishes with creamy smoothness. And I like the citrusy hops that linger in the aftertaste.

The Stats (12 oz serving):
Alc. 6.7% | IBUs 60 | 192 Calories,
Malt: Pale, Carapils, Chocolate,
Crystal, Wheat

Hops: Cascade, Bravo, Tettnang

Also of note is the 2012 label displaying artwork created by Bend, Oregon artist Kaycee Anseth Townsend. Through a complex collage process comprised entirely from pieces of Jubelale labels from years past, she has created a fitting tribute to the season.

GREAT WINEMAKERS AND FABULOUS WINES CONVERGE ON ASPEN

For me, one of the best things about the Food & Wine Classic in Aspen is the opportunity it presents to meet winemakers and winery owners and to taste wines from producers whom I seldom or never get a chance to try. And this year, the event’s 30th anniversary shined on that score.

For instance, I had a chance to sit down with winemakers for two iconic (an over used word but it applies in this case) California wineries.

Saturday morning over breakfast I met Gina Gallo, the winemaker for Gallo Family Vineyards in Sonoma. Ms. Gallo, who has been a winemaker for the family for more than two decades, was anxious to tell me about (and have me taste) her new portfolio of wines: the Gallo Signature Series. She explained she wanted to make wines that reflected the best of what California’s top growing regions (particularly her family’s estate vineyards)have to offer.

So, signature has a triple meaning: grapes from signature California wine regions, wines made with special care by Gina Gallo, and labels bearing her signature. “I’m excited to have Gallo estate wines back in the market and to be back working with these wines full time after my recent maternity leave [twins!], Gina said while I sipped the three new wines. First, a well-balanced 2010 Chardonnay ($30) from the Laguna Vineyard in Sonoma. Then a full flavored 2010 Pinot Noir ($35) from Olson Ranch in the Santa Lucia Highlands of Monterey. Finally, a bold and structured 2009 Cabernet Sauvignon ($40) from the William Hill Estate in Napa (buttressed with fruit from the famed Monte Rosso Vineyard).

I would say the wines reflected the personality of their maker: reflective of their origins but with their own expression, welcoming but with depth. I look forward to following the evolution of this portfolio.

That afternoon, I joined Corey Beck, the winemaker for Francis Ford Coppola Winery, for snacks andconversation. Corey began with a little history. In 1975, Francis Ford Coppola and his wife Eleanor purchased portions of the historic Inglenook property and renamed it Niebaum-Coppola to honor Gustav Niebaum who founded the winery in 1879. They quickly established the property as a respected producer and as a major destination for tourists. They have now acquired the rest of the property and recently announced the winery henceforth will again be known as Inglenook again.

In 2006, the Coppola’s purchased the Souverain property in northern Sonoma. They renamed it Francis Ford Coppola Winery and moved production of most of their portfolio there. They also put Corey in charge of all winemaking operations.

Corey has a life long connection to California wine, essentially growing up alongside his grandfather who was the vineyard manager for Napa Valley’s renowned Chateau Montelena and later as their Cabernet Sauvignon Cellar Master. Corey joined Coppola in 1998 as the assistant winemaker. He now oversees seven wine brands including Diamond Collection, Rosso & Bianco, Sofia, FC Reserve, Votre Santé, Director’s, and Director’s Cut. It also is worth noting Coppola has turned the winery into a major tourist destination with a gourmet restaurant, a swimming pool, bocce, and a movie gallery.

Circumstances prevented us from tasting any of Corey’s wines but I really enjoyed the conversation and the history. I also have recommended Coppola wines before and look forward to reporting about new releases in the coming months.

I also made numerous discoveries in the Grand Tasting Tent, where producers from all over the world display their wares. This year I ended up on sort of a world tour.

The journey started at the Wines of Germany table. Wines of Germany has hosted tables here for many years and I always make a point to stop by to taste samples of Riesling (my favorite white wine) from the country that does it best.

With Aldo Sohm, Wine Director of Le Bernadin Restaurant and Michael Schlemmel of Wines of Germany

Next Spain. Wines of Spain for many years has hosted a whole tent as a separate location within the Grand Tasting park and it is always a great place to hunt for new wines. This year I was especially impressed with the wines at the “Drink Ribera” (that’s Ribera del Duero, one of Spain’s most important regions).

From there it was a short walk to the Inter-Rhone table to taste through samples of Cote-Rotie and Chateauneuf-du-Pape and to a nearby table for a taste of Champagne Nocholas Feullate, even their Grand Marque “Palmes d’Or.”

