WINE BOOKS MAKE GREAT HOLIDAY GIFTS

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wine book

As much as we wine lovers like to get gifts of wine for the holidays, we also appreciate wine books. If they’re like me, they’re always interested in a good reference book. And I’ve got two good ones to recommend.

Although there are countless guides to California wine, I don’t think you can do much better than “The New Connoisseurs’ Guidebook to California Wine and Wineries” ($28) by Charles E. Olken and Joseph Furstenthal. Mr. Olken is best known in the wine world for his newsletter, The Connoisseurs’ Guide To California Wine, published since 1974.

The book begins with a useful primer on California’s wine history, how wine is made, and the most important grapes and wine types, and concludes with a helpful glossary of wine terms. But the heart of the book is the 500 winery profiles, thoughtfully organized by geographic region. After describing each region, Olken identifies the key producers, and includes smallish but useful maps showing their location.

What the book lacks in detail (the profiles are rather short and the Central Coast and South Coast especially get short shrift), it more than makes up for in breadth and especially with critical assessments of each winery. Too many such books are simple recitations of otherwise available facts. Olken wisely adds value with descriptions of the wineries’ style and overall quality. A welcome inclusion is the reading list of important books, magazines, newsletters, blogs and websites focusing on California wine.

This is an indispensable reference and would be a great companion on any visit to California wine country.

Equally vital for its chosen subject is “Washington Wines and Wineries: The Essential Guide, Second Edition” ($35) by Paul Gregutt. Mr. Gregutt, who writes for the Seattle Times and Wine Enthusiast, is one of the foremost authorities on Washington wine.

His guide begins with a history of Washington wine and descriptions of the best regions (with good maps), grapes, and vineyards. The core of the book also is the winery profiles (about 200 of the state’s 500-plus wineries). The profiles are fairly detailed, with descriptions of the key wines and, again thankfully, of overall quality.

I especially like that Gregutt provides a critical assessment of the wineries, considering style, consistency, value, and “contribution to the development and improvement of the Washington wine industry” in his rankings. And in the chapter on the grapes, he also lists who he thinks are the best wineries for each varietal.

If you haven’t discovered Washington wine yet, it’s time you did and this book is a great companion on the journey.

“Reading between the Wines” ($25) by Terry Theise is a completely different sort of wine book. Mr. Theise is famous in the wine world as an importer of wines from Germany, Champagne, and Austria. He also has gained attention for his passionate writing about wine in his catalogue. This book further reflects that passion.

Theise begins by describing how he came to have a life in wine. More importantly, he asks the reader “to accept the ethereal as an ordinary and valid part of everyday experience – because the theme of this book is that wine can be a portal into the mystic.” Along the way he pays homage to particular grape varieties, profound wines and model producers to illustrate the theme.

Theise is trying to convey how wine (and a wine drinking experience) can be more than the sum of its parts. The book is an exploration of the meaning of wine and how wine can deliver emotional, sensual, inspirational, even mystical and transcendental experiences. But only certain wines can do this, only wines of honest origin from artisan producers mostly from the “Old World” (like those he imports).

It’s about authenticity. Mass produced, industrial, manufactured wines may offer a nice diversion now and then but cannot facilitate such meaningful experience. The implication is that such wines are not real wine. They are what might be called (paraphrasing Michael Pollan’s description of processed food) “drinkable wine-like liquids.”

It seems even artisan produced “New World” wines fall short by this measure. In Theise’s world, authenticity takes time. Here is where the “New World” wines of the Western Hemisphere just can’t match the wines of “Old World” Europe. Heard of “slow food?” Well, this is “slow wine.”

The enlightening final chapter on tasting wine reads like a manifesto effectively illustrating the holistic approach to wine promoted throughout the book. It’s one I’ll come back to time and again.

California Cabernet Sauvignon Makes a Classy Holiday Wine Gift

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California Vineyards

The holidays offer a great excuse to splurge on an expensive wine gift, whether for a business associate, friend, loved one, or … even yourself!  If you or someone you know delights in high end California Cabernet Sauvignon, you might be tempted to go on a (probably futile) quest for a so-called Napa Valley “cult cab.” I suggest taking a different approach: pick up one of the Napa Valley icons below.

