Tag: cabernet franc

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A QUICK TRIP TO SPAIN

When I first got interested in wine (way too long ago to admit) Spanish wine basically was a go-to choice for good values for every day drinking. Even the storied Rioja seemed an afterthought in discussions of the world’s finest wines. That seemed largely true even twenty years ago, when I first started writing about wine.

 

Well, that’s so Twentieth Century. Today, Spanish wines must be included in any serious discussion of the world’s finest wines but what’s really cool is there still are plenty of great everyday values.

 

In the fine wine category, I include two recently tasted wines from two highly respected producers. Bodegas RODA was founded in the late 1980s by Maria Rottlant and Carmen Dauvella. This is a thoroughly modern winery making thoroughly modern wines but wines that pay tribute to the centuries old traditions of the Rioja. Each vintage, the seventeen best vineyards (all vines are 30-100 years old) are selected to ferment separately and then three blends are fashioned to express different styles of tempranillo, Spain’s signature red grape.

 

The 2006 RODA Reserva ($45) is 100 percent tempranillo aged in French oak of which half is new. It shows textbook red berry fruit character, though maybe a bit sweet. That is offset with toasty, earthy, smoky notes and fresh acidity. It finishes with elegant, supple tannins.

 


In nearby Toro, we find more evidence of the modern winemaking renaissance in Spain and Bodegas Farina is one of the leaders, which is interesting in that it also is one of the oldest family wineries in the region, founded in 1942. It wasn’t long ago Toro was virtually unknown outside of Spain.Not so today and wines like the 2006 Gran Dama de Toro ($45) are the reasons why. The wine is full-bodied and intense. It opens with aromas of oak, black fruits, bacon, and toast. It is packed with dense blackberry, cherry, and plum fruit accented with an herbal touch. Highly structured with strong tannins, it finishes surprisingly harmonious.As I mentioned, there are still countless good value, everyday wines from Spain. I found several in my tasting. 

Another region that has witnessed revitalization is the home of the “Man of La Mancha.” While this area is believed to be the largest single winegrowing region in the world, with most of the vineyard land given over to growing grapes for brandy or bulk wine, a number of entrepreneurs have embarked on a seemingly Quixotic quest to grow fine premium table wines. One such winery is Finca Constancia, near Toledo in the La Mancha region of Central Spain southwest of Madrid. It is owned by González Byass, a leading producer (founded in 1835 and still family owned and managed) of Spanish wines, Sherries and liqueurs, with the most notable brand being Tio Pepe. Finca Constancia was created as a single estate property to produce single parcel wines similar to the principles of Bordeaux.

 

The vineyard is planted to numerous international varietals (cabernet sauvignon, syrah, cabernet franc, petit verdot, sauvignon blanc and chardonnay) but also many indigenous varietals (tempranillo, graciano, verdejo and garnacha. With the designation “Vino de la Tierra de Castilla,” the wines below are built upon both new plantings and existing vineyards and take advantage of the more flexible production techniques under the Denomination of Origin laws.

 

  • Finca Constancia Red Blend ($15). A blend of syrah, cabernet franc and garnacha; herbal notes compliment cherry fruit and spice; soft feel but lifted with crisp acidity.

 

  • 2011 Parcela 23 ($20). 100 percent tempranillo, single vineyard; deep, dark fruit, light spice; though a little thin in the middle, it’s concentrated, fresh dark berries and woodsy spices please.

 

  • 2011 Parcela 52 ($20). A 100 percent verdejo, single vineyard white wine ringer; quite aromatic, light and fresh, with brisk limejuice accented with green herb notes and a lively spritz.
  •  2010 Altos de la Finca ($35). From the highest vineyards on the estate, this creative blend of petite verdot and syrah for the extra money adds admirable intensity with deep black fruits, dusty oaky notes followed by a nicely dry finish.
I was quite pleased to find several values from Rioja, the most famous Spanish wine growing region in the southern part of the Basque country. First up are two from Bodegas Bilbainas, which was founded in 1859 and today is the largest estate in the Rioja Alta and fourth largest in all of Rioja.

 

The 2009 Vina Pomal ($12) takes its name from a 108-year-old vineyard, though the grapes are from 10- to 20-year-old vines. It is a fairly traditional Rioja of 100 percent Tempranillo (interestingly aged in 90% American oak). It is designated a Crianza, meaning it has been aged a minimum of one year, with six months in barrel. I liked the earthy red fruits of this straightforward but tasty wine, with its lively palate and lively mouthfeel.

 

Another vineyard lends its name to the 2011 Vina Zaco ($15). Also 100 percent Tempranillo from 10- to 20-year-old vines, it is best understood as a new style Rioja. And it’s an excellent style. Aged equally in American and French oak, it opens with bright cherry and raspberry. The palate has good weight and depth. It is quite full and flavorful, with a juicy finish and aftertaste.

