Posts

Posted on

A Red, White and Rose Summer


A Red, White and Rose Summer

Hotter weather means lighter reds means its time to rediscover Beaujolais.

Beaujolais

If it’s been a while since you had a glass of Beaujolais, now is the time to rediscover this refreshing red.

Beaujolais comes from the so-named French region just north of the city of Lyon. Technically part of the Burgundy region, it actually is made from a different grape and using different vinification techniques. Beaujolias typically is made using a distinctive whole bunch fermentation process solely with the gamay grape. Gamay is known for a distinctive flavor profile of mostly bright red fruits, floral, herbal and mineral notes, and lively acidity. As a bonus, most are low alcohol (12.5% to 13%) by today’s standards and are best served slightly chilled.

At the top of the quality range are the ten “crus” associated with ten designated villages.  My recent tasting included wines from seven of the crus  (no Chenas, Moulin-a-Vent or Regnie). The three clear favorites have a fairly full body, good depth and complexity):

Fleurie: 2007 Pierre-Marie Chermette “Domaine du Vissoux” Les Garants ($24)

Morgon: 2007 Georges Dubeouf “Jean Descombes” ($15)

Cote-de-Brouilly: Nicole Chanrion “Domaine de la Voute des Crozes” ($19)

Just below these in preference, showing lots of fruit and good structure, were four 2007 Dubeouf “Flower Label” wines  – Chiroubles ($13), Julienas ($13), Fleurie ($16), Saint-Amour  ($16). The 2006 Chateau de La Chaize Brouilly ($12) was identified as a solid value.

At the entry level, are the lighter, fruiter wines labeled simply “Beaujolais.”  These are the wines that emulate the simple,  exuberant style most often associated with Beaujolais. In between in quality and character is “Beaujolais- Villages.”  Whichever level you choose, Beaujolais represents one of the best values around.

Pinot Gris

In the heat of the summer, a light, refreshing aromatic white hits the spot much better than a big, buttery Chardonnay. There are many good candidates—Sauvignon Blanc, Riesling, Gewürztraminer, Viognier, and Chenin Blanc. Right now I’m drinking a lot of Pinot Gris (and Pinot Grigio).

Pinot Grigio (the Italian style) tends to fresh citrus and melon carried in a brisk, yet easygoing frame. Pinot Gris (the French style) offers a similar flavor profile but tends to be fuller bodied. Same grape. Two styles. Both good.

Pinot Gris, the so-called “grey pinot,” reaches its epitome in Alsace but the Pinot Grigio of northeastern Italy may be the version best known to Americans. Pinot Gris also is considered to be Oregon’s best white wine and is gaining a growing list of converts in California and such far flung places as New Zealand and Australia.

Most of these wines never see a minute of wood. The resulting wines generally are crisp, fairly high acid, and aromatic, with bright fruit flavors (melon, lemon-lime, pear, peach and apricot). Occasionally, one can discern nut or mineral.

Here is a reliable shopping list from my recent tastings:

Pinot Gris

2007 Milbrandt Traditions Columbia Valley ($13)
2007 Helfrich Alsace ($15)
2007 Oak Knoll Willamette Valley ($16)
2008 J Vineyards Russian River Valley ($16)
2007 Sven Hills Oregon ($16)
2007 King Estate “Signature Collection” Oregon ($17)
2008 Etude Carneros ($24)
2007 King Estate “Domaine” Oregon ($25)

Pinot Grigio

2008 Fish Eye delle Venezie ($7)
2007 Twisted Wines California ($8)
2007 Stellina di Notte delle Venezie ($10)
2008 Castello di Gabbiano delle Venezie ($10)
2008 Gnarly Head California ($11)
2008 Robert Oatley South Australia ($18)

Pinot Gris

In the heat of the summer, a light, refreshing aromatic white hits the spot much better than a big, buttery Chardonnay. There are many good candidates—Sauvignon Blanc, Riesling, Gewürztraminer, Viognier, and Chenin Blanc. Right now I’m drinking a lot of Pinot Gris (and Pinot Grigio).

Ironically pink wines are under appreciated in this country while the popularity of blush wines has reinforced the perception that these aren’t real wines.  Europeans, on the other hand, have known for a long time the joy of drinking a good pink wine.

I’m talking about wines that are dry or occasionally only slightly sweet. Expect bright, fresh fruit aromas and flavors of strawberry, cherry, raspberry, and cranberry. Some even exhibit a red-like level of intensity, body and complexity. Expect fresh fruit flavors that approximate the flavor profile of its red siblings but drinks more like a white wine. Because of their freshness and lively fruit, pinks are always best drunk young, so look for the most recent vintages available.

There are essentially three ways to make a pink wine. The most common method is to crush red grapes and leave the juice in contact with the grape skins (the source of a wine’s color) only briefly. The second technique is a process called “saignée” in which a certain amount of juice is “bled off” shortly after red grapes are crushed. The third approach involves blending white and red wines to the desired effect.