Beringer Vineyards is one of Napa Valley’s most historic wineries, having been founded in 1876. Through most of its years Beringer has been one of the state’s best producers. For the past 30 years, the Private Reserve Cabernet Sauvignon has been Beringer’s flagship wine. This is the ultimate reserve wine, in which Beringer’s winemakers work to craft the perfect blend drawing from the very best lots of Beringer’s very best vineyards. In 2007 ($115) this process yielded a complex, concentrated, highly structured wine. The 2008 Private Reserve Chardonnay ($35) also is outstanding.

For a major splurge, you can’t do better than the 2007 Joseph Phelps Insignia ($225). Mr. Phelps, who was a principal in Colorado’s Hensel-Phelps construction company, opened his eponymous winery in 1974. He was an early proponent of blended cabernet-based wines using Bordeaux as a benchmark. And from day one this has been one of California’s best wines. This wine that puts power and luxury all in balance, like a seamless silk garment with fruit, mineral notes, and lush texture all in balance. The 2007 Cabernet Sauvignon Napa Valley ($54) is also fine choice.

You also should look to Sonoma County, which often is overshadowed by Napa’s reputation despite often producing superior wines.  Stonestreet Alexander Mountain Estate is one of the best of the many properties in the Jess Jackson (founder of Kendall-Jackson) wine empire, particularly with the single vineyard and Legacy wines. The vineyards are located along a western ridge of the Mayacamas Mountains overlooking Sonoma’s Alexander Valley. The 2006 “Christopher’s” Cabernet Sauvignon ($100), from a vineyard ranging 2200-2400 feet, is intense and powerful, with vibrant dark fruit. The 2008 Chardonnays: Upper Barn ($65), Red Point ($55), and Broken Road ($55) are just as impressive.

Rodney Strong Vineyards, one of Sonoma’s oldest modern wineries (founded in 1959), has always been a reliable producer of solid value wines. Recently it has elevated its game and has become a top tier producer, especially with its portfolio of special bottlings (Reserve, Single Vineyard and Meritage wines), also from Alexander Valley fruit. The 2007 Cabernet Sauvignon Reserve ($45), with its concentrated, wild berry fruit and lush texture, and the 2007 Symmetry ($55), a complex, elegant Bordeaux blend, are excellent examples of their type.  Whatever the occasion, these are wines will make it special.

Denver’s Hotel Monaco Exemplifies Kimpton Hospitality

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hotel service

So, we had four days free with no particular plans late last month; my son even had Thursday and Friday with no school.  We considered taking a trip somewhere but after looking at our options and deciding out-of-state travel was too expensive and too much of a hassle and in-state travel too risky with the weather, we decided to take a two-day “stay-cation” at the Hotel Monaco in downtown Denver.

We already knew this is a classy hotel. We’ been to many events their and have eaten at the excellent restaurant, Panzano several times. But we’d never stayed in a room before. We sure are glad we did this time. Granted, they knew I am a writer and offered a room at the press rate and then gave us two connected King rooms (one a suite). But there is no faking the elegant décor of the rooms and the high quality of the service.

The hotel also offers a commendable range of signature Kimpton amenities: hosted evening reception, a variety of accommodations for the disabled, pet friendly supports, and an extensive eco-friendly program.

And Panzano. Chef Elise Wiggins, a passionate proponent of the organic, local, seasonal movement, is a great chef whose crew delivers outstanding Italian fare. The sustainable approach is not a fad here. Panzano been recognized for its commitment that even extends to using only Seafood Watch approved seafood, fair trade coffee, and biodegrable packaging, to mention just a few responsible practices. And it all translates into soul satisfying food expertly prepared.

We’ve stayed at Kimpton hotels in San Francisco, Seattle, and Washington, D.C. before and Denver’s Hotel Monaco easily lived up to the quality we have come to expect from Kimpton hotels.

Denver International Wine Festival Just Keeps Getting Better

Last Thursday night I joined a sold out crowd for the 2010 edition of the Denver International Wine Festival’s “Taste Of Elegance Chef’s Wine And Food Competition/Auction 

Wine.” After six years, the DIWF (which also includes a Grand Tasting and Front Range Winery tour) has evolved into a world-class event, and certainly one of Denver’s premier culinary events. With 12 restaurants and 40 wineries, there was ample variety but a really cool bonus was that the chef’s were asked to create a dish to pair with two selected wines.

These pairings also featured gold medal winners from the Denver International Wine Competition, which had received over 500 entries from around the world. 
 I enjoyed wines from Andretti, Rock Wall, Dr. Konstantin Frank, and Quady. But my favorite wines of the night were the Zinfandels from Robert Biale.