The ancestors of the Bodegas Miguel Ángel Muro have been making wine since 1892 and growing wine grapes even longer. Miguel’s 2008 “Muro Bujanda” Rioja Crianza ($14) is just a fantastic value. Bright cherry and red currant aromas join roasted and lightly creamy notes. Similar flavor profile marks the intense fruit and touches of spice.

 

Founded over a century ago in the Rioja Alavesa by the grandfather of the current owner, Ruiz de Vinaspro makes wines from vines that range from 40-100 years of age. The 2007 Ruiz de Vinaspro Rioja ($15) is 100 percent tempranillo. It sports toasty blueberry and blackberry fruit. The palate is very dry mixing fresh tannins and woodsy herbs with lively wild berry fruit. A little closed at first, it opens up nicely with time.

 

Finally, just in time for summer, the 2010 Bodegas Sumarroca “Temps Flors” ($14) if a delightful, refreshing wine. Sumarroca is located in the Penedes region of Catalonia near Barcelona. The name translates to “time of the flowers” and the unique blend of xarel-lo Muscat and gewürztraminer mirrors that expression in the wine’s aroma (though it’s actually named after a local flower festival). This fruity, off-dry wine sports appealing fruity notes of lychee and tropical fruits balanced with good fruit intensity, perfect for quaffin

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A QUICK TRIP TO SPAIN

When I first got interested in wine (way too long ago to admit) Spanish wine basically was a go-to choice for good values for every day drinking. Even the storied Rioja seemed an afterthought in discussions of the world’s finest wines. That seemed largely true even twenty years ago, when I first started writing about wine.

 

Well, that’s so Twentieth Century. Today, Spanish wines must be included in any serious discussion of the world’s finest wines but what’s really cool is there still are plenty of great everyday values.

 

In the fine wine category, I include two recently tasted wines from two highly respected producers. Bodegas RODA was founded in the late 1980s by Maria Rottlant and Carmen Dauvella. This is a thoroughly modern winery making thoroughly modern wines but wines that pay tribute to the centuries old traditions of the Rioja. Each vintage, the seventeen best vineyards (all vines are 30-100 years old) are selected to ferment separately and then three blends are fashioned to express different styles of tempranillo, Spain’s signature red grape.

 

The 2006 RODA Reserva ($45) is 100 percent tempranillo aged in French oak of which half is new. It shows textbook red berry fruit character, though maybe a bit sweet. That is offset with toasty, earthy, smoky notes and fresh acidity. It finishes with elegant, supple tannins.

 


In nearby Toro, we find more evidence of the modern winemaking renaissance in Spain and Bodegas Farina is one of the leaders, which is interesting in that it also is one of the oldest family wineries in the region, founded in 1942. It wasn’t long ago Toro was virtually unknown outside of Spain.Not so today and wines like the 2006 Gran Dama de Toro ($45) are the reasons why. The wine is full-bodied and intense. It opens with aromas of oak, black fruits, bacon, and toast. It is packed with dense blackberry, cherry, and plum fruit accented with an herbal touch. Highly structured with strong tannins, it finishes surprisingly harmonious.As I mentioned, there are still countless good value, everyday wines from Spain. I found several in my tasting. 

Another region that has witnessed revitalization is the home of the “Man of La Mancha.” While this area is believed to be the largest single winegrowing region in the world, with most of the vineyard land given over to growing grapes for brandy or bulk wine, a number of entrepreneurs have embarked on a seemingly Quixotic quest to grow fine premium table wines. One such winery is Finca Constancia, near Toledo in the La Mancha region of Central Spain southwest of Madrid. It is owned by González Byass, a leading producer (founded in 1835 and still family owned and managed) of Spanish wines, Sherries and liqueurs, with the most notable brand being Tio Pepe. Finca Constancia was created as a single estate property to produce single parcel wines similar to the principles of Bordeaux.

 

The vineyard is planted to numerous international varietals (cabernet sauvignon, syrah, cabernet franc, petit verdot, sauvignon blanc and chardonnay) but also many indigenous varietals (tempranillo, graciano, verdejo and garnacha. With the designation “Vino de la Tierra de Castilla,” the wines below are built upon both new plantings and existing vineyards and take advantage of the more flexible production techniques under the Denomination of Origin laws.

 

  • Finca Constancia Red Blend ($15). A blend of syrah, cabernet franc and garnacha; herbal notes compliment cherry fruit and spice; soft feel but lifted with crisp acidity.

 

  • 2011 Parcela 23 ($20). 100 percent tempranillo, single vineyard; deep, dark fruit, light spice; though a little thin in the middle, it’s concentrated, fresh dark berries and woodsy spices please.

 

  • 2011 Parcela 52 ($20). A 100 percent verdejo, single vineyard white wine ringer; quite aromatic, light and fresh, with brisk limejuice accented with green herb notes and a lively spritz.
  •  2010 Altos de la Finca ($35). From the highest vineyards on the estate, this creative blend of petite verdot and syrah for the extra money adds admirable intensity with deep black fruits, dusty oaky notes followed by a nicely dry finish.
I was quite pleased to find several values from Rioja, the most famous Spanish wine growing region in the southern part of the Basque country. First up are two from Bodegas Bilbainas, which was founded in 1859 and today is the largest estate in the Rioja Alta and fourth largest in all of Rioja.