France is the prime source. There is a dizzying array of French Rosés from all over the country but most notably the south – places like Provence, Languedoc-Roussillon, Bandol, Cotes-du-Rhone, and Tavel (which sources the grenache-dominated 2008 Chateau d’Aqueria, $19). Also look for Rosé d’Anjou from the Loire Valley and Beaujolais Rosé (try the 2008 Louis Jadot, $11).

In the U.S., West Coast producers finally have gotten on the quality bandwagon. Here are four favorites I’ve tasted recently.

2007 Red Côte Rosé Suisun Valley (cabernet sauvignon/petite sirah, $13)

2008 Pali Sunset Rose (pinot noir/grenache, $15)

2008 Van Duzer Pinot Noir Rosé Willamette Valley ($16)

2008 Etude Rosé of Pinot Noir Carneros ($20)

Finally, let’s head down below to New Zealand and Australia. Try the 2008 Wild Rock Vin Gris Rosé Hawkes Bay ($17). The term Vin Gris” or “grey wine” is a tribute to the French, which often used the term to denote a rosé. From Australia, a surprisingly good choice is the 2008 Robert Oatley Rosé of Sangiovese ($18).

I look forward to tasting more throughout the summer and urge you to investigate this underappreciated category. For further research, check out Rosé Avengers and Producers at www.rapwine.org.

Posted on

Sauvignon Blanc Emerges from Chardonnay’s Shadow

Long languishing in the shadow of chardonnay, sauvignon blanc – the crisp, refreshing, food-friendly wine with a citrusy, herbaceous character – is better than ever.

California
2003 Dry Creek Vineyard “Fume” Sonoma ($15)
2007 Markham Napa Valley ($17)
2008 Hanna Russian River Valley ($19)
2008 Winery at Holy Cross Abbey Reserve ($19)
2008 Sauvignon Republic Russian River Valley ($20)
2003 Kendall-Jackson Grand Reserve ($20)
2003 Dry Creek Vineyard Estate “Fume” DCV3 ($25)
2003 Dry Creek Vineyard Taylor’s Vineyard Musque ($25)
2007 Duckhorn Napa Valley ($27)
2007 Flora Springs Soliloquy ($27)
2003 Mayacamas Mount Veeder ($30)
2003 Grgich Hills Napa Valley “Fume” ($30)
2007 Joseph Phelps St. Helena ($32)

California Blends
2007 Hayman & Hill Interchange ($15)
2007 Beringer Alluvium ($17)
2007 Bennet Lane Maximus ($28)

New Zealand (Marlborough)
2008 New Harbor ($11)
2007 Wairu River ($19)
2008 Long Boat ($20)
2008 Matua Valley ($10)
2008 Sauvignon Republic ($20)

South Africa (Stellenbosch)
2008 Sauvignon Republic ($20)

Chile
2008 Louis Felipe Edwards Reserva ($10)
2008 Valdevieso ($10)
2008 Veramonte ($11)
2008 Casablanca Nimbus ($12)
2008 MontGras Reserva ($12)
2007 Penalolen ($12)
2008 Alcance ($15)

Posted on

Eco-Friendly Wines

These days wine consumers concerned about the environment find it easier to do their part to reduce the pollution, carbon footprint, greenhouse gas emissions and fuel consumption associated with their wine purchases. More wineries and vineyards are employing various sustainable practices every day. These can include organic/biodynamic viticulture and practices that promote social equity, community involvement, energy efficiency, pest management, air quality, water quality and conservation. There even is a healthy debate going on over which is greener: cork or screw cap, bottle or box. But that’s another column for another time.In recognition of the increasing emphasis on the Green Economy and in honor of the just passed Earth Day, here are a few winery efforts that have caught my attention recently.

Fetzer arguably is the pioneer of sustainable practices and business social responsibility in Califonia’s wine industry. A wide range of programs aimed at sustainability in the vineyard, the winery and the throughout the corporation, today include a large solar array, lighter weight glass in wine bottles, a zero waste recycling and waste management, energy and water conservation, community involvement, and outreach in the wine industry to share best practices. Its Bonterra wines are produced from organic grapes and occasionally biodynamic grapes. One of the leaders of the Fetzer program for most of its years, Paul Dolan now has carried that ethic with him to Parducci Wine Cellars. Some examples of what he and his partners are doing at Parducci: a commitment to business social responsibility, reclaiming 100% of the water used in the cellars, using 100% green power and earth-friendly packaging, and sharing ideas with the industry through The Green Winegrowing Handbook. In recognition of such work Parducci has received awards for becoming the nation’s first carbon neutral winery and for its work on climate change issues.

Oregon’s wine industry as a whole has been in the foerfront of sustainable practices and Cooper Mountain Vineyards has been a leader especially in biodynamic and organic wines. Its vineyards have attained organic and Biodynamic certification and the winery is certified organic for operations and processing. And is the first U.S. winery to gain label approval for a no-sulfite-added wine under the new National Organic Program standards. Cooper Mountain also understands that the wine industry is one of the first industries that will be affected by global warming. Consequently, the winery is working to reduce its greenhouse gas emissions to zero by early 2009.