Congratulations to festival producers Chris and Darcy Davies, who also will donate a portion of ticket sales and all of the proceeds of the silent auction to the Foundation for Sight and Sound’s Help America Hear Program.

Drinking Inside the Box

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wine glass

I’ve been interested to watch wine producers continue to invest in new packaging approaches, from synthetic corks and screw caps to Tetra Pak and Bag-in-Box containers.

A recent sampling of several just-released 3-liter boxed wines proved that some are worth your attention.

Pepperwood Grove “Big Green Box” chardonnay and cabernet sauvignon ($20)

“Octavin Home Wine Bar” ($22-24)
• Monthaven Winery Central Coast Chardonnay
• Silver Birch New Zealand Sauvignon Blanc
• Boho Vineyards California Old Vine Zinfandel
• Bodegas Osborne “Seven” (Spain)

“Bota Box” ($19) Pinot Grigio

The makers of these wines claim three major benefits: convenience, sustainability and value.

Once opened, boxes are easy to use and the wines should remain fresh for up to a month.
They reduce packaging waste, carbon emissions and landfill waste, and are recyclable. Lower packaging and shipping costs enable box wines to be sold for a price equivalent to $5-$6 per bottle.

But the perception has long been that box wines are of inferior quality. That simply is no longer true. I have enjoyed the Bandit wines and some of the Wine Block, Black Box, Killer Juice, and Fish Eye wines. Overall, the wines I tasted for this report are solid examples of their type and, at these prices, are great values.

We all may have to reevaluate our preconceptions about box wines.

Colorado Brewers Dominate GABF as Sustainability Becomes Prominent Theme

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scenes from GABF

The 29th Great American Beer Festival (GABF) held a few weeks ago at the Colorado Convention Center continued its record setting ways. While most everything else in the economy is contracting, it seems the beer world just keeps expanding.  Attendance (estimated), volunteers, and the number of breweries, beers on the floor, beers in the competition, categories judged, and judges all increased over last year!

By my count, Colorado was the top winning state with Colorado brewers bringing home 29 medals won (12 percent of the total), besting even such craft beer powerhouses as California and Oregon. Blue Moon won the Large Brewing Company and Large Brewing Company Brewer of the Year awards and Rockyard Brewing Co. of Castle Rock took a silver medal in the Pro-Am competition.

The following breweries also brought home awards:

  • Boulder Beer Co., Boulder
  • Bristol Brewing Co., Colorado Springs
  • C. B. & Potts, Ft. Collins
  • Colorado Boy Pub & Brewery, Ridgway, CO
  • Del Norte Brewing Co., Denver
  • Dillon Dam Brewery, Dillon
  • Dry Dock Brewing Co., Aurora
  • Glenwood Canyon Brewing Co., Glenwood Springs
  • Great Divide Brewing Co., Denver
  • Left Hand Brewing Co., Longmont
  • Mountain Sun Pub and Brewery, Boulder
  • New Planet Beer, Boulder
  • New Belgium Brewing Co., Inc., Fort Collins
  • Pagosa Brewing Co., Pagosa Springs
  • Pug Ryan’s Brewery, Dillon
  • Rockyard Brewing Co., Castle Rock
  • Rock Bottom Brewery, multiple locations
  • Ska Brewing Co., Durango
  • Steamworks Brewing Co., Durango

I was glad to see the festival continued its emphasis on matching beer with food. This was prominently on display in the more intimate Farm-to-Table Pavilion where local chefs created dishes using Colorado products to pair with selected beers from around the country. Even some of the Colorado farmers and ranchers were there to talk about their products. We sampled craft beers paired with foods sourced from these local farms and ranches.

As a “wine guy,” I’m well versed in the affinity between wine and food. So, I have been pleased to see craft brewers in recent years put more effort into making beers that are best drunk with food. The Farm-to-Table Pavilion presented a fine opportunity to discover how much local foods rendered by skilled chefs have in common with craft beer from small and independent breweries. The event featured products from thirteen Colorado farms and ranches paired with special releases available only in the pavilion. I found this is so innovative for a beer festival I feel compelled to reprint the menu here.

