COULÉE DE SERRANT SEMINAR EXPLORES THE MEANING OF TERROIR AND AUTHENTICITY

What is special, even unique about wine? What distinguishes wine from other beverages, both alcoholic and non? How do we determine quality in wine? Why does wine matter?

To me these were the essential questions at the heart of a fascinating reserve wine tasting seminar I attended at the recent Food & Wine Classic in Aspen. The seminar was billed as a discussion with Nicolas Joly, owner of Coulée de Serrant, and featured a vertical tasting of his iconic Loire Valley wine, Clos de la Coulée de Serrant.

I describe the wines as “iconic” because Coulée de Serrant is an almost 900 year-old vineyard originally planted by Cistercian monks; because the tiny 17 acre vineyard is its own appellation growing only (the little known) chenin blanc within the larger (but also little known) Savennières appellation; because Nicolas Joly is arguably the leading proponent of biodynamic viticulture; and because the wines regularly receive high praise and high prices (around $90-$100, something pretty rare for wines made from chenin blanc); but also because Joly, his methods, and his wines are revered by many but also invite controversy.

Bobby Stuckey (Sommelier at Frasca Food and Wine) introduced Mr. Joly as a visionary who has spent more time thinking about and practicing biodynamic viticulture than anyone. Mr. Joly began by saying, “It’s all about how energy becomes matter,” a statement that succinctly encapsulates the biodynamic philosophy. He added that the main goal is to fully express the place, in this case the Coulée de Serrant vineyard. Hence, the importance of hat the French call terroir.

That terroir is the middle of the Loire Valley, the region of Anjou-Saumur (just to the west of Angers) where the appellation Savennières (a little further southwest) is the epicenter for dry chenin blanc. The steep, south facing slopes of volcanic soils infused with schist (coarse-grained, layered, mineral and crystal heavy metamorphic rocks) yield wines that, as Karen MacNeil (in “The Wine Bible”) writes, “taste like nothing else.”

That’s why Joly emphasized he is a strong supporter of the French “appellation controlee” system, the whole point of which is to “guarantee” that wines produced in a particular place uniquely reflect that place of origin. It’s also why he says, “I don’t only want a good wine but also a true wine.”

A Savennières typically asserts itself with tight acidity that grips the palate on entry. This and an impressive intensity of fruit enables these wines to live longer than almost any other white wine and even most red wines. The most common descriptors include quince, chamomile, honey, cream, citrus, and stone.

To succeed at his goal to be true to the terroir, Joly explained, requires understanding the farm as a biologically diverse system (even part of larger systems – the earth, solar system) and trusting those natural systems to facilitate the operation of their various components to grow the best grapes possible in a given place.

Once I grasped this fundamental orientation, it made sense when Joly said he is “not a winemaker but a nature assistant.” I’ve often heard the statement that “great wine is made in the vineyard.” At times, it has seemed rehearsed, designed to tell consumers and wine journalists what they expect to hear. Not so with Joly.

So how is the wine “made” in the vineyard? The central tenant of biodynamics, as Joly tells it, is to channel the energy of the vineyard to express itself through the vines into the grapes. As a caretaker of the process, the vigneron’s (or wine grower) role is to assist that energy flow to enable the grapes to achieve optimum balance and ripeness.

Similar to organic agriculture, the vines are tended without pesticides, herbicides or synthetic fertilizers and bioengineering and irradiation are off limits. Mr. Joly explained these destroy the “living agents” in the soil. But, like other practitioners of this approach, Joly will employ homeopathic or herbal preparations that are made using substances found in nature and are intended to act on certain aspects of the plant or growth cycle to release the flow of energy.

Then Joly said something that would be heretical in most oenology schools (and caused nervous giggling in the audience): “If the right decisions are made in the vineyard, there actually isn’t much to do in the cellar.” It made me think of an analogy to the world of high fidelity (vinyl) music reproduction, where audiophiles often point out “true” sound quality depends first on the quality of the phonograph (and especially the cartridge/stylus). In other words, if you don’t get it right at the beginning, you have to engage all manner of adjustments down the line to cover up the imperfections.

Mr. Joly continued, with high quality fruit, all he need do is press the grapes; keep the juice in neutral wood barrels; rely on indigenous yeast for fermentation; and pretty much let it all alone until March, only monitoring development and maybe stirring the lees occasionally. Then, he generally does one racking (transferring the wine from one barrel to another leaving sediment behind) and one light filtration right before bottling.

When all is said and done, though, it still comes down to what’s in the bottle. And to me, the eight wines I tasted (admittedly not blind) were a revelation. Joly told us to not expect Clos de la Coulée de Serrant to taste the same each vintage. And the wines in the tasting didn’t. Sure, there were similarities. Each wine to varying degrees showed strong acidity, luscious texture, honey, and an abundance of mostly stone fruits and citrus. Maybe that was the vineyard speaking.