Then it was a visit to the tables of the Instituto del Vino-Grand Marchi. This organization brings together 19 of Italy’s most important wineries, all family owned. I was giddy tasting wines from such producers as Antinori, Donnafugata, Pio Cesare, Michele Chiarlo, and Tasca d’Almerita.

With Allegra Antinori

I finished my tour in California. First I enjoyed tastes of the flagship red of Beaulieu Vineyard, the 2008 Georges de la Tour Private Reserve Cabernet Sauvignon, along with the 2008 Tapestry Reserve (Bordeaux-style blend), and 2009 Rutherford Cabernet Sauvignon.

I concluded with the founder of Buena Vista Winery, Count Agoston Haraszthy. Actually, it was actor George Weber playing the role convincingly (actually how would I know, since Haraszthy is long dead, having founded the winery in 1857). And Buena Vista now is owned by Burgundy-based Boisset Family Estates. But I was happy to have the Count, I mean George, taste me through several wines from Buena Vista (I especially liked the 2008 “The Count” Founder’s Red), and other Boisset-owned California properties: De Loach (2009 Green Valley Pinot Noir), and Raymond (2008 Raymond Rutherford Cabernet Sauvignon).

Needless to say, it was another year of discovery at the Food & Wine Classic in Aspen. I already can’t wait for next year.

Food & Wine Classic in Aspen Celebrates 30th Anniversary, Part 1

It was around Noon Saturday, June 16 when the email came: “Another Kobrand Happy Hour!” It announced a reprise of the importer’s party from the night before.

This sort of thing is fairly routine at the Food & Wine Classic in Aspen. And this year it was even more so as the Classic celebrated its 30th anniversary. There were so many opportunities to attend receptions, dinners, parties and special tastings, to meet with winemakers, and discover new wines column I had to turn down several invitations and still can only briefly review my itinerary here. And this is what I like most about the Classic: for me at least, it is all about discovery. And this year, we all discovered a new restaurant concept, the Chef’s Club by Food & Wine on Thursday evening at an invitation only event before the official start of the Classic. The restaurant is housed in the St. Regis hotel and will feature menus devised by Food & Wine Best New Chefs. One of the inaugural chefs is Denver’s own Alex Seidel of Fruition. Kudos to Alex!

As always, the official kick off, though, was on Thursday with the Welcome Reception hosted by Trinchero Family Estates. The Trinchero family is one of California’s most influential, producing such highlyregarded brands (in addition to their namesake) as Napa Cellars, Terra d’Oro, Joel Gott, and Montevina.
Next, it was off to Jimmy’s restaurant for a casual dinner hosted by Ferrer Wine Estates and featuringsome of their fine sparklers. While visiting with Eva Bertran, Executive Vice President at Freixenet USA, I enjoyed the Segura Viudas Reserva Heredad ($20) and Freixenet ElyssiaPinotNoir Brut from their extensive line of Cava. I also enjoyed talking and and tasting with Gloria Ferrer (the family’s California winery) winemaker Bob Iantosca. His limited release 2005 Anniversary Cuvee ($45) was especially complex and flavorful.

I concluded this first night at the annual Wines from Spain barbecue hosted by chef Jose Andres. Besidesgreat food, the event featured too many Spanish wines to taste them all or even keep tasting notes but I was impressed enough with the 2006 Bodegas Muga Reserva Seleccion ($40) to write it down in my notesand recommend it here. And that was just the first night! Friday night upped the ante.

At a reception hosted by importer Wilson Daniels, the array of fine winesfrom their international portfolio was truly impressive. I felt like a kid in a candy store, as there were numerous wines that impacted me, from white Burgundy (Leflaive 2008 Pulighy-Montrachet, Laroche 2009 Reserve de l’Obedience Chablis Grand Cru and 2009 Petite Chablis) and Rhone Valley whites (Tardieu Laurent 2007 Hermitage, 2009 Condrieu and 2007 Chateauneuf-du-Pape) to Barbaresco (2005 Ceretto Bricco Asili), Tokaji Aszu (1999 Royal Tokaji 6 Puttanyos), and California Cabernet Sauvignion (2008 Lancaster Estate). Whew!

From there it was a short walk to Mezzaluna restaurant where I enjoyed several delectables with fine wines from Portuguese winery Esporao. My favorite at thistasting was the 2009 Esporao Reserva ($20), an enticing blend of indigenous and international varieties.