The Farm To Table Pavilion Menu

Appetizers

Roasted Vegetable Napoleon, Spent Grain Cracker Sweet Onion Jam & Micro Greens

Oskar Blues’ Hoppy Seconds

Sweetwater Brewing Co. Magnum IP Imperial Pilsner

Three Sisters (Corn, Beans & Squash) Red Quinoa with Southwestern Chile Vinaigrette

Rogue Chocolate Stout

Hazel Dell Wild Mushrooms & Thyme with Creamy Polenta

Odell Brewing Co. Woodcut #3

Wood Fired “Helios” Chicken Liver Mousse with Stone Fruit Gelee, House Pickle,

Apple & Thyme Foccacia

Victory Brewing Helios

House Made Pork Sausage, Smoked Fingerling Potato, Mixed Cabbage & Pear Slaw

Victory Brewing V12

Main Dishes

Colorado “Tongue of Fire” Stew – Braised Duck, House Made Rabbit Sausage, Winter Squash & Tongue of Fire Beans

New Holland Brewing Co. Charkoota Rye

Odell Cutthroat Porter

Smoked Trout, Corn Cake & Tomatillo Chutney

Rogue Juniper Pale Ale

Mini Rosemary Buffalo Burger with Windsor Dairy Bleu Cheese & Caramelized Onions on Brioche Bun

Ska Brewing Co. Buster Nut Brown

Stone Brewing Co. Saison du Buff

Heritage Turkey Confit Quesadillas, Haystack Goat Queso de Mano & Green Heirloom Tomato Pico de Gallo

Sweetwater Brewing Co. Happy Ending

Tripple M Bar Ranch Lamb Polpette, Mint Pesto, Goat Cheese, Curry Pinenuts, Micro Basil, Balsamic Reduction

Ninkasi Summer Radiant Ale

Aion BLT: Ten Fidy Cured Bacon, Crisp Butterhead Lettuce, Heirloom Tomato,

House Made Aioli & Bread

Oskar Blues Ten Fidy

Dessert

House Made Buttermilk Panna Cotta, Honey Tuile & Colorado Berries

New Holland Brewing Co. Dragon’s Milk

Ska Dubbel Blond

Spice Cake with Roasted Pear Compote & Honey Goat Cheese Cream

Stone Brewing Co. Sawyer’s Triple

North Fork Valley Apple & Pine Nut Tartlets with Beer Caramel

Ninkasi Believer Double Red Ale

Well-earned kudos go to Chef Chad Armstrong and Chef Marlyin Kakudo and the student chefs of the Culinary School of the Rockies in Boulder. And the Guest Chefs deserve recognition for some creative parings: Dakota Soifer and Eric Lee of Café Aion, Boulder, CO; Kelly Whitaker and Sean Magallanes of Pizzeria Basta in Boulder; and Elise Wiggins of Panzano in Denver’s Hotel Monaco.

Equally impressive was that the festival continued its efforts to remain on the cutting edge of sustainability initiatives. In partnership with ZeroHero (a Colorado company that works across the country reducing the impact of major events and festivals through zero-waste management, alternative energy and education), the Colorado Convention Center, Centerplate Catering, Governors Energy Office, Colorado Carbon Fun, and Renewable Choice Energy, the GABF worked to reduce its carbon footprint and come as close to a zero-waste event as possible.

Here are some of the programs implemented at the festival:

  • At least 85% of the waste to be diverted away from the landfill
  • Most disposable items were recyclable or compostable
  • All glass and plastic bottles, cans, paper and cardboard to be recycled
  • Use of styrofoam at food outlets in the event was banned
  • Bulk condiments used at concession areas
  • All compost processed by local company
  • Carbon production offset by purchasing wind credits
  • House lights kept at 50% during the show

The Brewers Association, a brewing company trade association based in Boulder that markets the festival should be proud for organizing such a successful event in these tough economic times. And the future looks good, too. The Brewers Association reports continued growth in the craft beer industry. With just about every other industry seeing declines, the craft beer industry in 2009 achieved growth rates of 7.2% by volume and 10.3% by dollars. And by August 2010, there were 1625 breweries operating, the most in 100 years.

Let’s all raise a glass or two!

Loire Valley Tasting Showcases Under Appreciated Region

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Loire Valley Farmhouse

Last month, the Loire Valley Wine Bureau hosted a trade tasting in Denver at the Sheraton Downtown Hotel. This was a great chance to taste many different Loire Valley wines in one place and to experience the variety and quality the region offers. And there is an amazing variety.