Value brand Glen Ellen recently replaced its 187 ml single serving glass bottles with 250 ml Tetra Paks, a convenient carton that protects freshness and eliminates the possibility of cork taint and offer significant energy savings in production, transportation and storage, reducing greenhouse gases and saving fuel. Easy to open and reseal, portable, lightweight, and resistant to breakage, they are perfect for picnics and parties. Cuvaison in the Napa Valley has long been a leader in sustainability. Its Carneros winery now uses a solar system and they minimize the use of synthetic and carbon-based inputs in its farming. Now the company is working with ReCORK America to plant up to 1,000 corks in threatened habitats of Portugal’s cork oak forests. For more information about ReCORK America, especially their program focused on obtaining used and surplus corks from winery tasting rooms, bottling lines, retailers, restaurants, and quality assurance laboratories, visit their Web site at www.recorkamerica.com.

J. Lohr Vineyards recently unveiled a huge solar tracking array designed to offset 75% of the winery’s energy usage at its Paso Robles operations. This is added to the company’s program of sustainable winegrowing and winemaking practices, including utilization of organic soil amendments, limited use of chemicals, erosion control, water conservation, extensive pomace composting and materials recycling. Check out wines from the Niven family – Baileyana, Tangent, and Edna Valley Vineyard – whose Paragon and Firepeak vineyards, both in the Edna Valley on California’s South Central Coast, recently earned the Sustainability in Practice certification for their collective commitment to environmental stewardship, economic viability, and equitable treatment of employees. Areas addressed to earn the certification include biodiversity, social equity, community involvement, energy efficiency, pest management, air quality, water quality and conservation, and practices that reduce risk. Cap your evening with Terra Bella ($23), the world’s first certified organic Port, developed by Fonseca, one of the most esteemed Port houses and one of the first to develop organic viticultural methods in the Douro.

Posted on

Search Off the Beaten Path to Stretch Your Wine Budget

To stretch your wine dollars, look to traditionally lesser-known regions.

Wines from southern France long have lived in the shadow of their more famous cousins, Bordeaux and Burgundy. Cotes-du-Rhone (syrah, Grenache) and Cote du Ventoux (syrah, Grenache) in the southeast are perennial value standards, but Cahors (malbec) in the southwest often is a nice surprise.

For Italy, the action mostly is in the south, especially Abruzzo, Molise, Puglia and Sicily.

The most interesting wines are made from indigenous red grapes, including montepulciano, negroamaro, primitivo, malvasia nera and nero d’avola, and white grapes such as grillo and moscato.

In Spain, the sparkling Cava from the Penedes region beats just about everyone else in the bubbly world for value.

We all know about the phenomenon that is modern Australian wine, but few of us know that good values are emerging from the small island of Tasmania.

Portugal is undergoing a renaissance in its table wines, with quality from red grapes otherwise used for Port soaring.

Posted on

The Temecula Valley

My niece, Cari, is my idea of a wine aficionado. She not only is knowledgeable about a wide range of wines and wine regions, she also is passionate about all aspects of wine. And she is especially knowledgeable and enthusiastic about her home wine region, the Temecula Valley. So much so she has been begging my family and I to come visit her for several years now. Of course, she’s wanted to see us, but I know she also has been anxious to show me the Temecula Valley.

The Temecula Valley is southern California’s wine country. The first thing I noticed about the valley was its rather convenient location for tourist visits, being close to the suburban housing developments nearby. It also is just 60 miles northeast of San Diego and 90 miles southeast of LA. If you are taking your kids to nearby Legoland, visiting friends in the area or just want a wine country experience other than Napa and Sonoma, the Temecula Valley is a worthy option.

Head east from I-15 on Rancho California Road, which becomes the valley’s main drag (sort of like what Highway 29 is for Napa Valley). You can expect to find a wine country experience similar to that of any larger, better know region. Among the 30+ wineries, there are small, family wineries and larger, modern wineries. Several feature restaurants, well-stocked gift shops and facilities for special events, and many tasting rooms offer discounts for veterans.

As for the vineyards, the valley struck me as a region with more similarity in terrain, soil and climate than I have seen in other regions I have visited. Most vineyards sit at a fairly high elevation, 1100-1600 feet. Although there is some variation, the soils are largely decomposed granite. The climate features warm, dry days and cool evenings. Although separated from the Pacific Ocean by the Santa Rosa Range, the Rainbow Gap funnels the moderating ocean breezes into the valley.

Traveling on Rancho California Road, one of the first wineries you will see as you enter the valley is Hart Winery. Joe Travis, Nancy Hart and their three sons began planting vineyards in 1974 and added the winery in 1980. This small, family operation has the feel of a place that hasn’t changed much in the last 30 years. That’s a good thing – the rustic barn-like winery recedes to leave the emphasis on thewide range of wines.