Next, it was just across the street to the first Kobrand “happy hour” where I was greeted with a flute of Champagne Laurent-Perrier Brut. I sipped the refreshing bubbly as I chatted with Jacques Lardiere, the great (though now retiring) winemaker of Louis Jadot, the famed Burgundy producer. Then I got myself a taste of his fine 2006 Louis Jadot Pommard “Clos de la Commaraine.)

Saturday night was even more packed. It began with a tasting hosted by the importer Moet Hennessy USA.This tasting featured just one wine, and an Argentinean wine at that: the 2007 Cheval des Andes ($80). This wine, a joint venture between Terrazas de Los Andes and Chateau Cheval Blanc, blends cabernet sauvignon, malbec and petite verdot into a wine that rivals the best of Bordeaux. It was so special it seemed perfectly appropriate that it was the only one at the tasting.

Then it was to the reprise of the Kobrand happy hour. And what a treat it was to have a chance to taste many of the great Lousi Jadot Burgundies, wines even wine writers seldom get to taste. Just look at this line up! 1978 Chevalier Montrachet les Demoiselles1978 Bonnes Mares 1985 Gevrey Chambertin Clos St. Jacques 1986 Batard Montrachet 1989 Vosne Romanee Suchots 1990 Chambertin Clos de Beze 1991 Corton Charlemagne 1996 Beaune Greves 1996 Corton Pougets 1999 Meursault Genevrieres.

After that, I hopped in my car and made my way to the Old Smuggler Mine on the outskirts of the town for the “S’wine at the Mine” festivities hosted by Denver’s Infinite Monkey Theorem (IMT) winery. Paired with multiple preparations of pork products, IMT poured its Blind Watchmaker Red Blend, Sauvignon Blanc, and sparkling wines packaged in cans!

But, quite frankly themost incredible event of the evening (at least for the wine hedonist in me) was the importer Old Bridge Cellars’ gathering of Australia’s d’Arenberg wines hosted by Winemaker Chester Osborn. In celebration of d”Arenberg’s 100th anniversary, they offered library wines and a chance to taste through the new “Amazing Sites” Collection (14 single site Shiraz and Grenache wines). There’s just too much to go into here. Suffice it to say I was blown away by the breadth and depth of quality on display. I hope to write more about these amazing wines later.

The Classic provided me many other prospects for discovery available at the Classic. Next week I will share more incredible tasting experiences in Aspen, this time outside of the Grand Tasting Tent.

LOOK TO ARGENTINA FOR QUALITY, VALUE

At the Drink Local Wine Conference recently held in Denver, there was discussion of whether the young Colorado wine industry would eventually develop a “signature grape” the way Argentina has with malbec for red and torrontés for white.

There was no consensus at the conference but it is a worthwhile conversation. The popularity of wine from Argentina with American consumers has been growing for a good decade now, largely due to its success with these two varieties of European origin that have adapted so well to Argentina’s terroir.

Malbec, a minor blending grape in Bordeaux (though important in Cahors) experiences some sort of alchemy in these high desert South American soils. Mendoza in the northern part of the country is the primary source, though other regions have gotten into the act successfully. Warm days and cool nights drape the alluvial soils of the high altitude vineyards in the shadows of the Andes Mountains, making an ideal home for the grape.

The synergy of these elements typically yields wine’s that are approachable, juicy and fruit-driven. With this profile and prices for most at $20 or less, Argentinean Malbec has captivated American consumers. Some even have reached levels on a par with top Bordeaux and Napa Valley wines but the action for most of us is in this value range. Below are several new releases (only one will set you back serious money) listed in order of preference but all are recommended.

Nicolas Catena arguably is the best-known and most highly regarded producer in Argentina. His family produces a number of topnotch wines under the name Bodega Catena Zapata. But the “Catena” estate series provides the most accessible wines and best values. The 2008 Catena ($22) is plush, with copious cherry and black fruit and spice notes. Immensely enjoyable now it will drink well for at least 5 years.

As Argentina’s potential become apparent, producers from major growing regions began to take notice, starting wineries and entering into joint ventures with local producers. One such collaboration took place in 1998 when Nicolas Catena and Domaines Barons de Rothschild (Lafite) created Bodegas Caro to produce a single wine, a blend of malbec and cabernet sauvignon. [The featured image for this post shows Caro’s vineyards.] The wine has been acclaimed ever since its first vintage in 2000. The 2007 Caro ($50) is intense and complex, firm with good depth. With 60% Malbec and 40% Cabernet Sauvignon, it offers mixed berries, brown spices and toasty notes in a firm yet refined texture.