 

The 2009 Vina Pomal ($12) takes its name from a 108-year-old vineyard, though the grapes are from 10- to 20-year-old vines. It is a fairly traditional Rioja of 100 percent Tempranillo (interestingly aged in 90% American oak). It is designated a Crianza, meaning it has been aged a minimum of one year, with six months in barrel. I liked the earthy red fruits of this straightforward but tasty wine, with its lively palate and lively mouthfeel.

 

Another vineyard lends its name to the 2011 Vina Zaco ($15). Also 100 percent Tempranillo from 10- to 20-year-old vines, it is best understood as a new style Rioja. And it’s an excellent style. Aged equally in American and French oak, it opens with bright cherry and raspberry. The palate has good weight and depth. It is quite full and flavorful, with a juicy finish and aftertaste.

The ancestors of the Bodegas Miguel Ángel Muro have been making wine since 1892 and growing wine grapes even longer. Miguel’s 2008 “Muro Bujanda” Rioja Crianza ($14) is just a fantastic value. Bright cherry and red currant aromas join roasted and lightly creamy notes. Similar flavor profile marks the intense fruit and touches of spice.

 

Founded over a century ago in the Rioja Alavesa by the grandfather of the current owner, Ruiz de Vinaspro makes wines from vines that range from 40-100 years of age. The 2007 Ruiz de Vinaspro Rioja ($15) is 100 percent tempranillo. It sports toasty blueberry and blackberry fruit. The palate is very dry mixing fresh tannins and woodsy herbs with lively wild berry fruit. A little closed at first, it opens up nicely with time.

 

Finally, just in time for summer, the 2010 Bodegas Sumarroca “Temps Flors” ($14) if a delightful, refreshing wine. Sumarroca is located in the Penedes region of Catalonia near Barcelona. The name translates to “time of the flowers” and the unique blend of xarel-lo Muscat and gewürztraminer mirrors that expression in the wine’s aroma (though it’s actually named after a local flower festival). This fruity, off-dry wine sports appealing fruity notes of lychee and tropical fruits balanced with good fruit intensity, perfect for quaffin

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ITALY’S TUSCANY DEFINES SANGIOVESE (AND A FEW OTHER VARIETIES, TOO!)

Tuscany is the most recognizable Italian state to American tourists and wine consumers. The picturesque, hilly countryside that attracts throngs of tourists also is a vinous wonderland. Dozens of grape varieties are grown here but it is sangiovese that dominates. The most widely planted grape in Italy, most agree it reaches its pinnacle in Tuscany.

Sangiovese is generally agreed to be native to the Tuscan region. It is difficult to describe its typical characteristics with complete confidence because different clones are grown under different environments subject to different viticultural and winemaking techniques. Still, in general expect signature black cherry fruit (though various dark berries can show up) and vibrant acidity, with varying elements of earth, forest, herbs, smoke, and spice. With a few notable exceptions, most are light- to medium-bodied and very dry, with a lean, structured finishing and fairly strong tannins

Sangiovese’s best-known incarnation is as the most important component of Chianti. Chianti is a large region covering most of northern Tuscany. The traditional recipe proscribed blending with various grapes, including white ones. Nowadays the rules have been relaxed and the best wines will be at least ¾ sangiovese and usually more. Still, these wines – as is the case with most European wines – are subject to stricter rules than most American wines.

Basic Chianti today is much better than the wicker basket stuff that made the wine famous in the 1970 and later infamous. Recent improvements in viticulture and winemaking have improved quality considerably. The 2010 Coltibuono Chianti Cetamura and 2010 Castello di Gabbiano are good examples that provide nice varietal character for a mere $10.

Of the seven Chianti subzones, Chianti Rufina is consistently my favorite and always a good value. This is demonstrated by the 2009 Selvapiana, ($17), a perfumed wine, with tight yet silky tannins by one of the area’s best producers.

But for a great leap in quality, consumers should turn their attention to Chianti Classico, the specified zone just to the south of Florence stretching to Siena. Wines from this area consistently produce the best Chiantis. Better vineyards, more attention in the vineyard and cellar yield the essence of Chianti. My favorites from recent tastings listed in order:

2006 Castello di Bossi ($20) – an amazing wine for the money; strongly perfumed, tons of beautiful fruit, velvety texture concentrated and quite rich; shows what can be done with 100% Sangiovese.

2008 Badia a Coltibuono Estate ($20) – made with organically grown grapes and vinified using natural yeast; attractive licorice and tobacco notes, pure fruit, linear but polished texture.

2007 Castello di Bossi ($20) – comes up just slightly short of the 2006 but is still a very good wine; overall similar in style, just a bit shy on fruit but more dried herb and spices.

2008 Castello di Volpaia ($24) – there’s an airiness and elegance about this wine’s lively character; though floral and herbal qualities ground the wine.