Loire Valley wines, from the geographical heart of France. Most of the important growing regions are located along or just off of the Loire River. They produce a diverse and distinctive range of wines with industry leaders in every category: white, red, sparkling and sweet. After Champagne, the region is the second largest and second oldest in France for sparkling wines (unfortunately, I ran out of time to try them). it is also the leader for wines ordered in restaurants in France, probably because of the wines relatively moderate prices.

In case you didn’t know, Loire Valley wines set international standards for Sauvignon Blanc, Cabernet Franc and Chenin Blanc, as well as producing unique local specialties like Muscadet. The Loire Valley also produces truly excellent dessert wines. This tasting also confirmed Loire wines’ reputation for food friendliness.

One thing for sure, wines of this quality and affordability are worth any buyer’s attention. Below is a capsule tour of the region’s main appellations represented at the tasting moving roughly from the Atlantic coast inland to the valley’s eastern border, accompanied by my recommended wines. (Wines marked with ** are my favorites.)

Muscadet de Sèvre et Maine – near the city of Nantes; crisp, dry whites from melon de Bourgogne (also called muscadet) grape

  • 2009 Chateau de l’Oiselliniere ($13)
  • 2008 Domaine de la Chauviniere “Clos les Montys” ($13)
  • 2005 Domaine de la Chauviniere “Granit de Chateau-Thebaud” ($20)
  • 2008 Pierre-Luc Bouchard ($NA)

Anjou – adjoining the city of Angers; earthy reds and off-dry rosés from cabernet franc grape.

  • 2008 Domaine des Rochelles Anjou-Villages Brissac (red, $14)**
  • 2009 Roc de Chateauvieux Rosé d’Anjou ($12)

Savennieres – west of Angers; powerful, dry chenin blanc (known in the valley as pineau de Loire); prized for great aging potential

  • 2007 Domaine Baumard ($22)
  • 2005 Domaine Baumard “Clos du Papillon” **  ($32)
  • 2007 Domaine Baumard “Tre Speciale” ($38)

Coteaux du Layon – straddles the Layon River extending from the Loire south of Angers; luscious dessert wines from chenin blanc.

  • 2000 Domaine Cady** ($23)
  • 1990 Domaine Baumard “Cuvee lu Pon” ($NA)

Quarts de Chaume – a small area along the Layon also producing great sweet nectars from chenin blanc

  • 2000 Chateau de Suronde (biodynamic) **  ($58)
  • 2007 Domaine Baumard ** ($65)

Saumur – large region extending south from the town of the same name; mostly earthy reds from cabernet franc

  • 2009 Domaine des Hauts de Sanziers  ($17)

Chinon – west of the city of Tours, this area is certainly famous among most people for its historic chateau; among wine lovers, though, it’s the distinctive reds from cabernet franc that draw us

  • 2007 Domaine du Beausejor ($13)
  • 2008 Domaine de Grand Bouqueteau “Tradition” ($15)

Touraine – surrounds Tours; a very large area producing a variety of whites, roses and reds; these are aromatic wines from sauvignon blanc

  • 2009 Domaine Joel Delaunay “Le Bois Martin” ($16)
  • 2009 Chateau de la Roche** ($16)
  • 2008 Domaine du Pre Baron ($14)

Vouvray – just west of Tours; chenin blanc in a range of styles from dry to quite sweet

  • 2003(!) Domaine Georges Brunet (demi-sec) ($15)
  • 2009 Chateau Moncontour (sec) ($18)
  • 2009 Clos du Nouys (sec, $22 and demi-sec, $18)
  • 2009 Roc de Chateauieux ($12)

Quincy – north of the town of Bourges at the eastern end of the valley; a somewhat lesser known region (producing sauvignon blanc) that made an impressive showing at this tasting

  • 2008 Domaine du Tremblay** ($18)
  • 2008 Philippe Portier** ($18)

Sancerre – the first of the two world famous producers of fresh, fruitful wines from sauvignon blanc at the eastern border of the Loire Valley

  • 2008 Domaine Brochard ($17)
  • 2008 Domaine de Buissonnes ($28)
  • 2008 Chateau Sancerre ($27)
  • 2008 Guy Saget “Domaine de la Perrier” ** ($25)
  • 2009 Le Hospices** ($21)

Pouilly Fume – on the other side of the river from Sancerre, these sauvignon blancs tend to be fuller and richer

  • 2007 Domaine Alain Cailbourdin “Les Cris” ($22)
  • 2008 Guy Saget “Domaine Saget” ** ($35)

I also appreciated that all the wines presented are locally distributed.  And the importers – Eberhard Distributers, Robert Kacher Selections, Terlato Wines International, Esprit du French Wine Merchants, Old World Imports, Marnier-Lapostelle, Palm Bay International, Pasternak Wine Imports, Michael Corso Selections, Ex Cellars, Pierre Chanier, and Elizabeth Imports – deserve recognition. These are all reliable importers and frankly a good shorthand way of making sure you are getting a good wine is to look on the label for one of these names.