But each wine did have its unique characteristics. An intriguing salty sea breeze quality reminiscent of Spanish Manzanilla Sherry distinguished the 2009. 2008 was the most highly focused. 2007 revealed tangy butterscotch notes, while for 2006 it was caramel apple. I found the 2004 to have the most intense fruit and honey. For 2003, it was the waxy, lanolin-like texture. 2001 was really different showing fennel and tobacco. Finally, orange notes emerged from the 1999, a 12 year-old white wine still incredibly vibrant!

Some have criticized biodynamics as too mystical and weak scientifically (particularly with regard to the more esoteric practices) but Joly argues it requires a deeper understanding of nature and of farming than assumed with the conventional scientific wisdom. Regardless, the most important benefit of biodynamics, at least as practiced by farmers like Nicolas Joly, is it also gives a guarantee of truthfulness in farming and “winemaking.” You know what you are getting, pure, unadulterated produce that is born of a certain place and no other. And we as consumers should be thankful for committed souls like Nicolas Joly for caring enough to assist nature on our behalf.

Can We Taste Terroir?

rich mauro the people's palateWinemakers love to talk about terroir, both of their own vineyards and often that of the region in which they are located. There is a long history of interest in the subject in Europe and especially France. This is probably because of history and culture, but lately one can scarcely talk to an American winemaker without the topic being raised. It can be a challenging subject, though, for consumers. The contribution to a wine of the elements that comprise a vineyard’s or region’s terroir – the soil, climate, weather, environment, winemaker, even the culture – can be difficult (though, not impossible) to identify in the finished wine.

I have found a resource that can help us wade through this complex and often confusing world – an online publication called Appellation America that can be found at www.wine.appellationamerica.com. The journal describes its mission as reporting the “Terroirs of North America.” It covers the wines and wine regions of every state in North America, with an emphasis on the identity and uniqueness of the different growing regions (or appellations). In addition to weekly feature articles, the website also offers an extensive database of the appellations and varietals growing in North America, individual pages and satellite imagery for more than 3,400 wineries, and daily reviews of wine by a group of regional correspondents. I was particularly struck by the Dan Berger’s thought provoking article of December 27, 2006 called “Why Terroir is Essential To Wine Evaluation.” Berger argues that ratings focused wine evaluation has driven winemakers to seek riper, even overripe, fruit that ultimately overwhelms the distinctions of terroir. He says wine critics tend to be impressed with wines of great weight, intensity, richness, and hedonistic flavor, while qualities like varietal character, balance, structure, regional distinctiveness and food compatibility are less important. He further asserts that many wine critics (including the most influential ones) often evaluate wine simply on whether they prefer the flavor or style without considering the wine’s origin, its terroir.

Another article, “Cabernet at its Peak” by Alan Goldfarb on November 22, 2006, which describes the new mountain Cabernet Sauvignon program from Atlas Peak Vineyards, also caught my interest, both because it is a good illustration of Berger’s advice and because I have tasted these four wines. Spring Mountain. The Spring Mountain District is located at 400-2,200 feet elevation on the eastern slopes of the Mayacamas Mountains, directly west of the town of St. Helena. The vineyards, which are comprised solely of residual sedimentary upland soils, are subject to Pacific Ocean influence. This wine shows the red fruit and fine-grained tannins typical of Spring Mountain. It was Goldfarb’s favorite.

Mount Veeder. The Mt. Veeder appellation sits on the eastern slopes of the Mayacamas Mountains (400-2,600 feet), which separate Napa Valley from Sonoma Valley. The appellation is cooler than Spring Mountain to the north, because of winds from San Francisco Bay. Its sandstone, shale, ash and clay soils of volcanic origin are relatively high in acid. This wine has a purity of fruit and is well balanced. It also displays the characteristic chewy, spicy and wild qualities associated with Mt. Veeder. Goldfarb thought it showed the most definitive terroir expression but, ironically, it was his least favorite.

Howell Mountain. Howell Mountain is located east of Calistoga in the northern end of the Vaca Range that forms the eastern boundary of the Napa Valley. The vineyards are at 1,400-2,400 feet elevation and are comprised of mostly volcanic soils. This is the biggest, oakiest, most tannic wine of the group. Yet it also has the most complexity, finesse and balance and deepest fruit. Goldfarb says, “It is the one with the most of everything.” Maybe that is why it was my favorite. Atlas Peak. Atlas Peak is located at the southern end of the Vaca Range due east of Yountville. Cooling afternoon winds from the San Francisco Bay influence the vineyards, which range from 1,400-2,400 feet. The soils are mostly upland volcanic with some alluvium (gravelly loam). This yields a Claret that is powerful and structured, yet quite drinkable right now. That could have something to do with the 34 percent Merlot and 15 percent Petit Verdot in the blend. Goldfarb thinks it is one of the better wines of the vintage and would put it up with great Bordeaux. I wouldn’t go that far but it was my second favorite wine.

