GERMANY’S RIESLINGS ARE “SWEET” EVEN WHEN THEY’RE DRY

 

Normally I would find it a challenge to drink nothing but white wine– and only one type of white wine at that – for and extended period of time.

 

But this was German Riesling (my personal favorite white wine and arguably, at its best, the greatest white wine in the world) and I was in the Rheinhessen, Nahe, and Mosel on a press trip hosted by the German Wine Institute.

 

So, in this case, it was no challenge at all. It always has confounded me that Americans don’t appreciate this wonderful wine more. Interestingly, this was a topic of discussion with every grower we met. The two most common explanations we heard – and they are not exclusive of each other – were Americans assume all

German Riesling (actually all Riesling) is sweet at a time when most Americans prefer dry wine. And, to make matters worse, the traditional labels are complex and confusing to consumers such that most can’t tell what they are buying.

Many German producers have responded by simplifying their front labels, often prominently displaying “Riesling” and using only a brand name or just the name of the village or the single vineyard, then putting all the traditional, still legally required information on the back label (for wine geeks like me who appreciate that sort of thing).

They also are working hard to educate consumers (and trade and press) about the variety and high quality of Riesling, hence a major reason for this trip. The main mission seemed to be to emphasize there actually is a lot of dry German Riesling and it is really good stuff!

Still, the basic marketing approach seems a bit schizophrenic, even though it may just be reflecting the contradictions of the American market. Every producer we met with who makes any sweet or off-dry wine said that’s what they mostly export to the U.S. They said it’s because that’s what most U.S. consumers want. Most of their dry wine goes to other markets but they hope to change that.

I guess economic realities dictate they sell what consumers like. Meanwhile, they pursue a parallel strategy to promote their dry wines, in the hope of (even if gradually) building demand. And quite frankly, I’m happy to help. As much as I love the sweeter wines, I was greatly impressed (quite blown away actually) at just how delicious the dry Rieslings were/are.

Before I get into the specific wines and wineries, a few thoughts. Looking back on the four days of winemaker/grower visits, a number of patterns emerge. Although the fifteen growers we visited aren’t a scientifically randomized sample, I do think they are representative of the trends among the best German producers in the top regions.

The first thing I noticed is they are small, especially compared to, say, most California wineries. The exception to this and all of my subsequent observations is Moselland, the largest winery we visited, making 2 million cases annually. Most of the growers we visited produce fewer than 20,000 cases and for several it’s more like 5000.

All of the wineries on our trip are family owned operations that have been in the family business for generations. Many have at least two generations working at the winery. In almost every case, a father had recently retired from day-to-day operations and a son (no daughters on this trip!) had recently taken over as winemaker. The fathers usually were still involved either in the vineyard or basically in a consultant role in the cellar. It also was common to find grandmothers, mothers and sisters helping out with other aspects of the business.

I think all the growers we met are primarily estate producers, meaning they use only grapes from vineyards they own for most of their wines. In a few cases, they also buy fruit to supplement their own to produce their entry level wine (basically a higher volume introduction to the winery).

Each of these estates had their own family history to recount. In most cases, that family history extends at least 150 years, in some as far back as 500 years!

Of course, there wouldn’t be anything to write about without the amazing vineyards. And each grower showed a certain pride, even reverence for their vineyards. We especially heard a lot about slate – the layered, metamorphic rock of sedimentary, clay and sometimes volcanic origins notable for high mineral and crystalline content. These slate soils are prized for their ability to hold moisture and heat and to impart a distinctive sense of those minerals in the resulting wine.

Something else I found interesting about those families and their vineyards: these vineyards don’t have just one owner, as is the case in most other wine regions around the world. In Germany, especially with the top vineyards, ownership is more like what you will find in Burgundy. As I understood the explanation from our hosts, because of Germany’s inheritance laws (dividing property equally among the heirs) and the hundreds of years properties have been passed down, ownership in these top vineyards commonly is shared among dozens of owners.

One thing this did was provide opportunities to compare wines from the same vineyards made by different growers. I’ll discuss that and more about the specific producers and their wines in my next column.

GREAT WINEMAKERS AND FABULOUS WINES CONVERGE ON ASPEN

For me, one of the best things about the Food & Wine Classic in Aspen is the opportunity it presents to meet winemakers and winery owners and to taste wines from producers whom I seldom or never get a chance to try. And this year, the event’s 30th anniversary shined on that score.

For instance, I had a chance to sit down with winemakers for two iconic (an over used word but it applies in this case) California wineries.