24 Good American Wines That Won’t Drain Your Wallet

These are wines that don’t sacrifice quality for affordability ($20 or less retail), and you should be able to one appropriate for any occasion.

Summer whites
Light, aromatic
• 2008 Covey Run Quail Series Gewurztraminer ($9)
• 2009 Columbia Cellarmaster’s Riesling ($12)

Refreshing Rhone-style blend
• 2008 Beckmen Le Bec Blanc ($18)

Crisp, dry (sauvignon blanc)
• 2009 Holy Cross Abbey ($19)
• 2008 Matanzas Creek ($19)
• 2008 Pomelo ($10)
• 2009 Silver Birch (3-litre box, $24)

Citrusy, round (Pinot Gris)
• 2009 Acrobat Oregon ($12)
• 2009 Kendall-Jackson Grand Reserve ($15)

Rich, full-bodied (chardonnay)
• 2008 Rodney Strong Sonoma County ($15)
• 2008 Paul Dolan ($18)

Summer reds
Earthy, soft (pinot noir)
• 2007 Sebastiani Sonoma Coast ($18)
• 2009 Acrobat Oregon ($18)

Spicy, fruity (zinfandel)
• 2006 Ottimino Zinfinity ($17)
• 2007 Christine Andrew Old Vine ($15)
• 2008 Artezin ($18)
• 2008 Dancing Bull ($12)

Lively, intense
• 2008 J. Lohr South Ridge Syrah ($15)
• 2007 Concannon Conservancy Petite Sirah ($15)

Flavorful Rhone-style blends
• 2007 Liberty School Cuvee ($12)
• 2008 Beckmen Cuvee Le Bec ($18)
• 2006 Parducci Sustainable Red ($11)

Full-bodied (cabernet sauvignon)
• 2007 Rodney Strong Sonoma County ($19)
• 2007 Murphy-Goode California ($14)

Santa Fe and Northern New Mexico Enchant Humbled Colorado Visitors

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Every year since my wife and I were married 25 years ago (many of those with Tricia’s parents and the last eleven with our son), we have tried to visit northern New Mexico. We have only missed a few of those years. And, as many great places as there are in this magical area, we have gravitated most often to Santa Fe.

We have enjoyed many fine accommodations over the years and this year we were able to stay at one of our favorites, the Eldorado Hotel. Part of the prestigious international luxury chain, Preferred Hotels & Resorts, the Eldorado is located right downtown about three blocks from the Plaza. As nice as our room was, we especially appreciated the friendly, attentive service from the staff – especially the front desk and the valet. Kudos!  Although the Santa Fe International Folk Art Market and the Sculptural Objects & Functional Art (SOFA WEST) exposition were the big attractions for the weekend (not to mention the Santa Fe Opera), we opted for a more leisurely weekend.

That meant one day strolling through the New Mexico Museum of Art. This nearly 100 year-old museum houses a sizable permanent collection of works, most created by New Mexico-based artists. We particularly enjoyed the exhibit “How the West was One: The Art of New Mexico,” which included 70 works by Native American, Hispanic, and European-American artists. It is a fascinating illustration of the intercultural history of New Mexico art over the last 125 years. The next day we made our obligatory visit to the Plaza to shop for Native American art, mostly silver jewelry from Native Americans who sell directly to the public from their places in front of the Palace of the Governors. We always end up buying something and this time was no different.

We also made our fifth journey through the Georgia O’Keeffe Museum (just a few blocks off the Plaza). We always enjoy this iconic artist’s dramatic and evocative works, both in the permanent collection and the changing exhibitions. The current exhibit of her abstract works showed a different, fascinating side of her art.  Another day we enjoyed visiting the newly transformed Railyard District one day. It’s really amazing the extent to which recent renovations of this area just outside of downtown has turned it into a destination, with a variety of shops and restaurants and, most importantly, one of the country’s best farmers’ markets.