Susana Balbo is widely considered one of Argentina’s best winemakers. Wine reviewers regularly declare her wines “best values.” The 2008 Suzanna Balbo “Signature” ($25) continues the streak. It begins with toasty oak and brown spices, then offers black cherry and raspberry, with excellent depth and a solid grip.


La Posta is a brand resulting from another collaboration with Argentinean growers and (in this case) an American partner, the importer Vine Connections. It focuses mostly on single vineyard wines from select growers. The 2009 “Pizzella Family Vineyard” ($17) is a fine value with earthy, forest-like notes complementing ripe black cherry fruit and mild tannins.

Terrazas de los Andes is a project of French luxury goods company Moet Hennessy. After renovating a 100 year-old winery, they released their first wine in 1995. The 2009 Reserva ($18) shows a lot of juicy fruit, with good depth and a touch of mineral and fairly strong tannins.

The 2009 La Posta “Angel Paulucci Vineyard” ($17) delivers interesting earthy and herbal aromas and tangy dark berry fruit with a touch of cola and a smooth texture.

The 2010 Aruma ($16) is a new, lower-priced wine from Bodegas Caro. All malbec, it has smoky, meaty and herbal aromas followed by sweet fruit and soft tannins.

Rutini Wines dates to 1885 when the Rutini family began growing grapes in Argentina. It is now owned partially by Nicolas Catena. The Trumpeter series is the winery’s value line. The 2010 Trumpeter ($11) shows straightforward plum and berries with a slight herbal note.

The most interesting white wine comes from torrontés, which is unique to Argentina but has been shown to bethe offspring of Mediterranean varieties. It grows most successfully in the soils of the northern regions of La Rioja and especially Salta. Here, the grape makes aromatic wines, with spice and floral accents. Expect stone fruits, citrus, pear, or tangerine and a light, crisp body. The best of my tasting was the 2011 Colome ($15). It revealed lemon, apricot, and tropical fruits and flavors, with good depth and a refreshing finish. The 2010 Trumpeter ($11) was simple but tasty with lemon and nice creamy, brioche notes.

DESCHUTES NEW BEERS ARE GOOD MATCHES FOR SUMMER’S FOODS


Twilight Summer Ale is ideal for the warm weather. In the style of a Pale Ale it is fairly strong with hoppy bitterness (provided by whole flower Amarillo, Northern Brewer, Cascade, Tettnang, and Brambling Cross hops), which provides a refreshing citrus, slightly spicy aroma. This is nicely complimented by Cara Pils and Carastan malts, which add roundness, softening the hoppy edges. This crisp bottle of sunshine, with its modest 5.0% ABV, will serve you well while watching a baseball or as a counterpoint to barbecue.

Hop in the Dark Cascadian Dark Ale is a whole other style of beer. A Black IPA, this brew ups the ante with both the hops (mostly Citra) and the malt (mostly Munich, oat and crystal). After the startlingly deep color, rich, nutty citrusy and slightly sweet aromas delight the senses. In the mouth, the maltiness asserts itself with a touch of roasted and coffee notes. The beer finishes with hints of chocolate and refreshing citrusy hoppiness. Although twice the IBU (international bittering units of the Twilight, Hop in the Dark’s bitterness is only apparent, as it is balance with the strong dark malts. 6.5% ABV (Alcohol by Volume)

DRINK LOCAL WINE CONFERENCE 2012

The last weekend of April, Colorado was the center of the “drink local wine” world. “What’s that?” you say. If you live in Tuscany, drinking Chianti is drinking local. If you live in northern California, drinking Zinfandel from Dry Creek Valley is drinking local.

Well, four years ago wine writers Jeff Siegel (WineCurmudgeon.com) and Dave McIntyre (Washington Post and dlwine.com) had an idea. They noted that most of the wine Americans drink come from the West Coast (not to mention Europe, Australia and so on). So, they decided to start an organization to promote wine from “the other 47 states.”

According to their website, drinklocalwine.com, the original idea was simply to get a handful of wine writers to blog about regional wine on the same day. That idea has grown to include the website, an annual Regional Wine Week in October, and an annual Drink Local Wine conference. This year, the fourth conference was held in Denver.

Siegel and McIntyre, their staff and the folks at the Colorado Wine Industry Development Board, especially Doug Caskey, put on an impressive event. It began with a dinner at the Colorado Governor’s Residence featuring fantastic food from Black Cat Farm Bistro of Boulder and Root Down of Denver. These two restaurants are leaders in sourcing local foods for their menus.