2008 Castello di Gabbiano Riserva ($23) – all Riserva must be aged two years plus three months in bottle; but this one is still quite assertive, with ripe fruit and a sleek palate, while displaying mineral and earth notes and dry tannins on the finish.

2009 Coltibuono “RS” ($15) – “RS” is for Roberto Stucchi, the proprietor and winemaker at Badia a Coltibuono. This Chianti Classico struck me as a more “modern” style than the others here, meaning softer texture and tannin, with almost sweet fruit and gentler acidity.

But for many connoisseurs it is the area around Montalcino just south of Siena that is the epicenter for production of greatsangiovese wines. Here, Brunello di Montalcino, unlike in Chianti, is made of 100 percent sangiovese (the local clone is brunello) and by law aged two years in oak and an additional three years in bottle. The wines are big, powerful and highly structured, requiring many years to reach their peak. They also are disproportionately priced. Still, the one in my tasting, the 2006 Altesino ($75), did shine. Its complex aromas and flavors – flowers, woods, mint, spice, minerals, and deep fruit – are presented in a graceful, silky, yet firm, fresh frame and noticeable but integrated tannins.

Rosso di Montalcino, typically made of sangiovese from younger vines, tends to be lighter and earlier maturing than Brunello. Maybe this is why it’s often described as a “baby Brunello.” Though not labeled as such, the 2009 San Polo “Rubio” ($16) is basically a Rosso di Montalcino. It is fresh, ripe, and lively with layers intensity fruit. And a great value

In neighboring Montepulciano, wine from sangiovese, particularly a local variant called “prugnolo gentile” traditionally was so prized it was the wine of royalty. Hence, the name “Vino Nobile di Montepulciano.” From one of the best producers in the area, the 2007 Poliziano ($28) is slightly austere with noticeable tannin but offers rich, ripe fruit.

As in Montalcino, Rosso Di Montepulciano is a good affordable alternative to Vino Nobile. And again the 2009 Poliziano ($15) delivers with rich and spicy, this red exudes juicy black cherry, black currant and pepper flavors. It’s juicy and firmly structured, with a lingering tobacco and black tea finish.

As fantastic as these traditional wines are, it is the Maremma that has created most of the modern buzz about Tuscany. The area covers the south and west of Tuscany stretching from Siena to the Mediterranean coast. In the far south of Maremma in the warm environs near Scansano, Morellino di Scansano is generating much attention. With fine values such as the 2009 Le Pupille ($20) it’s not hard to see why.

The wine is made from at least 85% morellino (the local clone of sangiovese). It starts out a little lean but fills out nicely over the palate ending with a soft finish that seems typical of the region.

Finally, no column about Tuscany would be complete without including addressing the “Super Tuscan” phenomena. As the story goes, a handful of Chianti producers in the 1970’s, led by Piero Antinori, concerned with the declining quality of Chianti, decided to make the best wine they could, even if that meant breaking the region’s rules. The “traditional” recipe for Chianti was established in the 1870’s and codified in the 1960’s. It called for a majority sangiovese blended with canaiolo and significant doses of white grapes (up to 30 percent!).

But this plus a few other unfortunate developments, such as overproduction, resulted in increasingly disappointing (mainly tart, diluted) wines. So, Antinori decided to go his own way and in 1971 released a wine he called “Tignanello.” It was 80% sangiovese and 20% cabernet sauvignon and aged in small oak barrels. The consequence was the wine had to be labeled Vino da Tavola (VdT). This is the lowest Italian wine classification. Such wines, which can come from anywhere in Italy and use any combination of grapes, typically were used for common or bulk wines.

Regardless, Tignanello quickly became one of Italy’s most celebrated, and expensive, wines. Needless to say, many others took notice and began making their own versions. The Super Tuscan moniker soon took hold as a descriptor. Nowadays, such wines are labled Indicazione Geografica Tipica (or Indication of Geographic Tipicity). As with VdT, IGT wines are subject to fewer controls over the grapes used and how the wine is produced but they must be from the specific region designated.

Now it seems every Chianti producer also makes a Super Tuscan. The wines can be 100% sangiovese or some blend of sangiovese with grapes like cabernet sauvignon, merlot or syrah. A really good one I recently tried comes from the Chianti estate Castello di Gabbiano. The 2008 “Alleanza” ($35) is comprised of 83% merlot, 12% sangiovese and 5% cabernet sauvignon. Noticeable new oak adds spice and vanilla to its mineral elements. Full fruit stands up nicely to strong tannins.

But it is really the western Tuscany region known as Maremma where the phenomenon has really taken off. And the discussion here must start with Tenuta San Guido. It was in Bolgheri, a mostly undeveloped region just south of Livorno on Tuscany’s hilly Mediterranean coast, where Piero Antinori’s uncle, Mario Incisa della Rocchetta actually made Italy’s first Super Tuscan in the 1940s. This 100% cabernet sauvignon wasn’t released commercially until 1968 but “Sassicaia” quickly reached the heights of Italian wine and now is legendary. It also is what inspired nephews Piero Antinori to make Tignanello and Lodovico Antinori to make “Ornellaia,” another great Bolgheri blend (cabernet sauvignon, merlot, cabernet franc).