A short distance up the Road, John Poole established Mount Palomar Winery’s first vineyards also in 1969 and began making his own wine in 1975. His son, Peter, took over operation in 1985. Today, Mount Palomar includes an estate comprised of vineyards, a large piazza, concert stage, and terraces plus the winery and visitor’s center. The wines emphasize Bordeaux style blends and Italian varieties (bottled under the Castelletto name).

Across the road, Falkner Winery is located high on a hill with a spectacular view overlooking the Valley. Ray and Loretta Falkner left corporate careers to establish the property in 2000. A showcase winery, with extensive inside and outside tasting areas, wedding and banquet facilities are available. The focus here is on blended wines, including Super Tuscan Style and Bordeaux Style red blends.

Expect an even more impressive tourist attraction winery is the Ponte Family Estate. It was conceived and built by Ponte brothers Roberto and Claudio, grape growers in Temecula since 1984. A large tasting room-market-gift shop greets the visitor. We also enjoyed a fine, elegant lunch at the outdoor Smokehouse Restaurant. A bit off the beaten path, at the far end of Rancho California Road, Doffo Winery is worth the extra effort. Marcelo Doffo purchased the property in 1997. From the road it looked like another nice home with a large garage. Inside, though, the hospitable Doffo family busily attended to their customers need.

Two of the best wineries we visited were located completely off the main road. Cougar Vineyards and Winery (purchased in 2005) is the culmination of what startedas a hobby for Rick and Jennifer Buffington 16 years ago. The small production focuses primarily on Italian varietals. Nicholas and Cindy Palumbo purchased what is now Palumbo Family Vineyards

and Winery in1998. Another small, family run winery, the Palumbo’s are committed to small lot, handcrafted wines from varieties that are grown only on the property. Specializing in full-bodied reds, the estate-grown and produced offerings include both single variety bottlings as well as a few special blends.

There is much more to the valley than we could cover in two days, including a full-fledged resort and a few large, commercial wineries, like Callaway Vineyard and Winery (think the golf equipment company of the same name). Having pioneered wine production in the valley in 1969, Callaway has become the valley’s largest, best known and most widely distributed producer. But Cari and I agreed that the smaller, family-owned operations are our preference. Callaway’s Sweet Nancy certainly is a fine dessert but the other highlights all came from family wineries: Hart’s full flavored 2007 Sauvignon Blanc, Mt. Palomar’s Solera Cream Sherry, Ponte’s 2006 Dolcetto, Doffo’s 2005 Syrah and 2005 Mistura (cabernet/syrah), Cougar’s 2006 Aglianico and 2006 Malbec, and Palumbo’s 2005 Cabernet Franc Catfish Vineyard and “Tre Fratelli” (Bordeaux blend).

After a setback in the 1990s when its vineyard sources were ravaged by Pierce’s Disease and vineyard acreage fell from 2,300 to 1,300 acres, the valley seems to have largely recovered and should benefit from the replanting that has followed. Many producers are getting especially good results with Rhone and Italian varietals. The Temecula Valley looks poised for a fine future. I look forward to tracking its progress.

For information on Temecula Valley, the winegrowers’ association, and travel information, check out http://www.temeculawines.org/.

For winery details and to shop for Temecula wines, go to http://www.shoptemeculawines.com/.

Posted on

Here’s a Toast to the Best of the Rest

Wondering what to do with that gift card for your local wine shop? It’ll be a nice treat to pick up something really good to save for a special occasion. Red or white, look down this column for some surefire options. These are the best wines I tasted this year that I haven’t already reviewed. If you really want to splurge, you can’t do much better than the 2005 Joseph Phelps “Insignia” Napa Valley ($200). This is the 34th vintage of this iconic Bordeaux-style blend. While previous years have included more merlot and malbec, this one sports 92 percent cabernet sauvignon with just a touch of petite verdot and merlot. It is a wine that puts power and luxury all in balance.

While we’re on to Bordeaux-style blends, there are two more fine examples, and at especially attractive prices. The 2004 Rodney Strong “Symmetry” Alexander Valley ($55) is an elegant blend of 71 percent cabernet sauvignon with herbal, chocolate and tobacco notes from additions of merlot, malbec and petite verdot. Barb and Bart O’Brien established their winery just a few years ago when they purchased a vineyard in the Oak Knoll district in California’s southern Napa Valley. Their 2004 O’Brien “Seduction” ($36) is mostly cabernet sauvignon with dollops of merlot and malbec. It is rich with juicy fruit complimented by cocoa and tobacco hints.

If you want to go flat out for a good, solid Napa Valley cabernet, I’ve got some fine choices. From a small family winery, the 2005 Sequoia Grove Napa Valley ($36) uses grapes including Rutherford and Oakville to produce a well-knit wine with luscious oak aromas and rich chocolate flavors. Even more impressive is the 2004 Rutherford Bench Reserve ($55). Abundant fruit is wrapped in creamy oak, delivered in a broad, plump texture. Former Hollywood executive Rich Frank oversees one of Napa Valley’s most hospitable wineries, where tasting is free and wines are really good. The 2004 Frank Family Rutherford Reserve ($85) uses grapes from Frank’s Winston Hill Vineyard on the east side of the valley. It is a large-scale wine with woodsy and mineral notes and strong tannins.