Our other planned activity for the weekend was a stop at “Body of Santa Fe” for what has become almost a ritual for us in recent years – massages at the Body Spa. And afterwards snacks at the excellent vegetarian café.  Which leads me to the main reason I crave an annual Santa Fe fix: the food. As long as we have been coming to this special place, I remain convinced that this is one of the world’s great culinary cities. This is a city with soul. That soul originates from its history and culture and emanates from its food, a synthesis of its native and Spanish heritage with western U.S. influences. Recently, the food community here increasingly has enriched that heritage by celebrating the variety of the world’s cuisines and the importance of the local, organic ethic.

Our strategy on this trip followed that of previous visits: to combine old favorites with new discoveries. Dinner Friday night was at the Chocolate Maven, which qualified in both categories, since it has served breakfast and lunch but only recently opened for dinner. We had loved breakfast here before and the dinner menu posted online looked enticing.  We weren’t disappointed. For instance, entrees such as Mushroom Quinoa Chile Relleno (I’m a sucker for a good pepper and Maven’s Chile Relleno was fantastic), Enchiladas Oaxaca, and a great halibut special were most satisfying. I should add that there was a glitch in the kitchen during our meal but the management took care of the problem promptly and without urging from us and did so beyond expectations. Now that’s the way to run a restaurant.

For breakfast Saturday morning, we just wandered downstairs to enjoy a relaxing meal at the Eldorado’s highly regarded Old House restaurant. We had really good pancakes, breakfast burrito, eggs, pastries and strong coffee.  Saturday night, we met our friends Gail and Michael (who just happened to be at in Albuquerque for a conference and made a day trip to Santa Fe) for dinner at Restaurant Martin. Tricia and I had enjoyed Chef Martin Rios’ highly acclaimed food before when he was the Executive Chef at the Old House. So, we were excited to see what he would do with his own spot.  Located in a cozy house, this is an elegant, yet casual restaurant well worth a visit. Everything we had lived up to expectations but the Wild Mushroom and Nantucket Bay Scallop Risotto and Maine Diver Sea Scallops were the consensus favorites.

Sunday morning, we all went to breakfast at Tune Up Café. From the research I had done before the trip, this sounded like our kind of place. All the reviews said great breakfast (and lunch and dinner), excellent New Mexican plates and even

some Salvadoran dishes. We all enjoyed our food (for instance, another fantastic Chile Relleno) but Tricia couldn’t stop exclaiming about her pancakes, which she said were the best she had ever had. Monday morning before heading on the road home, we stopped by Tune-Up Cafe again. We both had to reprise our dishes from the day before!  Dinner Sunday night was super casual as we opted for barbecue and beer at Cowgirl of Santa Fe. And I do mean super casual. I can only describe this sprawling restaurant that originated with the intent of “promoting the culture of the American Cowgirl” as a

kid friendly dive bar. There is even a play area for the little ones in the back. And the BBQ? Fall off the bone good.

Finally, I can’t end a review of our Santa Fe vacation without mentioning our perennial “pilgrimage” to El Santuario de Chimayo. Thanks to Tricia’s parents, who first suggested it, every time we come here, there is one day when we head north the 26 miles to Espanola, then east on the “High Road to Taos” about ten miles to Chimayo. Once there, we follow the footsteps of hundreds of thousands of others to the side room of the small but affecting adobe church where a well is filled with dirt from the surrounding hillsides. Legend says the dirt of this area has healing qualities and we always bring some home with us.  But truth be told, another reason why we are anxious to come to Chimayo is that we always have lunch at the Restaurante Ranch de Chimayo before heading back to Santa Fe. The food here is authentic New Mexico and very reasonably priced and they even offer a vegetarian chile.  Needless to say, we can’t wait to come back next year!

Check out more pictures from this trip here.

J.L. Chave Seminar Demonstrates Greatness in Wine

One of the most common, thought-provoking, and debated questions in wine is “What makes a wine great?” In my experience writing about wine and attending countless seminars and tastings over the past fifteen years, this question is almost always looming. Sometimes it is the specific topic of discussion; other times it is the basic question underlying the stated topic.