While wines like Sassicaia are now prohibitively expensive but there are accessible introductions to the region and the style. A good place to start is Tenuta San Guido’s 2009 Le Difese ($30). This is a 70-30 cabernet sauvignon and sangiovese blend. It delivers ripe aromas with oak and tobacco, lots of fruit, spice, and hints of licorice and coffee.

I also found two outstanding values well worth your attention. The 2010 Tua Rita “Rosso dei Notri” ($20) – 50% sangiovese and50% “international varieties” – begins with flowers and spices and some tobacco. In the mouth, its delicious fruit comes richly concentrated. This estate, whose vineyards are located near the coast south of Bolgheri has produced a youthful, yet gracious expression of Maremma sangiovese.

The 2008 Aia Vecchia “Lagone” ($17), from an estate situated in the heart of the Bolgheri countryside, is a blend of 60% Merlot, with the remainder split between Cabernet Franc and Cabernet Sauvignon. It offers intense aromas of spice, chocolate, and tobacco. The palate delivers layers of fruit in a velvety texture. It is a fantastic value.

Interestingly, in recent years, the rules for Chianti have been relaxed to the point where many Super Tuscans could qualify as Chianti and many Chianti’s could qualify as a Super Tuscan. But, even though the Super Tuscans tend to be made in a so-called “international” style (more concentrated, powerful and oaky), the best still are unique expressions of Tuscany – more fruit and intensity but still woodsy, smoky notes and firm acidity giving the wines a lively angular presentation.

The emergence of the Super Tuscans forty years ago challenged tradition and led to fundamental changes in Tuscan winemaking culture. Here’s to building on the past, while embracing the future.

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CELEBRATE COLORADO WINES!

It’s been a good year for Colorado Wine.

For the first time since the repeal of Prohibition, Colorado wineries reported more than one million liters of wine to the Colorado Department of Revenue, an increase of 10 percent over the previous year. Over the past five years, production has increased 70 percent and Colorado wines’ market share, though still comparatively small, has grown 30 percent.

Mt. Garfield & the Bookcliffs Overlook the Grand Valley

Doug Caskey, executive director of the Colorado Wine Industry Development Board noted, “In the face of a small, difficult harvest in 2010 [production down one-third from 2009] and ongoing economic uncertainty, our wineries continue to expand.”

There are now 100 licensed wineries (compared to six in 1990 and 64 in 2006) in Colorado.  Front Range wineries contributed 41 percent of the wine volume reported to the Department of Revenue, while the wineries in the Grand Valley American Viticultural Area (along the Colorado River between Palisade and Grand Junction) accounted for 47 percent.  Eighty percent of the grapes grown in Colorado come from the Grand Valley AVA, though grapes also are grown in Delta, Montrose, Montezuma, Fremont, Pueblo, Boulder, Larimer, Weld and Kit Carson counties.

"Divinity" by The Winery at Holy Cross Abbey

And you can find wineries located pretty much all over the state. At last count, the Grand Valley on the Western Slope is home to 24 wineries surrounding the cities of Palisade and Grand Junction, while Delta and Montrose counties to the south, including the West Elks AVA, hosts 19 more. Surprisingly, there also are five producers further south in the state’s Four Corners area. And there are even 12 more wineries and tasting rooms scattered throughout our Rocky Mountains. On the Front Range, there are nine more wineries and tasting rooms dotted around Colorado Springs and Cañon City. Finally, in the Denver/Boulder/Ft. Collins region, wine hunters can choose from 38 wineries and tasting rooms.

Around the state there are now several well worth the trip wine festivals that offer fun opportunities to experience Colorado wines throughout the year. In the Grand Valley, the 20th Annual Colorado Mountain Winefest, the state’s premier wine festival, was just completed. And the Mountain Winefest organizers successfully hosted the first annual Colorado Winefest held last June at The Shops at Northfield Stapleton in Denver.

A Celebration of Premier Colorado Wines was an elegant tasting event held two days earlier at the Governor’s Residence. The event featured wines given the awards from the Colorado-only wine competition judged by national and local wine experts under the auspices of the American Wine Society.

There also are two great Colorado wine festivals off the I-25 Corridor south of Denver. The Winery at Holy Cross Abbey in Cañon City just celebrated the 10th Annual Harvest Fest and Winemaker’s Dinner. The Ninth Annual Manitou Springs Colorado Wine Festival was held in June. In addition to excellent wine and food, these are special community events anxiously anticipated each year.