The point of the dinner was not lost on attendees – drink local wine with local foods, and not just because it’s good to support local producer but because both can be really good. Highlights of the dinner’s wine pairings included a 2010 Muscat Blanc from Bookcliff Vineyards, 2011 Creekside Cellars Rosé, and 2010 Anemoi Zephyrus (a petite verdot, cabernet franc blend). Especially impressive with the desserts were the 2011 Whitewater Hill Riesling Ice Wine and the 2010 Winery at Holy Cross Abbey Divinity (a Port-style wine made with merlot).

The next day featured seminars on Colorado’s terroir and the challenges in getting local restaurants to serve local wine. By many accounts, Saturday’s Twitter Taste-Off was the highlight of the event, three hours in which around 100 tasters and 23 participating wineries shared instant feedback about the wines.

I moderated a consumer panel on consumer perceptions of Colorado wine. I enjoyed questioning Jennifer Broome (the morning meteorologist on KDVR 31), Chris Anthony (a professional skier who leads “wine and dine” tours to Italy), and Jay Leeuwenberg (former University of Colorado All-American and NFL lineman, now a third-grade teacher). It was a great discussion of the good and the not so good of the Colorado wine experience, and how it can be better.

The panelists suggested ideas for restaurants to entice diners to introduce them to Colorado wines, such as featured specials and flights. They also lamented what they considered to be a lack of selection at area wine shops. In both cases pricing was an issue but each said they are willing to be “adventurous” and try more Colorado wine. They added that it helps a lot when restaurant and retail staff are knowledgeable and enthusiastic and can make informed recommendations.

For wineries and winemakers, the panelists suggested focusing on the best grapes for each region and highlighting the unique features of a particular region or winery. Basically, continuing to improve quality and marketing – good advice but, of course, we could say that about any product.

Despite the constructive criticism, the consumers were clear they had tasted good Colorado wine and they saw a bright future. They encouraged Colorado wineries to sharpen their identities and take advantage of the state’s natural beauty and the personal touch still available at most Colorado wineries.

Both McIntyre and Siegel subsequently have written about their favorable impressions of Colorado wine, saying this was the best DLW conference yet. Even George Taber, the man who first reported on California wine’s victory over French wine in a famous 1976 blind tasting and author of “The Judgment of Paris,” which tells that story, was duly impressed.

And kudos to The Winery at Holy Cross Abbey for winning the Colorado Wine Competition. Clearly, some of Colorado’s best wine is made in our own back yard.

AFFORDABLE BORDEAUX? ISN’T THAT AN OXYMORON?

When I was first getting interested in wine in the 1970s and 1980s, Bordeaux was the benchmark for most serious wine lovers. In those days, even top quality Bordeaux (the prestigious Classified Growths) was reasonably accessible and affordable. I remember buying dozens of Classified Bordeaux, particularly from the 1970s, on a college student’s budget!

This is no longer possible. Today, access to the best Bordeaux appears to be limited to “the one percent.” Yet, so much attention, especially in the wine press, is focused on the top producers and their astronomical prices, most of the rest of us have conceded the market and moved on to other regions and grape varieties. Personally, I have all of two Bordeaux (lower classed growths from the great 2000 vintage) in my cellar and have only drunk one other bottle in the past three years.

I have paid so little attention to Bordeaux lately I was surprised to read in my research for this column the vast majority of all Bordeaux sells for less than $20. This gave me hope finding good Bordeaux for a reasonable price is possible.

So I collected a case worth of samples and tasted them blind. Most of the wines actually come from the Entre-deux-Mers region, just east of the city of Bordeaux. Though without the prestige of the Medoc, the clay and gravel soils laced with limestone provide good raw materials. And growers and winemakers have worked to improve production methods. The results, at least in my tasting were surprisingly positive.

I noted many of the wines are higher in acidity than most of us drinkers of American wines are used to. But the acid served to lift the wines and keep them fresh tasting. The dominant fruit was plum, while red fruits occasionally emerged. Tannins were noticeable but not too assertive. Some were muted aromatically but the wines listed below displayed good fruit and structure. I also was surprised to note most of the wines are dominated by merlot. Alas, two of the wines were corked. My recommendations follow.