Saturday morning over breakfast I met Gina Gallo, the winemaker for Gallo Family Vineyards in Sonoma. Ms. Gallo, who has been a winemaker for the family for more than two decades, was anxious to tell me about (and have me taste) her new portfolio of wines: the Gallo Signature Series. She explained she wanted to make wines that reflected the best of what California’s top growing regions (particularly her family’s estate vineyards)have to offer.

So, signature has a triple meaning: grapes from signature California wine regions, wines made with special care by Gina Gallo, and labels bearing her signature. “I’m excited to have Gallo estate wines back in the market and to be back working with these wines full time after my recent maternity leave [twins!], Gina said while I sipped the three new wines. First, a well-balanced 2010 Chardonnay ($30) from the Laguna Vineyard in Sonoma. Then a full flavored 2010 Pinot Noir ($35) from Olson Ranch in the Santa Lucia Highlands of Monterey. Finally, a bold and structured 2009 Cabernet Sauvignon ($40) from the William Hill Estate in Napa (buttressed with fruit from the famed Monte Rosso Vineyard).

I would say the wines reflected the personality of their maker: reflective of their origins but with their own expression, welcoming but with depth. I look forward to following the evolution of this portfolio.

That afternoon, I joined Corey Beck, the winemaker for Francis Ford Coppola Winery, for snacks andconversation. Corey began with a little history. In 1975, Francis Ford Coppola and his wife Eleanor purchased portions of the historic Inglenook property and renamed it Niebaum-Coppola to honor Gustav Niebaum who founded the winery in 1879. They quickly established the property as a respected producer and as a major destination for tourists. They have now acquired the rest of the property and recently announced the winery henceforth will again be known as Inglenook again.

In 2006, the Coppola’s purchased the Souverain property in northern Sonoma. They renamed it Francis Ford Coppola Winery and moved production of most of their portfolio there. They also put Corey in charge of all winemaking operations.

Corey has a life long connection to California wine, essentially growing up alongside his grandfather who was the vineyard manager for Napa Valley’s renowned Chateau Montelena and later as their Cabernet Sauvignon Cellar Master. Corey joined Coppola in 1998 as the assistant winemaker. He now oversees seven wine brands including Diamond Collection, Rosso & Bianco, Sofia, FC Reserve, Votre Santé, Director’s, and Director’s Cut. It also is worth noting Coppola has turned the winery into a major tourist destination with a gourmet restaurant, a swimming pool, bocce, and a movie gallery.

Circumstances prevented us from tasting any of Corey’s wines but I really enjoyed the conversation and the history. I also have recommended Coppola wines before and look forward to reporting about new releases in the coming months.

I also made numerous discoveries in the Grand Tasting Tent, where producers from all over the world display their wares. This year I ended up on sort of a world tour.

The journey started at the Wines of Germany table. Wines of Germany has hosted tables here for many years and I always make a point to stop by to taste samples of Riesling (my favorite white wine) from the country that does it best.

With Aldo Sohm, Wine Director of Le Bernadin Restaurant and Michael Schlemmel of Wines of Germany

Next Spain. Wines of Spain for many years has hosted a whole tent as a separate location within the Grand Tasting park and it is always a great place to hunt for new wines. This year I was especially impressed with the wines at the “Drink Ribera” (that’s Ribera del Duero, one of Spain’s most important regions).

From there it was a short walk to the Inter-Rhone table to taste through samples of Cote-Rotie and Chateauneuf-du-Pape and to a nearby table for a taste of Champagne Nocholas Feullate, even their Grand Marque “Palmes d’Or.”

Then it was a visit to the tables of the Instituto del Vino-Grand Marchi. This organization brings together 19 of Italy’s most important wineries, all family owned. I was giddy tasting wines from such producers as Antinori, Donnafugata, Pio Cesare, Michele Chiarlo, and Tasca d’Almerita.

With Allegra Antinori

I finished my tour in California. First I enjoyed tastes of the flagship red of Beaulieu Vineyard, the 2008 Georges de la Tour Private Reserve Cabernet Sauvignon, along with the 2008 Tapestry Reserve (Bordeaux-style blend), and 2009 Rutherford Cabernet Sauvignon.

I concluded with the founder of Buena Vista Winery, Count Agoston Haraszthy. Actually, it was actor George Weber playing the role convincingly (actually how would I know, since Haraszthy is long dead, having founded the winery in 1857). And Buena Vista now is owned by Burgundy-based Boisset Family Estates. But I was happy to have the Count, I mean George, taste me through several wines from Buena Vista (I especially liked the 2008 “The Count” Founder’s Red), and other Boisset-owned California properties: De Loach (2009 Green Valley Pinot Noir), and Raymond (2008 Raymond Rutherford Cabernet Sauvignon).

Needless to say, it was another year of discovery at the Food & Wine Classic in Aspen. I already can’t wait for next year.