As the Colorado industry has grown into a fine adolescence, as I have heard Caskey describe it, it seems the challenge for its journey to adulthood is to find an identity. One of the most interesting things to me about the Colorado wine

Ag Commissioner John Salazar and Gov. John Hickenlooper Survey the Bounty

industry is that most growers and wineries for a long time focused on the “Big Three” French varietals – cabernet sauvignon, merlot, and chardonnay. Merlot is the most widely planted red grape in the state, with cabernet sauvignon close behind, but plantings of syrah, cabernet franc and pinot noir are increasing, as wines from these varieties show real promise. As for the whites, riesling is now the most widely grown, which makes sense to me, since I’ve long thought it made the state’s best wine. After chardonnay, there are small but significant amounts of gewürztraminer, viognier and pinot gris.

As for the future, with the diversity of soils and climate in Colorado, I expect to see further experimentation. And as vintners learn more about which grapes grow best where and about what has made other wine-producing region successful (maybe a topic for another column), I expect the already improving quality will advance even further. Finally, let’s hope more restaurants will find room on their wine lists for Colorado wines

And you can help promote Colorado wine during the fourth annual Regional Wine Week. The blog DrinkLocalWine is hosting the event from October 9 through October 15. Wine writers, bloggers and consumers are encouraged to share information about wine from what organizers call “The Other 47” states (no California, Washington or Oregon). Share a story or personal anecdote about a Colorado wine, winery, wine region, or wine event. The only catch is you have to do it in 47 words. For more information about Regional Wine Week and the contest, check out www.drinklocalwine.com.

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RED, WHITE AND SUMMER: WINES FOR WARM WEATHER SIPPING

Fresh, Fragrant Whites Are Perfect For Warm Weather

What I like most about spring and summer is the blossoming of aromas and how that signals the awakening of life after the rest of winter.  And a cool white wine is just the compliment for the warmer weather. But not just any white wine and certainly not Chardonnay, which is fine but I’m looking for alternatives that are generally lighter and more refreshing.

For my purposes here, that mostly means the so-called “aromatic whites” Riesling and Muscat. These delightful wines are crisp, fruity, and fragrant. And they are natural matches for the lighter foods of summer. It also means the white Rhone varietals – Viognier, Roussanne, and Marsanne, which admittedly are more “Chardonnay-like” but offer intriguingly different flavor profiles.

For generally reasonable prices, these wines also provide a refreshing combination of acidity and in many cases moderate alcohol – perfect for warm weather. They are great as aperitifs or with food. They are especially good with Asian food but would work well with spicy foods, picnic fare, salads and even simple grilled foods.

I’m one of those who think that, all things considered, riesling makes the greatest white wines in the world. In Germany and Alsace it produces aromatic wines of high acid and, unusual for a white wine, potentially long life. The fragrant, flowery aromas lead into fresh green apple, pear and occasionally peach, apricot, pineapple, or mineral flavors are delivered with bracing acidity.

No Alsatians in my recent tastings but a tasty 2009 Rudolf Müller Riesling from Germany (2009, $10 or $24 3L Octavin) offers good everyday drinking. From Australia, the 2009 Chateau Tanunda Grand Barossa ($16) from a cool climate estate vineyard is a good example of how well this grape can do down under. In the U.S., Washington State is making world class Riesling. A recent favorite is the 2009 Seven Hills Columbia Valley ($14). It is made in a refreshing low alcohol style that is slightly sweet. From California, the 2009 Kendall-Jackson Vintner’s Reserve ($12) and 2009 Carmel Road Monterey ($14) also are tasty options.

Much to my pleasant surprise, a recent market report announced that moscato is the fastest growing varietal with sales last year almost doubling. I have long been a fan of Italy’s Moscato d’Asti. This floral, fruity, slightly effervescent wine from the Piedmont is made from the partially fermented juice of white muscat grapes. It is sweet, delightfully aromatic and delicate on the palate, low alcohol (6%) and equally comfortable as an aperitif or a dessert wine.

The 2010 Paolo Saracco Moscato d’Asti ($16) is exemplary of the style from a favorite producer. Camposaldo makes a similarly enjoyable 2010 Moscato ($14) from grapes grown in Lombardy. And what better proof do I need of the grape’s newfound popularity than the delightful 2010 Moscato ($7) I just tasted from none other than Australia’s [yellow tail]. The mass producer actually has done a decent job of imitating Italy’s signature style.

One of California’s leading producers of Rhone-style wines is Santa Barbara’s Zaca Mesa. Zaca Mesa was one of the first vineyards in the region, having been established in the Santa Ynez Valley in the early 1970’s. They have released a 2009 Viognier ($20) that offers honey and loads of exotic fruits and a silky texture with a vibrant finish. Their 2007 Roussanne ($25) deals in apricots and figs laced with zippy acidity, full body and an intriguing waxy texture.

Another fine choice is the 2008 Treana White ($25), from one of the leading Paso Robles grower/winemaking families who here has blended Marsanne and Viognier mostly from Monterey’s esteemed Mer Soleil Vineyard into a juicy wine of honeyed citrus and tropical fruits. Washington also is excelling with Rhine varietals. I was especially impressed with Seven Hills 2009 Viognier Talcott Vineyard ($20). The wine explodes with ripe, juicy peach and honeysuckle, with hints of citrus and stone fruits.