Bordeaux

  • 2009 Chateau Briot Reserve ($12) – a bit earthy, firm, dry (80% merlot, 20% cabernet sauvignon)
  • 2010 Barons de Rothschild Reserve Speciale ($16) – from the makers of Chateau Lafite-Rothschild; fairly intense, slightly peppery, dry (70% merlot, 30% cabernet sauvignon)

Bordeaux Superieur

  • 2007 Chateau Argadens ($14) – my favorite of the tasting; the most complex and aromatic (63% merlot, 32% cabernet sauvignon, 5% cabernet franc)
  • 2008 Chateau de Lugagnac ($10) – muted nose but good intensity, dry (50% merlot, 50% cabernet sauvignon)
  • 2009 Chateau Lestrille ($9) not much bouquet, though some evergreen and nice red fruits; finishes with dry tannins (100% merlot)
  • 2009 Chateau Timberlay ($20) – cherry, mint slightly bitter dry finish (85% merlot, 10% cabernet sauvignon, 5% cabernet franc)

I also enjoyed two white Bordeaux. The 2011 Chateau Timberlay (60% sauvignon blanc, 40% Semillon, $18) showed interesting hay and oat qualities, with lively citrus notes. The 2010 Barons de Rothschild Reserve Speciale (40% sauvignon blanc, 60% Semillon, $14) was aromatic, with spicy herb, gooseberry and lemon. These wines provide an enjoyable contrast to California and New Zealand Sauvignon Blancs.

Finally, I was pleasantly surprised by the 2010 Chateau Timberlay Clairet ($18), a rose of 50% merlot and 50% cabernet sauvignon. Its strawberry and cherry fruit was bright and tangy, excellent for spring sipping.

In recent years, many wine writers and bloggers have asserted that Bordeaux has become “irrelevant,” especially to the younger generation. This may be true, particularly with regard to the top wines. When was the last time you bought a bottle of Bordeaux or ordered Bordeaux in a restaurant? If you can find any of the wines recommended here, though, give them a try. You should be pleased.

Photo Credit for Featured Image: CIVB/Philippe Roy

Wine Fest Ft. Collins Benefits Disabled Resource Services

With Wine Fest Fort Collins this Friday, don’t miss your chance to reserve your spot at one of the largest wine tasting events in Colorado. Since 1982, Wine Fest has been inspiring wine connoisseurs, food fanatics and local philanthropists alike. In its 30th year providing funding for Disabled Resource Services, this event fundraises thousands of dollars each year for those living with disabilities. The 2012 event will be held on March 23 at the Fort Collins Hilton.

Featuring 150 vineyards and 500 wines from around the world, Wine Fest has a full roster of activities to keep you entertained throughout the evening. Wines and beers are complemented by an assortment of delicious food items from local restaurants.

Proceeds from Wine Fest ticket sales and auction items provide services for nearly 6,000 individuals living with disabilities in Larimer and Jackson Counties. Disabled Resource Service provides support those living with a disability need to navigate the world without isolation. As one of ten centers for independence in the state of Colorado, Disabled Resource Services provides resources to empower individuals with disabilities to achieve their maximum level of independence through advocacy, awareness and access to the community.

Tickets for this exciting event Tickets are available for purchase at Pringles Fine Wine & Spirits, Wilbur’s Total Beverage, Supermarket Liquors, The Melting Pot (Fort Collins), at the door or online at http://www.winefestfc.org/tickets.html.

Special Offer:

Pre-purchase your tickets to Wine Fest today for your chance to win a beautiful, hand-crafted wine rack. As a special offer for readers, anyone who purchases tickets to Wine Fest and leaves a comment on this post with your receipt number will receive a FREE entry to win the rack.

Adam and Steve from Supermarket Liquors crafted the wooden wine rack especially for this year’s Wine Fest raffle and generous supporters have filled it with wine (and a few beers). All wines are valued above $15 with some as high as $90. You won’t be disappointed!

At the event, raffle tickets cost $5 a piece, or 5 for $20, and can be purchased on the night of Wine Fest. Bring your cash for your chance to win this amazing prize! The wine rack is a fabulous prize valued at just under $1,000 and will satisfy any wine-lover for at least a few months. All raffle proceeds go to Disabled Resource Services, so be sure to try you luck for a great cause.

You must purchase your tickets and leave a comment with your receipt number by Thursday, March 22 to receive a free entry to the raffle.

ITALY’S TUSCANY DEFINES SANGIOVESE (AND A FEW OTHER VARIETIES, TOO!)

Tuscany is the most recognizable Italian state to American tourists and wine consumers. The picturesque, hilly countryside that attracts throngs of tourists also is a vinous wonderland. Dozens of grape varieties are grown here but it is sangiovese that dominates. The most widely planted grape in Italy, most agree it reaches its pinnacle in Tuscany.