Another surefire option is Washington’s Leonetti Cellars, which celebrates its 30th anniversary with these fine releases. The blend of 63 percent cabernet sauvignon, 13 percent merlot and 17 percent petite verdot for the 2005 Reserve Walla Walla Valley ($125) yields a dense, dark, complex, structured wine. The 2005 Cabernet Sauvignon Walla Walla Valley ($80) is a classic, sharply defined cabernet with herbal and minty notes in a polished frame. The 2006 Merlot Columbia Valley ($65) is no ordinary merlot. This one is concentrated with pure, fresh fruit, toasty oak and floral notes. The wines may prove hard to find but they are worth the effort.

For a little variety, look to Parducci, the oldest winery in Mendocino that today is owned by Paul Dolan (formerly of Fetzer). The 2005 “True Grit” petite sirah ($30) is a tribute to the determination of the immigrant farmers who first planted the vineyards. Fresh fruit with mineral hints and powerful tannins make for a wine that is delicious now but should drink well for years.

Chardonnay drinkers should look to Monterey, Calif.-based Pessagno Winery, which specializes in pinot noir and chardonnay from the region’s best vineyards. I recommended some of the pinot noir choices in a previous column, and these chardonnays are great complements. The 2005 “Intrinity” Santa Lucia Highlands ($45) is essentially a reserve with lavish oak and luscious tropical fruit held together with fine acidity. The 2006 Sleepy Hollow Vineyard ($32) offers seductive lemon, apple and caramel.

You also should consider Chablis. The wines of this region at the northernmost end of Burgundy are 100 percent chardonnay. The cool climate and high-mineral-content soils (clay and limestone from fossilized oyster shells) produce a unique result that is the reference point for a style of chardonnay with highly focused acidity, little or no oak, and qualities that have been described using words like chalk, stone, mineral, green, steely, and flinty. While such qualities might surprise some, these wines truly reflect their origins.

Although the best-quality wines are not inexpensive, they are much less so than top Burgundies and priced on a par with California’s best. The seven highest-quality vineyards are classified as Grand Cru. The next level, Premier Cru, is more plentiful and often very nearly as good, especially from a top producer like Domaine William Fevre. I loved three of Fevre’s Premier Cru wines. They all offer pure citrus fruit, that characteristic chalk, and a judicious use of oak. The 2005 “Vaillons” ($40) adds an intriguing savory note. The 2006 “Montmains” ($45) shows more peach and tangerine fruit. The 2006 “Fourchame” Premier Cru ($55) is the most complex and minerally.

Posted on

Visit Santa Fe for Great Food (but Don’t Forget Albuquerque)

If cities have a soul, Santa Fe’s soul emanates from its food, a synthesis of its native and Spanish heritage with Western U.S. influences and more recently an appreciation of the variety of the world’s cuisines and the importance of the local, organic ethic. My wife and I have visited Santa Fe at least once a year for the past 22 years (the last nine with our son). We also have made excursions to Taos and Albuquerque but it is Santa Fe that draws us each year. We are well aware of its reputation as an ultra chic, elitist enclave but we ignore that aspect of the city when we visit to focus on the history and culture.

And most importantly the food. As long as we have been coming to this special place, I am impressed at how many restaurants from those early days are still around. There have been some lamentable closures, though, the most recent of which was the shuttering of Cloud Cliff Bakery, Cafe and Art Space. Stopping by Cloud Cliff for breakfast on our last day before heading home had become a tradition. I always looked forward to a dose of their organic food, eclectic art and progressive politics to complete our trip.

The disappointment of losing Cloud Cliff was balanced on this weekend trip by our successful strategy of trying out restaurants we had never been to before. Some of these had been around a while but for some reason we just hadn’t made our way to them until now. Maria’s New Mexican Kitchen (www.marias-santafe.com) is a Santa Fe icon, having served its popular menu of New Mexican standards under its current ownership for 23 years. We went for lunch and enjoyed our meal so much we wondered why it took us so long to get there. By the way, I had a beer with my lunch but everything I read says their margaritas are legendary. For dinner our first night we ate at Andiamo (www.andiamoonline.com) in the Railyard District. I had read good things about this place for several years and we were glad we finally made it in. This is serious Italian food at reasonable prices. Located in a cozy house, this is an elegant, yet casual restaurant well worth a visit. For breakfast the next day, we stopped by Counter Culture (no website), whose name is an apt double entendre for this funky, casual place. We enjoyed our breakfast: pancakes, burrito, eggs, pastries and really good coffee. But looking at the extensive list of sandwiches on the lunch menu, I made a mental note that this would be a lunch stop next year.

rich mauro the peoples palate

But I have to say the highlight of the trip was our dinner at La Boca, (www.labocasantafe.com) which is located just a couple of blocks north of the Plaza. The place, as it happens, recently had been named the city?s best new restaurant by several publications. La Boca essentially is a tapas restaurant, which was perfect for us because we like to try a variety of items when we dine, especially at a restaurant for the first time. The prices were reasonable, though you must be careful because those little dishes can add up just like at a sushi restaurant. The only down side is that the place is very small, even a little cramped.