Chenin Blanc, native to the Loire Valley, also is a personal favorite. In California, it is usually produced in a fruity, slightly sweet style, though a few brave souls (like Dry Creek Vineyard) make a dry style inspired by the fine wines of Savennieres. I recently tasted for the first time an innovative chenin blanc blend from Pine Ridge, one of the pioneering wineries in the Stags Leap District of Napa Valley. The winery has a reputation as a master at blending. Its 2009 Chenin Blanc + Viognier ($12) is a unique and uniquely successful combination of Clarksburg chenin blanc and Lodi viognier.

The recommendations above are a good start on the summer white wine search. Next comes a quest for Gewurztraminer, Albarino, Verdejo, Torrontes, Pinot Grigio/Pinot Gris, Sauvignon Blanc, Grenache Blanc, and Pinot Blanc and other good reasons to look forward to spring and summer.

European (And One South African) Reds For Summer Grilling

Although it’s common to think more about white wines as the weather warms, many of us still enjoy a good red, even in summer. I’ve come across several good candidates to match with the season’s grilled and more casual foods.

A fine place to start, maybe to toast the season, is with a bottle of red bubbly. That’s right, red. I suggest the unique Italian sparkler from the Piedmont region known as Brachetto d’Acqui (signifying first the grape, then the town). The 2010 Rosa Regale ($20) from the highly regarded Banfi family is deeply fruited (cherry, strawberry) and exuberant, with refreshingly low alcohol.

As a wine that is generally best slightly chilled, Beaujolais is the ideal red for warm weather. From the northern French region of the same name, Beaujolais is made using a special whole bunch fermentation process solely with the gamay grape, known for a flavor profile of mostly bright red fruits, floral, herbal and mineral notes, and lively acidity. I’ve recently enjoyed several good ones from the highly touted 2009 vintage. Whichever level you choose, Beaujolais represent s one of the best values around.

For a good introduction to the region sample a wine labeled “Beaujolais-Villages.” These are blended from specifically authorized vineyards in the northern of the region. A reliable option here is the 2009 Louis Jadot ($13), which shows a typically lighter but fleshy character with touches of licorice and lively red fruits.

Next try a wine from one of the ten most important villages (or “cru”). Here, a great place to start is with the “Flower Label” wines of Georges Dubeouf, probably the most respected and widely available producer. A good one is the 2009 Morgon ($14), which has richness and depth not often found with many other crus.

There also are single-vineyard Beaujolais that are a real treat for their distinctiveness. Two more from Duboeuf: 2009 Moulin-a-Vent “Tour du Bief” ($17) – quite full and rich, with many layers – and especially 2009 Fleurie “Domaine des Quatre Vents” ($17) – floral, full of ripe fruit, yet balanced and velvety.

From the southern France region of Rousillon near the border with Spain comes another option, this time a blend of so-called Rhone varietals. The 2008 Chateau de Jau Cotes du Roussillon Villages ($16) combines syrah, mourvedre, carignan, and grenache to produce an easy drinking wine of darker fruits and soft tannins.

This time of year, I’m especially fond of Portuguese table wine. While the region surrounding the Douro River in northern Portugal is famous for Port, table wine from the area has become a go-to choice for excellent value. The wines are made with the same varieties used to make Port and even sourced from the same vineyards as each winery’s Port.

The 2008 Dow’s “Valle do Bomfim” ($12) offers bright mixed berry fruit, spicy intrigue and a balance of structure with mellow tannins. The 2008 Quinta de Roriz “Prazo de Roriz” ($17) delivers deep fruit, mostly black cherry, and an appealing mineral note in a stylish frame that also finishes with soft tannins. It probably shouldn’t be a surprise that the region known for making the great Port wines would emerge as a contender in quality table wines.

Finally, for those of you who insist on a Cabernet Sauvignon, I submit the 2008 Glen Carlou “Grand Classique” ($20). South African wines have improved significantly in recent years and this one, Glen Carlou’s signature red wine, is a really fine example of a Bordeaux-style blend. The addition of merlot, petit verdot, malbec and cabernet franc results in a wine with impressive complexity for the price. Strong black cherry and plum wrapped in an oak blanket are accompanied by touches of tobacco and mint. The velvety texture compliments a tight structure.

Whether it’s a classic cab, a hearty Douro, a bottle of Mediterranean sunshine, a refreshing Beaujolais, or an effervescent Italian, you can’t go wrong with red this summer.

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Winery at Holy Cross Abbey, A True Local Winery

This month’s column is presented as my contribution to Regional Wine Week. A project of Jeff Siegel, wine columnist for the Fort Worth Star-Telegram, and Dave McIntyre, wine columnist for the Washington Post, the goal is to focus attention on local wineries. With every state now having a winery (Colorado is nearing 70) and quality improving steadily, this a good time to discover (or rediscover) our local wineries. To learn more, check out www.drinklocalwine.com during the week of October 6.