Sangiovese is generally agreed to be native to the Tuscan region. It is difficult to describe its typical characteristics with complete confidence because different clones are grown under different environments subject to different viticultural and winemaking techniques. Still, in general expect signature black cherry fruit (though various dark berries can show up) and vibrant acidity, with varying elements of earth, forest, herbs, smoke, and spice. With a few notable exceptions, most are light- to medium-bodied and very dry, with a lean, structured finishing and fairly strong tannins

Sangiovese’s best-known incarnation is as the most important component of Chianti. Chianti is a large region covering most of northern Tuscany. The traditional recipe proscribed blending with various grapes, including white ones. Nowadays the rules have been relaxed and the best wines will be at least ¾ sangiovese and usually more. Still, these wines – as is the case with most European wines – are subject to stricter rules than most American wines.

Basic Chianti today is much better than the wicker basket stuff that made the wine famous in the 1970 and later infamous. Recent improvements in viticulture and winemaking have improved quality considerably. The 2010 Coltibuono Chianti Cetamura and 2010 Castello di Gabbiano are good examples that provide nice varietal character for a mere $10.

Of the seven Chianti subzones, Chianti Rufina is consistently my favorite and always a good value. This is demonstrated by the 2009 Selvapiana, ($17), a perfumed wine, with tight yet silky tannins by one of the area’s best producers.

But for a great leap in quality, consumers should turn their attention to Chianti Classico, the specified zone just to the south of Florence stretching to Siena. Wines from this area consistently produce the best Chiantis. Better vineyards, more attention in the vineyard and cellar yield the essence of Chianti. My favorites from recent tastings listed in order:

2006 Castello di Bossi ($20) – an amazing wine for the money; strongly perfumed, tons of beautiful fruit, velvety texture concentrated and quite rich; shows what can be done with 100% Sangiovese.

2008 Badia a Coltibuono Estate ($20) – made with organically grown grapes and vinified using natural yeast; attractive licorice and tobacco notes, pure fruit, linear but polished texture.

2007 Castello di Bossi ($20) – comes up just slightly short of the 2006 but is still a very good wine; overall similar in style, just a bit shy on fruit but more dried herb and spices.

2008 Castello di Volpaia ($24) – there’s an airiness and elegance about this wine’s lively character; though floral and herbal qualities ground the wine.

2008 Castello di Gabbiano Riserva ($23) – all Riserva must be aged two years plus three months in bottle; but this one is still quite assertive, with ripe fruit and a sleek palate, while displaying mineral and earth notes and dry tannins on the finish.

2009 Coltibuono “RS” ($15) – “RS” is for Roberto Stucchi, the proprietor and winemaker at Badia a Coltibuono. This Chianti Classico struck me as a more “modern” style than the others here, meaning softer texture and tannin, with almost sweet fruit and gentler acidity.

But for many connoisseurs it is the area around Montalcino just south of Siena that is the epicenter for production of greatsangiovese wines. Here, Brunello di Montalcino, unlike in Chianti, is made of 100 percent sangiovese (the local clone is brunello) and by law aged two years in oak and an additional three years in bottle. The wines are big, powerful and highly structured, requiring many years to reach their peak. They also are disproportionately priced. Still, the one in my tasting, the 2006 Altesino ($75), did shine. Its complex aromas and flavors – flowers, woods, mint, spice, minerals, and deep fruit – are presented in a graceful, silky, yet firm, fresh frame and noticeable but integrated tannins.

Rosso di Montalcino, typically made of sangiovese from younger vines, tends to be lighter and earlier maturing than Brunello. Maybe this is why it’s often described as a “baby Brunello.” Though not labeled as such, the 2009 San Polo “Rubio” ($16) is basically a Rosso di Montalcino. It is fresh, ripe, and lively with layers intensity fruit. And a great value

In neighboring Montepulciano, wine from sangiovese, particularly a local variant called “prugnolo gentile” traditionally was so prized it was the wine of royalty. Hence, the name “Vino Nobile di Montepulciano.” From one of the best producers in the area, the 2007 Poliziano ($28) is slightly austere with noticeable tannin but offers rich, ripe fruit.

As in Montalcino, Rosso Di Montepulciano is a good affordable alternative to Vino Nobile. And again the 2009 Poliziano ($15) delivers with rich and spicy, this red exudes juicy black cherry, black currant and pepper flavors. It’s juicy and firmly structured, with a lingering tobacco and black tea finish.

As fantastic as these traditional wines are, it is the Maremma that has created most of the modern buzz about Tuscany. The area covers the south and west of Tuscany stretching from Siena to the Mediterranean coast. In the far south of Maremma in the warm environs near Scansano, Morellino di Scansano is generating much attention. With fine values such as the 2009 Le Pupille ($20) it’s not hard to see why.