Despite their differences, these mountain appellations do have some things in common. Their high elevation translates to more sunlight, though cooler daytime temperatures than the valley floor. This elevation and the slopes of the hillsides result in thin, well-drained soils, which make it is easier to control vine growth and achieve in lower yields. The four wines, all from the 2003 vintage, also have some things in common. They are inky dark, intense and tannic, all qualities often attributed to mountain-grown wines. They also all would benefit from about three years of cellaring. While not unqualified successes, they are all very good to excellent and, more importantly, fascinating studies in terroir – although, at $86 each, admittedly expensive studies. The point here is that understanding more about a wine’s origin will help us appreciate the wine better. I came across two more examples of this recently with wines from Carneros and Dry Creek Valley.

Carneros is located at the northern end of San Pablo Bay (it once was under the water) about 45 miles north of San Francisco. The region straddles Napa and Sonoma counties and naturally is heavily influenced by this large body, which, ironically, serves both to cool and insulate the area. So, while Carneros generally is cooler than the more northern areas of Napa and Sonoma, it also is given to less extreme climactic conditions. Overnight lows are warmer and daytime highs are cooler; winters are warmer and summers are cooler. Proximity to the water also means fog and winds further lower temperatures and dehydrate the vines, while low rainfall challenges the vines furthers and the generally shallow heavy clay and gravel soils make it difficult for the roots to grow deep to find much needed moisture. All of this stress conspires to challenge the vines, delay ripening, and make for a longer growing season, ideal conditions for extra flavor development and acidity. It also means Carneros is ideal for growing chardonnay and pinot noir.

Which brings me to Buena Vista Estate, situated right in the middle of the Carneros region. Buena Vista was one of the first wineries to invest in the region when it began planting vineyards in 1969. The winery now has the largest vineyard holdings in Carneros. Buena Vista has released a fascinating new portfolio of limited-production, clone-specific wines that showcase the winery’s estate Ramal Vineyard. These wines (all from 2004) are made from grapes planted in small vineyard blocks with the rootstock/clone combinations dictated by soil type and exposure. The Chardonnays (all $34) display typically crisp Carneros acids, yet a medium body and elegance, with tropical (I sensed pineapple) fruit. The “Ramal Vineyard” also offers nutty and citrus notes and a viscous texture. The “Dijon Clones” also has citrus with toasty, mineral elements. The “Clone 17RY” is the most complex, with a steely quality, brown butter, crème bruleee, and citrus. The Pinot Noirs (all $38) exhibit characteristic Carneros elegance with earthy cherry and strawberry qualities and a silky mouth feel. The “Ramal Vineyard” also carries brown spices, blackberry, raspberry, and a hint of fennel. The “Dijon Clones” leaned more to cinnamon, strawberry and watermelon. The “Swan Selection” was smoky, with pure cherry essence, a velvety texture, and bright acidity.

Dry Creek Valley is a stark contrast to Carneros. Although a large body of water and fog also influence this region, they do so much less than in Carneros. This has a lot to do with its farther north (approximately 70 miles north of San Francisco Bay) and more inland (20 miles from the Pacific Ocean) location, as well as its topography of coastal hills. That topography is a product of uplifting and folding of Pacific tectonic plates, resulting in a long, narrow valley with quickly changing slopes. Thus, there are a high proportion of benchland and hillside vineyards relative to the valley floor. The soils on the benches and hills mostly are gravel and clay loam, while the soil on the valley floor, deposited by Dry Creek over thousands of years, is primarily gravel and sandy loam. Dry Creek Valley also warms up earlier in the day and reaches higher average temperatures than almost all the other growing areas in Sonoma County but also gets cooler at night. Although, cabernet sauvignon and zinfandel are roughly on a par as far as acreage and sauvignon blanc and Rhone varietals show promise, Zinfandel is the most important grape. The terroir of Dry Creek Valley yields fruit that makes for intense, jammy Zinfandels, with crisp acidity and a fruitful finish.

I could have spent the whole column (and have in the past) on the many wonderful Zinfandel producers from this appellation. But I think the 2004 Zinfandels (all $24) from Mazzocco Winery, make a good case in point. Although I have found Mazzocco’s wines uneven in the past, these new releases represent significant improvement and reflect their origin well. The “Home Ranch” has spicy, oaky notes with briary cherry and plum. The “Quinn Vineyard” leans more to toast and brown sugar, cassis and crisp acids. The “Cuneo & Saini Vineyard” also offered toast and brown sugar notes but added black cherry compote. So, bottom line, I recommend taking some extra time to learn a little about what you are drinking. I think you will enjoy the wine more.