This year, we decided to spend our last day in Albuquerque. In addition to taking our son to the impressive Museum of Natural History and Science, we enjoyed three very good meals. For dinner Friday night, we went to the Nob Hill Bar & Grill. This place was the perfect combination for us: a lively neighborhood bar and restaurant that serves very good food. No question this is a hip, hopping place ? and it deserve to be, as much for its contemporary take on comfort foods, as for its inviting atmosphere. The next morning we went back to the Nob Hill neighborhood for breakfast at the Flying Start Cafe. The draw was hearty entrees, an extensive array of baked goods, and strong coffee, not to mention a great selection of magazines. As a bonus, the restaurant (and its seven sibling restaurants and related Satellite coffeehouses) prides itself on using organic ingredients whenever possible and sourcing as many products as possible from local producers. If I lived in Albuquerque, I’m sure I’d be at this place at least three or four times a week. Before we made our way back to Denver that afternoon, we stopped at the Gold Street Caffe in downtown for a quick lunch. We found a small but friendly and nicely appointed restaurant. Our sandwiches were large, well made and tasty; a fine send off before we headed home.

I have long been of the opinion that Santa Fe is one of the best dining cities in the country. First, the city has its own unique cuisine, a blend of Spanish, Mexican and Native American influences, but also has great restaurants serving a wide variety of world cuisines. Our recent trip confirmed this once again. And the last day of our trip gave us some hints that Albuquerque is worth more attention in the future.

Posted on

Wine Books Makes Great Holiday Gifts


As much as we wine lovers like to get gifts of wine for the holidays, we also appreciate wine books. As you begin to think about what to get the wine devotee in your life, here are a few suggestions.

“The Grapes Grow Sweet: A Child’s First Family Grape Harvest,” story and illustrations by Lynn Tuft, with text by Tessa DeCarlo (Rivervine Press, $20), will help get that future wine aficionado interested in the vine. It is a delightful story of the first year Julian, the fourth generation of a family of grape growers, is old enough to help his mother and father with harvest. Colorfully illustrated, the book brings to life the lifeycles of the vineyard both for children and parents. Now in its third printing, the author has added a coloring book companion ($5, coloring book only, $8 with crayons), “Julian’s Vineyard Adventures.” It devotes a page illustrating each month of the growing year, with additional text describing the happenings in the vineyard and Julian’s adventures.

“Small Plates, Perfect Wines: Creating Little Dishes with Big Flavors,” by Lori Lyn Norlock (Andrew McMeel Publishing, $17), would be nice for the foodie who is also interested in wine. it is a timely release given the growing interest in small plates – whether they be called tapas, antipasti, mezes, or antojitos. The book is a collaboration with the Kendall-Jackson culinary team, led by Executive Chef Justin Wangler. Fifty delectable recipes are organized into chapters covering salads, vegetables, seafood, meat, poultry and desserts. The recipes also are assembled conveniently into sample party menus reflecting the seasons and various special occasions. Of course, I’m equally interested in the wine pairing tips provided by Kendall-Jackson Winemaster Randy Ullom. After wisely noting the subjectivity involved in wine pairing and counseling that the best advice for pairing food and wine is “to just enjoy yourself,” Ullom does offer “a few guiding principles.” Like seeking balance in both the food and the wine. With no component too prominent, the possibility of clashes is diminished. Or applying the affinity approach, which matches food and wine with the same kind of intensity or the contrast approach, in which one chooses food and wine that compliment each other. In case you still are unsure, there are specific pairing suggestions, catalogued both by grape variety and by recipe.

“The Art of Terroir: A Portrait of California’s Vineyards,” photographs by George Rose and text by Rod Smith (Chronicle Books, $25), is another offering from Kendall-Jackson. What a great coffee table book. The focus is on the 85 pages of evocative photos of vineyards stretching along California’s coastal regions. The close-ups are enlightening in their detail. The panoramas of the landscape photos are simply breathtaking. While George Rose’s photos visually depict the terroir of the vineyards, Rod Smith’s essays are an inspired guide to how the vitis vinfera vine “gathers in various forms of energy and captures them in its fruit.” At the beginning of each chapter, Smith’s poetic descriptions illuminate the influence of those energy sources – light, air, water, rock, air, and cultivation. If you have found all the talk about the significance of terroir to be a little bewildering, this fine book will help bring that concept to life.