The wine is made from at least 85% morellino (the local clone of sangiovese). It starts out a little lean but fills out nicely over the palate ending with a soft finish that seems typical of the region.

Finally, no column about Tuscany would be complete without including addressing the “Super Tuscan” phenomena. As the story goes, a handful of Chianti producers in the 1970’s, led by Piero Antinori, concerned with the declining quality of Chianti, decided to make the best wine they could, even if that meant breaking the region’s rules. The “traditional” recipe for Chianti was established in the 1870’s and codified in the 1960’s. It called for a majority sangiovese blended with canaiolo and significant doses of white grapes (up to 30 percent!).

But this plus a few other unfortunate developments, such as overproduction, resulted in increasingly disappointing (mainly tart, diluted) wines. So, Antinori decided to go his own way and in 1971 released a wine he called “Tignanello.” It was 80% sangiovese and 20% cabernet sauvignon and aged in small oak barrels. The consequence was the wine had to be labeled Vino da Tavola (VdT). This is the lowest Italian wine classification. Such wines, which can come from anywhere in Italy and use any combination of grapes, typically were used for common or bulk wines.

Regardless, Tignanello quickly became one of Italy’s most celebrated, and expensive, wines. Needless to say, many others took notice and began making their own versions. The Super Tuscan moniker soon took hold as a descriptor. Nowadays, such wines are labled Indicazione Geografica Tipica (or Indication of Geographic Tipicity). As with VdT, IGT wines are subject to fewer controls over the grapes used and how the wine is produced but they must be from the specific region designated.

Now it seems every Chianti producer also makes a Super Tuscan. The wines can be 100% sangiovese or some blend of sangiovese with grapes like cabernet sauvignon, merlot or syrah. A really good one I recently tried comes from the Chianti estate Castello di Gabbiano. The 2008 “Alleanza” ($35) is comprised of 83% merlot, 12% sangiovese and 5% cabernet sauvignon. Noticeable new oak adds spice and vanilla to its mineral elements. Full fruit stands up nicely to strong tannins.

But it is really the western Tuscany region known as Maremma where the phenomenon has really taken off. And the discussion here must start with Tenuta San Guido. It was in Bolgheri, a mostly undeveloped region just south of Livorno on Tuscany’s hilly Mediterranean coast, where Piero Antinori’s uncle, Mario Incisa della Rocchetta actually made Italy’s first Super Tuscan in the 1940s. This 100% cabernet sauvignon wasn’t released commercially until 1968 but “Sassicaia” quickly reached the heights of Italian wine and now is legendary. It also is what inspired nephews Piero Antinori to make Tignanello and Lodovico Antinori to make “Ornellaia,” another great Bolgheri blend (cabernet sauvignon, merlot, cabernet franc).

While wines like Sassicaia are now prohibitively expensive but there are accessible introductions to the region and the style. A good place to start is Tenuta San Guido’s 2009 Le Difese ($30). This is a 70-30 cabernet sauvignon and sangiovese blend. It delivers ripe aromas with oak and tobacco, lots of fruit, spice, and hints of licorice and coffee.

I also found two outstanding values well worth your attention. The 2010 Tua Rita “Rosso dei Notri” ($20) – 50% sangiovese and50% “international varieties” – begins with flowers and spices and some tobacco. In the mouth, its delicious fruit comes richly concentrated. This estate, whose vineyards are located near the coast south of Bolgheri has produced a youthful, yet gracious expression of Maremma sangiovese.

The 2008 Aia Vecchia “Lagone” ($17), from an estate situated in the heart of the Bolgheri countryside, is a blend of 60% Merlot, with the remainder split between Cabernet Franc and Cabernet Sauvignon. It offers intense aromas of spice, chocolate, and tobacco. The palate delivers layers of fruit in a velvety texture. It is a fantastic value.

Interestingly, in recent years, the rules for Chianti have been relaxed to the point where many Super Tuscans could qualify as Chianti and many Chianti’s could qualify as a Super Tuscan. But, even though the Super Tuscans tend to be made in a so-called “international” style (more concentrated, powerful and oaky), the best still are unique expressions of Tuscany – more fruit and intensity but still woodsy, smoky notes and firm acidity giving the wines a lively angular presentation.

The emergence of the Super Tuscans forty years ago challenged tradition and led to fundamental changes in Tuscan winemaking culture. Here’s to building on the past, while embracing the future.