Canon City, Colorado is one of the last places I would have expected to find a winery, let alone a really good one. But that just shows my own ignorance. Being from Denver, I pretty much only knew Canon City as the home of state and federal prisons and the gateway to the Royal Gorge (the world’s highest suspension bridge). But there it is about three miles east of town, The Winery at Holy Cross Abbey. Given the Catholic Church’s long history with viticulture, it shouldn’t be too surprising to find a winery here. Plus, the Canon City area has a log farming tradition, reaching back to the late 1800s that developed on the heels of the nearby mining boom. Benedictine monks built the Holy Cross Abbey in the early 1920s on orchard land. The Abbey was the base for the order and it’s education programs and, of course, the monks made wine.

But times change. Eventually, the winemaking stopped and in 1985, the Abbey school closed. Still, some of the fathers dreamt of resurrecting the Abbey’s winemaking tradition. They hired Matt Cookson in 2000 to consult in the planting of a vineyard on the property. Matt had been a winemaker in New York and in California (where he worked for St. Francis, Keenan and Rombauer) and had been coming to Colorado to consult with wineries on the Western Slope. The fathers realized an opportunity when they saw it and asked Matt and his wife Sally to help them build and operate a winery and tasting room. The couple already had developed an attraction to the area and decided to make the move from California. Over the following five years, the Cooksons built a successful operation. Then, in 2006, the Abbey closed and the Winery’s future suddenly was in doubt. But the timing of the closure was fortuitous. The fathers were able to sell the winery to Larry Oddo, a New York City accountant who had just moved to Canon City the year before with his family looking for a change in lifestyle.

The Cooksons became partners with Oddo in 2007. And with this partnership, The Winery has continued the success that began in 2002, when the winery produced 3000 cases. This year, they produced nearly 13,000 cases, which Matt says may be more than any other Colorado winery. As Matt continues to win awards for his wines, Sally has led the sales and marketing. This has included organizing special events such as hosting fundraisers, a bike ride, an art and music weekend, and the annual Harvest Fest. Sally also has grown the tasting room/gift shop into a bona fide tourist attraction. Housed in a charming cottage, walk through the doors and you might think you are at an intimate family owned winery in California. Within this welcoming environment, you will find bottles of wine, of course; art and crafts from Colorado and around the world; cooking, wine and travel books; and a variety of food- and wine-related accessories.

Tasting of most wines is complimentary, although the Reserves cost $1. There also is a comforting tree-lined park where you can sip wine or eat while enjoying views of the nearby vineyard, the Abbey and the Rocky Mountains. All of this success hinges on the quality of the wines and here there is no doubt. I have tasted many of Matt’s wines over the last few years and continue to be impressed, as I was at the winemaker dinner on the Friday night before this year’s Harvest Fest. As committed as Matt is to Colorado and Colorado grapes (with most grown on Colorado’s Western Slope), he is not afraid to go out of state, if necessary, to get the best fruit. At the dinner, several of the wines were sourced from California and Washington.

We tasted an American Riesling ($14), which Matt considers his flagship. Good acidity lifts peach and apple flavors. And most of the grapes are from Washington. We followed with a crisp, fruitful 2007 Sauvignon Blanc Reserve ($25) made with grapes from Lodi and a succulent 2007 Chardonnay ($19), whose tropical fruit came courtesy of Monterey.  Colorado, though, was well represented by the full, rich 2006 Merlot Reserve ($26), the oaky, curranty 2006 Cabernet Sauvignon Reserve ($26), and the soft, tangy 2006 Cabernet Franc ($22). The meal was brought to a fine completion with the Port-style 2004 Colorado Merlot “Divinity” ($25). The Winery also uses Colorado grapes for its regular release Sauvignon Blanc, ($16) Cabernet Sauvignon ($20), Merlot ($20) and Syrah ($21). The Winery also produces several fun (read mostly sweet) wines: Apple Blossom (from locally grown apples, $12), Vineyard Sunset (White Merlot/White Zinfandel. $11), Colorado Nouveau (whole berry fermented Merlot, $14), and Wild Canon Harvest (a light red wine made from around 21 varieties, $11).

Ultimately, what is equally impressive to me is how the Winery and Matt, Sally and Larry have become an integral part of the local community.  From the hosting of special events and fundraisers to using artwork from local artists Edward Adamic, and Paula Fasken on labels. From hiring area native, Jeff Stolz ,as assistant winemaker to using apples from nearby Colon Orchards and Juniper Valley Farms for the Apple Blossom. And, in what is surely the most populist wine I know of, the Wild Canon Harvest is made from grapes grown by upwards of 100 local growers.  It seems to me this is the essence of Regional Wine Week and of what it means to be a local winery.

THE DETAILS: The Winery at Holy Cross Abbey, 3011 E. Highway 50, Canon City, CO 81212; (719) 276-5191, toll free 877-422-9463; www.abbeywinery.com. The winery is about two hours south of Denver, 45 minutes south of Colorado Springs and 40 minutes west of Pueblo. The tasting room/gift shop is open Monday-Saturday 10-6 and Sunday 11-5.