“Passion on the Vine: A Memoir of Food, Wine, and Family in the Heart of Italy,” by Sergio Esposito, with Justine and der Leun (Broadway Books, $28), is a personal chronicle of discovery and respect for tradition. A highly regarded authority on Italian wine, Mr. Esposito operates Italian Wine Merchants in Manhattan with co-owners Mario Batali and Joe Bastianich. While the book mostly describes his travels throughout Italy drinking great wine, eating great food and meeting the extraordinary people who create them, it also interweaves intimate stories of his relationships with his family, friends and business acquaintances. Having been born in Naples, he recounts the unhappy experience of emigrating to Albany, New York and later anxiously moving to a small apartment in Manhattan. There, he naturally was drawn to a career in wine, which included a sales job at the House of Burgundy specialty wine shop and formative time as sommelier at San Domenico, one of the best Italian restaurants in the country.

I often am put off by books replete with tales of gustatory excess but Esposito’s stories are worth telling. The core relationship that weaves through all the others in the book is that of the authenticity of food, wine, and family. That this elemental association has informed his life is illustrated in Mr. Esposito’s accounts of his frequent trips back to Italy. Along the way, he gains a renewed appreciation for the traditions of Italian winemaking and cooking. With the help of co-author Justine van der Leun, the book goes beyond recitations of multi-course, multi-hour meals filled with rare, expensive wines to touch real insights into the worlds of fine wine and dining. The reader is treated to illuminating recitations on the realities of the wine trade, the power of critics, controversies over traditional vs. modern winegrowing and winemaking methods, and the loss of traditional, regional Italian cuisine. In the end, one has gained an understanding and appreciation for Italy and for what Esposito calls ‘the Italian way” that belies a long history of stereotypes. That alone makes this book worthwhile.

Please note that you can find these books on Amazon and other bookstores in your area.

Posted on

Winery at Holy Cross Abbey, A True Local Winery

This month’s column is presented as my contribution to Regional Wine Week. A project of Jeff Siegel, wine columnist for the Fort Worth Star-Telegram, and Dave McIntyre, wine columnist for the Washington Post, the goal is to focus attention on local wineries. With every state now having a winery (Colorado is nearing 70) and quality improving steadily, this a good time to discover (or rediscover) our local wineries. To learn more, check out www.drinklocalwine.com during the week of October 6.

Canon City, Colorado is one of the last places I would have expected to find a winery, let alone a really good one. But that just shows my own ignorance. Being from Denver, I pretty much only knew Canon City as the home of state and federal prisons and the gateway to the Royal Gorge (the world’s highest suspension bridge). But there it is about three miles east of town, The Winery at Holy Cross Abbey. Given the Catholic Church’s long history with viticulture, it shouldn’t be too surprising to find a winery here. Plus, the Canon City area has a log farming tradition, reaching back to the late 1800s that developed on the heels of the nearby mining boom. Benedictine monks built the Holy Cross Abbey in the early 1920s on orchard land. The Abbey was the base for the order and it’s education programs and, of course, the monks made wine.

But times change. Eventually, the winemaking stopped and in 1985, the Abbey school closed. Still, some of the fathers dreamt of resurrecting the Abbey’s winemaking tradition. They hired Matt Cookson in 2000 to consult in the planting of a vineyard on the property. Matt had been a winemaker in New York and in California (where he worked for St. Francis, Keenan and Rombauer) and had been coming to Colorado to consult with wineries on the Western Slope. The fathers realized an opportunity when they saw it and asked Matt and his wife Sally to help them build and operate a winery and tasting room. The couple already had developed an attraction to the area and decided to make the move from California. Over the following five years, the Cooksons built a successful operation. Then, in 2006, the Abbey closed and the Winery’s future suddenly was in doubt. But the timing of the closure was fortuitous. The fathers were able to sell the winery to Larry Oddo, a New York City accountant who had just moved to Canon City the year before with his family looking for a change in lifestyle.

The Cooksons became partners with Oddo in 2007. And with this partnership, The Winery has continued the success that began in 2002, when the winery produced 3000 cases. This year, they produced nearly 13,000 cases, which Matt says may be more than any other Colorado winery. As Matt continues to win awards for his wines, Sally has led the sales and marketing. This has included organizing special events such as hosting fundraisers, a bike ride, an art and music weekend, and the annual Harvest Fest. Sally also has grown the tasting room/gift shop into a bona fide tourist attraction. Housed in a charming cottage, walk through the doors and you might think you are at an intimate family owned winery in California. Within this welcoming environment, you will find bottles of wine, of course; art and crafts from Colorado and around the world; cooking, wine and travel books; and a variety of food- and wine-related accessories.

Tasting of most wines is complimentary, although the Reserves cost $1. There also is a comforting tree-lined park where you can sip wine or eat while enjoying views of the nearby vineyard, the Abbey and the Rocky Mountains. All of this success hinges on the quality of the wines and here there is no doubt. I have tasted many of Matt’s wines over the last few years and continue to be impressed, as I was at the winemaker dinner on the Friday night before this year’s Harvest Fest. As committed as Matt is to Colorado and Colorado grapes (with most grown on Colorado’s Western Slope), he is not afraid to go out of state, if necessary, to get the best fruit. At the dinner, several of the wines were sourced from California and Washington.