This was the case recently at the Food & Wine Classic in Aspen when I attended a Reserve Tasting called “The Rhone’s Singular Best: J.L. Chave.” I was sitting in a tent next to the Gondola at the base of Aspen Mountain. Almost filled with 100+ people, most of whom (not me) paid $250 to be there. Before us were eight glasses containing only about one-two ounces of wine each.

Staring at all those samples within inches of my mouth, my anticipation (which had been building since I was offered the opportunity to sign up for one Reserve Tasting and knew immediately the one I wanted) almost overflowed. Looking down at us (literally, not metaphorically, from the raised stage) were sommeliers Richard Betts, Robert Bohr, and Bobby Stuckey, F &W’s Ray Isle, and winemaker Jean-Louis Chave.

With Chave, making great wine has been a family heritage in Hermitage since 1481. Still, the 41 year-old Jean-Louis told us, “The vineyard is more important than who is making the wine. The vineyard was here before us and it will be here after us.”  So, great wine begins with the earth, in this case the Northern Rhone, specifically Hermitage. At a total of just over 300 acres, this tiny region is not much bigger than most Bordeaux chateau and is smaller than many California wineries. Production of the red wine (syrah grape) is similarly tiny, while that of the white wine (blend of marsanne/roussanne) is downright miniscule. Chave makes a total of less than 4000 cases.

The vineyards of Hermitage are on a granite hill above a curve in the Rhone River with low-yielding soils that also contain sandy gravel, flint, limestone and chalk. Importantly, they are on the left bank and are south facing (“because the vines look for the sun,” says Chave). Although it can get warm, he said the climate generally is cooler, more like Burgundy than Provence, more Continental than Mediterranean.

Next to great terroir, I have found it always increases one’s chances of getting a great wine if you choose a great producer – one with a track record of quality like Chave. As Richard Betts noted, the Chaves also have a reputation of producing excellent wine even in a subpar vintage, such as 2004 (the red in our tasting illustrated this point).  Jean Louis and his father Gerard are committed to producing wine in the traditional way but not just for the sake of tradition. They know modern technology can produce clean, clear, stable wines but those wines are all too often bland, simple and without character. Chave wines are produced naturally without chemicals or machines in the vineyards and with minimal intervention in the cellar.

When nature cooperates to produce perfectly ripe raw materials, the role of winemaker is to make sure the true character of the grapes, the vineyard where they originated, and the characteristics of the vintage are translated in the final wine. As Chave explained, each year they try to answer the question, “What is Hermitage.”  And after listening to Jean-Louis’ comments, Robert Bohr was moved to remark that he is more of a philosopher than someone just trying to sell wine.

With the Chave approach to winemaking, blending skills are critical. Jean-Louis explained the élevage, or upbringing, of his wines, where they vinify the grapes from each parcel they own separately. Then, when each site is fully expressed in these wines, they “blend the terroirs” so the final wine is the best expression of Hermitage.  I found it revealing when he pointed out that they never talk about syrah, just the vineyards. As Jean-Louis put it, “the grape is just a vector for the soil to express itself in the wine.” But the truth is, as Bobby Stuckey asserted, syrah does well in many places but nowhere is it like this.” And as Stuckey declared, “There is no makeup on these wines.”

In the hands of the Chave family, the Hermitage terroir yields both red and white wines that at their best are powerful, yet elegant; well structured, yet generous; concentrated, yet harmonious; and long-lived. Both also often exhibit savory elements and fennel/anise/ licorice notes. They also are expensive, with the white priced around $200 and the red about $250 … a bottle!

The whites in our tasting also showed distinctive honey, apricot, and tropical fruit, and lush, viscous textures. The 2007 added grains and a hint of chalk. The 2003 was more woodsy, with forest notes. The 2000 showed the potential for development of these wines, with nut, caramel and roasted grain notes but still very fresh and ripe fruit.  The reds delivered high-toned red and black berry fruit, with fennel, white (?) pepper, and meat. The 2007 added eucalyptus. The 2004 was a little brooding, with cured meat and darker fruit. The 2001 showed development of an earthy quality and velvety texture but was still quite tannic, with plenty of ripe fruit.

Tasting these wines, I realized another key to their greatness is balance. There is amazing complexity but no component is in excess. Rather, all the components are seamlessly integrated.  Although powerful and concentrated, they are well proportioned and complex. They reflect the winemakers’ skill and philosophy but also the vintage and terroir. They are an expression of their origin – the region, people and culture of Hermitage. This is their greatness.