We tasted an American Riesling ($14), which Matt considers his flagship. Good acidity lifts peach and apple flavors. And most of the grapes are from Washington. We followed with a crisp, fruitful 2007 Sauvignon Blanc Reserve ($25) made with grapes from Lodi and a succulent 2007 Chardonnay ($19), whose tropical fruit came courtesy of Monterey.  Colorado, though, was well represented by the full, rich 2006 Merlot Reserve ($26), the oaky, curranty 2006 Cabernet Sauvignon Reserve ($26), and the soft, tangy 2006 Cabernet Franc ($22). The meal was brought to a fine completion with the Port-style 2004 Colorado Merlot “Divinity” ($25). The Winery also uses Colorado grapes for its regular release Sauvignon Blanc, ($16) Cabernet Sauvignon ($20), Merlot ($20) and Syrah ($21). The Winery also produces several fun (read mostly sweet) wines: Apple Blossom (from locally grown apples, $12), Vineyard Sunset (White Merlot/White Zinfandel. $11), Colorado Nouveau (whole berry fermented Merlot, $14), and Wild Canon Harvest (a light red wine made from around 21 varieties, $11).

Ultimately, what is equally impressive to me is how the Winery and Matt, Sally and Larry have become an integral part of the local community.  From the hosting of special events and fundraisers to using artwork from local artists Edward Adamic, and Paula Fasken on labels. From hiring area native, Jeff Stolz ,as assistant winemaker to using apples from nearby Colon Orchards and Juniper Valley Farms for the Apple Blossom. And, in what is surely the most populist wine I know of, the Wild Canon Harvest is made from grapes grown by upwards of 100 local growers.  It seems to me this is the essence of Regional Wine Week and of what it means to be a local winery.

THE DETAILS: The Winery at Holy Cross Abbey, 3011 E. Highway 50, Canon City, CO 81212; (719) 276-5191, toll free 877-422-9463; www.abbeywinery.com. The winery is about two hours south of Denver, 45 minutes south of Colorado Springs and 40 minutes west of Pueblo. The tasting room/gift shop is open Monday-Saturday 10-6 and Sunday 11-5.

Posted on

Award-Winning Filmmaker Creates Series of Wine Films

ST. HELENA, California (September 24, 2008) – Bret Lyman, a Napa Valley-based filmmaker and proprietor of B.Napa Studio, has turned his camera on the vineyards, wineries and principals of Wilson Daniels Ltd.’s French and Hungarian properties to create a series of compelling, short films. A trailer for the entire film series is available online now at www.wilsondanielsfilms.com. Individual films will premiere online over the next six weeks, beginning with the October 2, 2008, debut of “The Renaissance of Tokaji,” showcasing Royal Tokaji. All films will be available for download to iPods, as well as web-based viewing at Wilson Daniels Films, YouTube (Wilson Daniels channel), Facebook (Wilson Daniels page) and Vimeo. “These films were created to forge a deeper connection between wine enthusiasts worldwide and our European properties,” said Andy Fromm, president and COO of Wilson Daniels Ltd. “Our goal is to utilize them for educational purposes among our wine industry trade partners, but we also encourage our customers to use these high-quality films as in-house entertainment and provide added value to their customers.”

Each mini-documentary explores the history, setting, and distinct personality of the properties through thought-provoking images and interviews with winery principals. Lyman’s signature style-saturated colors, lush cinematography and striking music-make a breathtaking background for the three- to five-minute films, filmed exclusively in high-definition. Lyman also captures the small details of each estate, from candlelit cellars in real light to the ancient lock on a cellar door, providing viewers with a sense of intimacy with each locale. “In the world of online content, there are videos, and then there are films. As a commercial filmmaker who grew up in wine country, I really want to show wine lovers the difference,” said Lyman, winner of the Trophée Spécial for “Best Short Film” at the 2008 Oenovideo International Grape and Wine Film Festival in Gruissan, France. “It’s like opening a bottle of wine. There are everyday wine experiences, and then there are transcendent ones.” Wineries Lyman profiled in the series of Wilson Daniels films include: Royal Tokaji of Tokaj; House of Champagne Delamotte and House of Champagne Salon of Champagne; Domaine Faiveley of Burgundy; Domaine Leflaive of Burgundy; Domaine Pierre Morey of Burgundy; Domaine Philippe & Vincent Jaboulet of northern Rhône; and Domaine Marc Kreydenweiss of Alsace and southern Rhône.

For more information about the Wilson Daniels portfolio, please visit www.wilsondaniels.com. Still images from films are available upon request by contacting Lisa Mattson at (707) 967-1827 or lmattson@wilsondaniels.com. Wilson Daniels Ltd. celebrating 30 years in 2008. Film trailer for documentary series also available for viewing at www.wilsondanielsfilms.com.